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#46
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I've got a mixer and an SA220. I only bring the mixer to my gigs if other musicians are joining me. For solo gigs, I bring only the SA220. It works very well, the sound can be dialed pretty well, and, in my opinion, simplicity regarding set up (and take down) is a virtue.
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John |
#47
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If I am only playing guitar, I can get by without a mixer plugging into my L1-Compact, however I usually need 2 mics for vocals and resonator/mandolin/guitar which requires a mixer for the L1, unless I use 2 mics with the S1-Pro. I can also line out of the S1 if I want.
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#48
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Well there is theory and then there is reality... I've had my Bose Compact for almost two years now, and works great on its own or with a mixer. There is no problem with filling most pubs and restaurants with audience friendly sound, and I routinely get compliments about it from owners and other musicians. I was skeptical of the whole Bose thing for many years until I worked with a keyboard player who had one and later got my own. It is also turned out to be the best upright bass amp I have had the pleasure of playing though. They may not suit everyone, but they can not be dismissed. |
#49
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The Bose systems are very unobtrusive sounding because of the low mids being scooped out. The lack of punch is preferred by audiences that want to talk to each other with the performance being background music. They excel in these situations, but fail in many others. This non obtrusive sound can be achieved with a mixer with mid sweeps and some decent powered speakers for far less money. However, if these portable column arrays work for you and your situations, I wont try to talk you out of them. The certainly sound fine for limited applications. Hire pro sound for an event and see what they show up with.
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Current: 1952 Gibson J-45 - Schatten HFN passive / Fishman Matrix Infinity 1983 Washburn Timber Ridge Custom - Fishman Onboard Prefix Premium Blend & - Schatten HFN passive 2016 Gibson J-45 Standard - Fishman Onboard Prefix Premium Blend & - Schatten HFN passive backup Tonedexter & Sunnaudio Stage DI 1990 Yamaha FS-310 Past: 1995 Martin D-28 2015 Eastman E10SS Last edited by The Kid!; 02-16-2019 at 03:26 PM. |
#50
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I always used one. I had my acoustic amplifiers up on speaker stands, and having a small Behringer mixer near me let me have access to my vocal and guitar volumes.
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-Raf |
#51
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If you're trying to fill a bar/restaurant that holds 100 people or less, and you're a vocalist with a guitar, I don't think the system can be beat for its practicality, sound, and ease of use and setup/teardown. The system does a fantastic job of spreading the sound out in the room and letting people in the back be able to hear without deafening those up front. If your intent is to blow the place out with deafening volume, it's not the right tool. |
#52
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IMO, when people use these Bose systems in a bar/restaurant, it becomes less of a "battle" between the music and those who DO want to talk. When people don't have the Bose system, they tend to turn up the music to drown out the chatter, which just leads to more volume from the patrons. For whatever reason, those who use the Bose system don't seem to have this issue. It's probably partially due to the Bose system itself, and partially due to the attitude of those who use it. A bit hard to separate, IMO. |
#53
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Current: 1952 Gibson J-45 - Schatten HFN passive / Fishman Matrix Infinity 1983 Washburn Timber Ridge Custom - Fishman Onboard Prefix Premium Blend & - Schatten HFN passive 2016 Gibson J-45 Standard - Fishman Onboard Prefix Premium Blend & - Schatten HFN passive backup Tonedexter & Sunnaudio Stage DI 1990 Yamaha FS-310 Past: 1995 Martin D-28 2015 Eastman E10SS |
#54
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This...…….
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#55
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You don’t need one but it’s nice to have the additional control. I use my TC Play Acoustic direct to a PA Speaker.
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#56
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Picture it if you will from the prospective of an audience member. I sit down when i perform. No guitar strap. I place my guitar in the rack, get up off the stool, go over to the sa220. make an adjustment, Go back to the stool , sit back down,pick up my guitar, play a song, Repeat until i get it right. I dont use a sa220, But if i did i would have a mixer as well. Its not lazyness like a remote and a tv. I just dont want to subject my audience to this. I like to place my speakers where its optimum for the rooms acoustics...not where its convenient for me to reach.YMMV. |
#57
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Couple of clarifications First: The SA 220 has a Mixer built in. So the question is one of having an "additional" mixer or not. While there may be some logistical advantage to having an additional mixer, even for a solo act. I don't think room optimization is really one of them in practical terms. Because, most of places I played (where you had to provide the speaker system), you were given a small designated area to play in, including spk's, which was based on being the most convenient and out of the way for the establishment, not quality of room sound . Acoustical room optimization was usually not really possible no matter if where you placed you spk/s in the designated area, in reach or not . Also I found that usually I could set and forget. That is to say during the sound check pre performance, I was usually able to get the best sound I could, and then usually did not have to do much in the way of tweaking during the performance. And this was true with the PA/mixer or the SA 220 All that said : what I found actually made the biggest contribution to getting "better" sound that I liked, was having a good vocal mic and studio grade front end ---- Pre , EQ, Limiter and Reverb. As per my previous post (#37). Which admittedly I was able to place in reach.
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Enjoy the Journey.... Kev... KevWind at Soundcloud KevWind at YouYube https://www.youtube.com/playlist?lis...EZxkPKyieOTgRD System : Avid Carbon interface , PT Ultimate 2023.6 -Mid 2020 iMac 27" 3.8GHz 8-core i7 10th Gen ,,128GB 2666MHz DDR4 RAM,,2TB SSD storage,Radeon Pro 5700 XT16GB Ventura 13.2.1 Last edited by KevWind; 02-17-2019 at 09:49 AM. |
#58
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This is what I'm doing and with a PA with just a couple of inputs, it frees up one of the inputs for a BeatBuddy drummer.
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#59
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If you wanted to do it, you could probably run six signals into the SoloAmp. You could run a preamped mic signal into the Monitor In (using something like a TC Helicon voicetone pedal) and you could run line level instrument signals into the Aux In, and into the EFX return inputs on both the channels. When I'm using the SoloAmp as an open mic monitor, I'll typically send a signal to one of the channel's EFX return inputs (bypassing the preamp section) via an instrument cable. That enables me to bypass an unnecessary gain stage when I'm using a mixer to accommodate multiple performers. |
#60
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My PA system is a modular system based around a combination of pedals, mixers and powered speakers. I do have a few amps but I get a better sound out of my PA and more flexibility on how I can setup the stage. For my system, without a doubt a mixer is necessary.
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The Blond The Brunette The Red Head The Old Lady Goldilocks Flipper "Sometimes I play a song I never heard before" Thelonious Monk |