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#61
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Looking good!
It must be super nerve-wracking to bend sides, particularly with a cutaway. Keep the pics coming! I'm loving how this is coming along! ![]() |
#62
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Since John had not bent Malaysian Blackwood before, he was cautious in how he approached it. As it turns out, it is a well behaved wood that bends beautifully without much spring back...
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A bunch of nice archtops, flattops, a gypsy & nylon strings… |
#63
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There are many mitered joints on a guitar and John was kind enough to share a few shots of how he achieves these with me. Here John is using a guide block and a sharp chisel to miter the end of the cutaway side Malaysian Blackwood rim by the Khaya end block.
![]() Here is the freshly mitered edge of the side rim. ![]() The small Malaysian Blackwood side piece that will covers the neck block with its miter being fitted. ![]() ![]() Here is finished, mitered joint. The Malaysian Blackwood rims have the landscaping figure lined up across the three pieces that form this portion of the sides. ![]()
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A bunch of nice archtops, flattops, a gypsy & nylon strings… |
#64
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What elegant work. You must be immensely satisfied!
Steve |
#65
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Beautiful work, and very cleverly done.
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Dave Bianchinguitars.webs.com |
#66
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That’s coming along beautifully. Loved the photos of the miter-in-the-making.
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Circa OM-30/34 (Adi/Mad) | 000-12 (Ger/Maple) | OM-28 (Adi/Brz) | OM-18/21 (Adi/Hog) Fairbanks SJ (Adi/Hog) | Schoenberg/Klepper 000-12c (Adi/Hog) | LeGeyt CLM (Swiss/Amzn) | LeGeyt CLM (Carp/Koa) Brondel A-2 (Carp/Mad) |
#67
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i didn't realize the miters were hand cut that that. What skill.
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Multiple guitars including a 1979 Fender that needs a neck re-set |
#68
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A bunch of nice archtops, flattops, a gypsy & nylon strings… |
#69
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John uses kerfed Spanish Cedar linings for his top linings and kerfed Honduran Mahogany linings for his back linings because they can be readily seen through the sound hole and tend to cut cleaner and unlike Spanish Cedar they don’t weep resin (or as John lovingly refers to as “aromatic snot”)over time.
![]() Here is a shot of the top linings being glued into the Malaysian Blackwood rim assembly with Khaya neck and end blocks. ![]()
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A bunch of nice archtops, flattops, a gypsy & nylon strings… |
#70
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#71
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![]() Given that the mahogany kerfing is better, I’m curious why he doesn’t use mahogany for the top lining as well? The guitar is going to be spectacular and the soundhole adds new meaning to the expression nothing to sniff at (although it will probably still be something to sniff, just not as much as if the top lining were cedar, too). |
#72
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I am not sure that it is "better", just aesthetically cleaner in an area that can be seen...
![]() Different luthiers use different materials (Spruce, Poplar, Basswood, Port Orford Cedar, Spanish Cedar, Mahogany) and designs of linings (kerfed, reverse kerfed, solid and tentalones). Spanish Cedar is about 20% less dense than Mahogany on average but is 90% as stiff as a material. For example, Bruce Sexauer uses Red Spruce Tentalones (peone) top linings. They are 25% less dense than Mahogany on average but is >5% as stiffer as a material. Different builders view the roll of linings and rims differently depending on their approach. Quote:
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A bunch of nice archtops, flattops, a gypsy & nylon strings… |
#73
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#74
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The kerfed Spanish Cedar top linings installed, John has moved on to install the kerfed Honduran Mahogany linings. John uses both Rosewood and Mahogany side reinforcement strips in his guitars. For mine, he is using Honduran Mahogany side reinforcement strips (next step in rim assembly).
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A bunch of nice archtops, flattops, a gypsy & nylon strings… |
#75
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May I ask when you ordered your guitar? It looks great and I'm sure it will sound great, pure John Slobod.
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