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#16
05-05-2024, 06:41 PM
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This very much sounds like Shure’s tilt at a D7 style dynamic with condenser style air and top detail.
The D7 was a gamechanger for me. I’ve used them for 10yrs or so and am always delighted with my live sound. By contrast, I have never been able to get along with the Beta 58. I find them thin and lifeless when pushed by a loud vocal (I’m a light tenor but have a naturally very loud voice), the opposite of a 58 which seems to become wider and bloom in a particular way when hit hard with high vocal SPLs. If the Nexadyne is as good as a D7, Shure will make a lot of money here. Video demos are always a bit hit and miss with vocal mics…I need to try it in a live room.
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'67 Gibson J45 (K&K) ‘81 Eko Ranger IV (weird factory Electra pickup) '95 Gibson Dove (MagMic) ‘97 Martin D18GE (Sunrise) ‘01 Takamine EAN46C (Palathetic and CT4B) '02 Takamine EAN20C (Palathetic and CT4BII) '15 Gibson SJ200 Standard (Sunrise) ‘19 Vintage Paul Brett Viator VC Classical ‘20 Sigma CF-100 copy (Sunrise) Capos by G7th, amplification by AER. 
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