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#16
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I resorted to it after trying preamps with a lot of features that didn't really help. The Fire-Eye engineers do all the tweaking for you so you don't have to. Result: a a treble knob, a boost knob, a boost switch and — nothing else! You spend less time tweaking and more time playing. |
#17
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I'm kind of a Luddite. If what I have still works as good as ever and does the job, there's no reason for me to get the latest/greatest. Of course I'm still camping in a 1987 Airstream (pulled by a 2009 Chevy pickup), taking my 1993 (two-stroke outboard) ski boat out and riding a 1985 Harley. And living in a (significantly remodeled) house built in 1961.
My Redeye is still great, though it'd be nice if I had the 9 volt power plug-in like the newer ones (though I'm sure I could and might do a DIY upgrade). |
#18
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The RedEye gear is better than many, but I prefer and use the sunnaudio
DI-2 Prestine. Before that, I used the precursor to the Prestine called the Stage DI. It has a subset of the Prestine features and also sounds great. My main pickup is the Sunrise. |
#19
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I went through a long search for a good DI and settled on the redeye. I have zero regrets. I was using the K&K pure preamp. Its just fine but I like the phantom power of the redeye and that is what sold me on it. Along with the boost feature.
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Some Martins |
#20
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I have an ancient Red Eye, but that picture is even more old. I’m fairly certain mine is surface mount. I’d love to flip the board over, but it is suspended in the case attached by many leads. I’d have to desolder it to view the board. The back of the board has very few holes or vias. I suspect the poster’s Red Eyes broke because of one of those flying leads or, more likely, water corroding a jack or potentiometer. The Red Eye components are high quality, but will probably still corrode someday. I make preamps myself, and I am amazed by how good surface mount sounds with the right design and components.
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------------------------------- Gibson J45 12 string Gibson J45 Studio Walnut 6 string Furch D24 SR 12 string Rickenbacker 330w 6 string |
#21
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I found the Empress ParaEQ MKII Deluxe to be the ultimate K&K solution. Far more control and fine tuning, while staying in that pure analog realm, and being in a small form factor
Red Eye needs to add a HPF and sweepable mids to their line which are basic first steps for any K&K. |
#22
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2007 Martin D 35 Custom 1970 Guild D 35 1965 Epiphone Texan 2011 Santa Cruz D P/W Pono OP 30 D parlor Pono OP12-30 Pono MT uke Goldtone Paul Beard squareneck resophonic Fluke tenor ukulele Boatload of home rolled telecasters "Shut up and play ur guitar" Frank Zappa |
#23
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Also, is it easy enough to engage the boost switch without accidentally hitting the other foot switch right next to it? I use clean boost for solo's a lot for my live shows.
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Martin DC-18E (Ambertone) Martin HDC-28E Martin D-18 (2015) Collings D1 Traditional Emerald X20 Fender CS '63 Telecaster Custom Collings I-35LCV Collings I-30LC Collings 290 www.heartsoulaz.com |
#24
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Yes, the HPF helps a lot against feedback when volume gets louder.
My only complaint would be the narrow distance between mute button and boost button. I always have to be very careful when hitting the boost without muting the whole unit, but once you are used to it, it works.
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Blazer &Henkes HD18 & OM18, Altman Super SS-2+, Kopp K-35, Gibson 1941 J-35, 1964 J-45, Martin 1934 017, 1951 D18, 1956 018 mandolin family, Weissenborn, dobro, lap steel, pedal steel, 5-string banjo pickups: Dazzo, Schatten, K&K, Sunrise mics: Schoeps CMC6MK4, DPA4061, Neumann KM85 preamps: Grace Felix 2, SunnAudio, ToneDexter, RedEye https://www.youtube.com/@roberthasleder1526 |
#25
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As to the boost, I put the Big Button on the boost switch and leave the
mute button naked. This has worked fine for me. The Prestine is a great sounding unit. |
#26
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Literally was gonna post this suggestion but will just second it.
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‘97 Taylor 555 12 string ‘17 Martin HD 28 ‘19 Martin CEO 9 ‘20 Gibson 1960 Hummingbird reissue Old Alvarez beater RD10 I think Note to self: Never play a guitar you aren’t willing to buy. |
#27
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Yes! All the time
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#28
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I have one in mint condition for sale. I am in Virginia, USA.
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#29
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Call Darin at red eye. When I inquired about getting rid of the 9 volt power cable I use, he sent me a Jack to wire it into my case so I can plug it straight in to my voodo labs power supply. Great customer service.
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1985 Ovation custom balladeer 1984 Kramer Focus 1000 1985 Fender American standard strat 1993 Gibson Les Paul Standard 2002 Taylor 310CE 2008 Martin OMC16REP 2013 Taylor 816CE 2016 Kindred OM Little Martin travel guitar Taylor GS mini Red eye preamp Fender Hot Rod deluxe Fishman soloamp Bose L1M2 B2 sub Vintage boss pedals Www.strummingtunes.com |