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#226
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Fred |
#227
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The JB-CN is shaping up.
When I make peone with which to connect the sides to the top, I make enough for about 5 guitars. That's about as close to a "Production" move as I come. They are made from brace material, in my case Adirondack spruce. I rip the spruce into roughly 3/8" x 17/32 strips which are parallelogram shaped in cross section, 1 1/2 degrees off square. Then I cross cut them on the table saw using the same blade that I slot my fingerboards with. That's what these pictures represent: ![]() ![]() The sides for this guitar look spectacularly good to me, but for reasons beyond my understanding were unusually challenging to bend . . . if fact I broke the cutaway section to smithereens. But I have plenty of scrap BRW, so I chose a piece with the right coloration, and it bent as easily as one could hope. It is not as quartered as the rest of the sides, but will suffice. Here is the box waiting for me to complete making the peone. ![]() ![]() ![]() |
#228
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For any interested parties, this is a very nice mahogany / adi guitar.
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Multiple guitars including a 1979 Fender that needs a neck re-set |
#229
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The tonal target for the Adi/Hmah 000C was to be as dry as Martins 1930 guitars tend to be, and Jmat and I do agree that the target was achieved. Although I am at the moment smitten with my recent Ceylon Satinwood JB-16, it would be easy to console myself with the 000C if someone takes the JB-16 off my hands at the coming Woodstock event. I am not yet certain what I will bring to the show, but currently I am thinking: 1, the all Myrtle CN 2, the Olive L00 3, the Ceylon Satinwood JB-16 4, the BRW FT-15 ‘31 OM emulation 5, the Jmat 000C trade-in Y’all have watched me build all of these here in the AGF, I imagine it would be very interesting to find out what they are really like. I hope you do! |
#230
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Am I overlooking the Jmat trade in on your website?
Thanks Paul
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For Sale: 1995 Taylor LKSM 12 https://www.acousticguitarforum.com/...d.php?t=677895 3 John Kinnaird SS 12c CUSTOMS: Big Maple/Cedar Dread Jumbo Spanish Cedar/WRC Jumbo OLD Brazilian RW/WRC R.T 2 12c RW/Claro 1995 & 96 LKSM 12s 552ce 12x12 J. Stepick Bari Weissy WRC/Walnut More |
#231
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https://sexauerluthier.com/FT-000-C-2020.html I know because it's "my" guitar - aside from the minor issue that I can't afford to purchase it due to recent guitar over-consumption ![]() Last edited by Dogma; 10-10-2022 at 02:17 PM. |
#232
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#233
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Thank you for the kind words and clarification, Ms Dogma.
I closed the JB-CN to day: ![]() ![]() ![]() ![]() ![]() |
#234
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The top is bound, and the back will be by tomorrow, barring the unforeseen.
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#235
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Beautiful work, Bruce!
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2013 Stehr Auditorium (Carpathian/Myrtle) 2015 Stehr Auditorium (Adi/BRW) 2020 Baranik Meridian (Blue Spruce/Manchinga) 2020 Wilborn Arum (Tunnel 14/Coco) 2021 Kinnaird Graybeard (BC Cedar/Bog Oak) 2022 Kinnaird CS Student Build (Adi/Padauk) |
#236
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#237
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Here's the last 1 1/8" of binding going on the JB/CN:
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#238
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On 10/19 I fly to Albany, NY, and then drive to Woodstock (yes, that Woodstock) to show in the Woodstock International Luthier's Showcase (WILS). I will have my latest work with me, as well as my friend Tad Laird to assist. If you wonder what happens when a guy spends 55 years working toward making uncompromised music tools, the show is open to the public 10/21, 10/22, and 10/23 in the Bearsville Theater. There will be a number of other top drawer luthiers there as well, if I'm not enough for you.
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#239
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The JB-CN is bound and ready for the graft and the dovetail cavity, then on to the neck. I am getting ready for Woodstock, so progress will slow down a bit.
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#240
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Absolutely gorgeous work Bruce.
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Treenewt Larrivée OM-03 Eastman E8OM-TC Eastman E2D-CD |