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which is the best , and for what, and why? The Warm 47 Jr. or the Lewitt 440 Pure ? Or am I missing a sleeper? ...for voice and acoustic instruments. Understanding that the $300bucks transfers to $400bucks where I live, so any mic above $300 would only be that much higher or more. And the Lewitt and Warm are easily available on amazon, where others might not be so easily obtainable, like Roswell for example. A possible sleeper ....the Avantone cv12 ?? The Bstock at sweetwater has it for 320. Or the SE 2200 also for 6000p on amazon ? I want to go to another level above my KingBee, which I really like. 6000p is about my limit/thanks for your opinions.
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Goya g10, Yamaha CN525E, 10string classical, Babilon Lombard N, Ibanez GA5TCE Alvarez a700 F mandolin, Epiphone Mandobird Ovation 12 string 1515 Takamine F349, Takamine g340, Yamaha LL6M '78 Fender Strat Univox Ultra elec12string Lute 13 strings Gibson Les Paul Triumph Bass Piano, Keyboards, Controllers, Marimba, Dusty Strings harp |
#2
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I have a Roswell mini K47, so that would be what I would get if I didn't already have one. (I'd get it directly from Matt at Roswell.too...)
It took me a couple of tries to get a set of Avantone sdcs that would actually stay together, so I'm not terribly impressed with their level of quality. Hopefully the CV12 is better. Be cautious of any mics "readily available" on Amazon. Some reputable companies such as Rode have in the past posted warnings posted on their websites relating counterfeit versions of their products for sale on the Amazon website. You wouldn't think they would go to the trouble of doing knock-offs of mics, but where there's a buck to be made someone will do it. There are loads of counterfeit SM57s marketed every year, so do use caution. Last edited by Rudy4; 09-03-2023 at 06:36 PM. |
#3
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I'd suggest a miktek mk300 over the 47 jr. I haven't tried any of lewitt stuff yet, but I've been considering a 441 flex.
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#4
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Interesting mic. I don't know how it escaped my attention. Can you give reason(s) ? I'll keep it on my radar. See if it pops up on amazon.mx.
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Goya g10, Yamaha CN525E, 10string classical, Babilon Lombard N, Ibanez GA5TCE Alvarez a700 F mandolin, Epiphone Mandobird Ovation 12 string 1515 Takamine F349, Takamine g340, Yamaha LL6M '78 Fender Strat Univox Ultra elec12string Lute 13 strings Gibson Les Paul Triumph Bass Piano, Keyboards, Controllers, Marimba, Dusty Strings harp |
#5
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Goya g10, Yamaha CN525E, 10string classical, Babilon Lombard N, Ibanez GA5TCE Alvarez a700 F mandolin, Epiphone Mandobird Ovation 12 string 1515 Takamine F349, Takamine g340, Yamaha LL6M '78 Fender Strat Univox Ultra elec12string Lute 13 strings Gibson Les Paul Triumph Bass Piano, Keyboards, Controllers, Marimba, Dusty Strings harp |
#6
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One of the Roswell mini Ks.
Or between the Warm and the Lewitt, the Lewitt. |
#7
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So I guess all that to say, it's just an opinion, but maybe take a look at it. |
#8
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How would I know where you live by reading your first post? You're forced to spend your money at Amazon, but directly reference Sweetwater? Sorry, I'm ignorant of how international borders influence how you spend your money. |
#9
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I’ve had an MK300 for some years and they are a nice mic at that price point. Shows up in a few “top 10 under $500” lists (e.g. Sweetwater). They seem to go on sale for a super price of $200 every so often so worth watching for that. I’m not wild about their shock mount if I had to mount/dismount a lot as it’s a bit more plastic-y than the C214 I have - maybe they’ve improved it from the original design? But, sonically, I think it sounds a bit flatter and works better for my voice, and it’s multi-pattern.
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"I know in the morning that it's gonna be good, when I stick out my elbows and they don't bump wood." - Bill Kirchen |
#10
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Goya g10, Yamaha CN525E, 10string classical, Babilon Lombard N, Ibanez GA5TCE Alvarez a700 F mandolin, Epiphone Mandobird Ovation 12 string 1515 Takamine F349, Takamine g340, Yamaha LL6M '78 Fender Strat Univox Ultra elec12string Lute 13 strings Gibson Les Paul Triumph Bass Piano, Keyboards, Controllers, Marimba, Dusty Strings harp |
#11
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The 3 Zigma CHI line of mics are certainly sleeper mics. Their modularity and capsule varieties make it easy (or difficult depending on how you look at it) to grow a decent collection of mics at reasonable prices.
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#12
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https://tyfordaudiovideo.blogspot.com/ Also Sound On Sound does pretty technical reviews of everything including mics. But I'm not sure technical helps with mics as much as some other things, other than a few basics like self-noise. Specs are one thing, in use, in your studio, with your voice/guitar is another.
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Music: Spotify, Bandcamp Videos: You Tube Channel Books: Hymns for Fingerstyle Guitar (std tuning), Christmas Carols for Fingerstyle Guitar (std tuning), A DADGAD Christmas, Alternate Tunings book Online Course: Alternate Tunings for Fingerstyle Guitar |
#13
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...and scrolling down Ty's site to 2015, I was nicely surprised to see b&h's mic room. That would be a day well spent.
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Goya g10, Yamaha CN525E, 10string classical, Babilon Lombard N, Ibanez GA5TCE Alvarez a700 F mandolin, Epiphone Mandobird Ovation 12 string 1515 Takamine F349, Takamine g340, Yamaha LL6M '78 Fender Strat Univox Ultra elec12string Lute 13 strings Gibson Les Paul Triumph Bass Piano, Keyboards, Controllers, Marimba, Dusty Strings harp Last edited by kurth; 09-06-2023 at 10:02 AM. |
#14
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the sleeper I'm looking at now is the 512 audio skylight. Anyone hear of those? 512 Audio is owned by Warm. the skylight is tuned for voice and has a 34mm diaphragm. https://512audio.com/product/skylight
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Goya g10, Yamaha CN525E, 10string classical, Babilon Lombard N, Ibanez GA5TCE Alvarez a700 F mandolin, Epiphone Mandobird Ovation 12 string 1515 Takamine F349, Takamine g340, Yamaha LL6M '78 Fender Strat Univox Ultra elec12string Lute 13 strings Gibson Les Paul Triumph Bass Piano, Keyboards, Controllers, Marimba, Dusty Strings harp |
#15
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The biggest problem with someone suggesting a mic is that it could very well sound great on their voice or guitar, but not be well suited for yours.
That’s why some mics are so highly prized for their neutrality (like a U67) or for their ability to make most sources sound great (like a U47 or M49). Those are all mics that you can buy & know they will be great. But, they’re also all super expensive (with a” real “ U47 running around $30k in very good condition), which makes the $8k for a U67 almost seem like a deal (almost [emoji2957]). The reality is that the cheaper mics will have far more variation than any of the classic Studio workhorses. You may just need to make your best guess & take a chance (but check on the return policy).
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-Steve Too many acoustic & electric guitars, basses, mandolins, violins, dulcimers, trumpets & percussion instruments to list. |