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#1
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Has anyone found settings/tweaks in the Zoom A1 Four that have a similar sound to TC's Bodyrez? I'm trying to downsize my pedalboard footprint. The only thing I use my TC Helicon Play Acoustic is for the acoustic guitar sound (with bodyrez). I've messed around with the D-28 preset settings, but haven't had any luck yet. Thank you
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#2
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I don’t have any experience with the Body Rez, but I’ve heard that it applies some compression to the signal. I’ve been using the compressor simulation that just says “comp” on it. I set the sensitivity to 2 or 3 for my uses, depending on the pickup (the lyric mic needs more compression than a soundhole mag. The mag signal is already somewhat compressed.) I set the release parameter to FAST and the tone to 5.
As for the guitar modeling, I think it’s a little more helpful for mags than USTs. My ears tend to favor the OOO-28 model for some reason. The modeling isn’t terribly strong, and you can’t adjust the dry/wet blend like you can with the Aura Spectrum processor. I don’t use the modeling at all with the Lyric, the Anthem SL or the iBeam SBT. I think it helps a bit with USTs and mags. One nice thing about the models is that you can adjust the gain to accommodate for the signal strength of whatever guitar/pickup rig you’re creating the patch for. The A1-Four has many EQ device simulations which can be used in creating patches. The Baggs Venue simulation, the Boss GE-7 simulations and “parametric” EQs are personal favorites. It also has a basic three band manual EQ (in the PLAY mode) for any “quick and dirty” EQ adjustments which you may need to do at the gig. Last edited by guitaniac; 09-24-2023 at 01:23 PM. |
#3
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Thank you, I'll need to look up/become more familiar with a few of the specific effects you mentioned, I'm a violinist that plays guitar so I'm not always familiar with some of the terms. I primarily use a Takaminie acoustic/electric in a looping setting as the rhythm guitar, arpeggios, and the beat, stacking violin parts on top and playing on top of that. The bodyrez gave a lot of body and fullness to the beat I would tap out on the body and bridge. I didn't realized the nice job it was doing until I took it out! Thanks again for your help, very appreciated.
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#4
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The Takamine guitars have six large piezo crystals mounted below the saddle. Applying some compression will likely give you a fatter and more sustained sound when you tap on the guitar top near the bridge.
Guitarists who do a lot of tapping usually have a soundboard pickup mounted under the bridgeplate, but using a guitar patch which applies some compression and reverb will hopefully enhance your tapping sound sufficiently. I assume that you’re already using some of the A1-Four’s effects for your violin and are already familiar with how to create patches for a pickup equipped instrument. |
#5
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I'm already getting better sounds with your compression suggestions, will dive a bit deeper into the EQ simulations in a bit. For violin, I'm fairly set with my looping rig sound with an older Zoom multi-effects unit that I've gotten a ton of milage from. I know the A1 Four has specific violin presets, and at some point I'll give those a go.
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#6
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I considered a similar question a while back, and tried to determine exactly what the BodyRez was doing...
Quote:
I hope that's some help. |
#7
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Thank you, interesting and helpful info. low level saturation/distortion is surprising, but I can see how that might add to the magic happening under the hood.
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