![]() |
#31
|
||||
|
||||
![]() Quote:
You're getting lots of advice. If I only played 'solo' and didn't need a PA system, then I could get by with letting the house techs handle everything. In fact sometimes I do that for church or larger venues where the house system is solid. But since I play a guitar, and I sing, and I sometimes need to bring a PA, then I'm going to have a mixer…since I own a powered mixer which drives the speaker cabinets. By the way, my mixer weighs 15 pounds, and my cabinets only 20 pounds each. The powered version of the speakers are about 45 pounds each, and that's a lot to hoist atop a 5 foot tall speaker and then hoist 4-5 feet higher into the air. I can think of several ways to avoid a mixer…kind of: I mean technically, you are mixing your vocal and your guitar, and if you have a dual source pickup (I have those in 4 guitars), then you are even sub-mixing the guitar.
Sometimes for really small gigs my gigging partner and I each bring a suitable amp and our own mic and stand, and are running a dual speaker version of us with each of us setting up our own mix on our personal amp, and then matching that to the room. (It's actually a bit more work than just using a mixer and plugging both of us in). While it's less 'bulky' it requires extra trips to/from the car to load-in/out. Maybe it's because i'm 70 yrs old and a bit smarter, but designing a small portable system is pretty easy these days. The current system I own isn't the most or least expensive gear. But it sounds great and it's solid. And it fits in the trunk of my wife's small Saturn Sedan. |
#32
|
|||
|
|||
![]()
Somebody help me with this.
If you are using an acoustic amp as your sole source of amplification for voice and instrument, where are you putting it on stage? If it is low and behind you, I can't see how it gets sound to the back of the room. If it is up on a stand, how is it positioned so you can get at the controls? And if it is behind you, how do you keep it out of the vocal mic to avoid feedback? I'd love to go with less than I currently use (a pair of powered JBL's on stands and a small mixer) but am unclear how a Fishman would work in a loud bar.
__________________
Neal A few nice ones, a few beaters, and a few I should probably sell... |
#33
|
|||
|
|||
![]() Quote:
To me, the pros significantly outweigh the cons. |
#34
|
|||
|
|||
![]()
Since the singer sings and I play guitar it takes two of us to make a solo act. When we do a solo act that is. We do a faux flamenco show and have had great success using my Schertler Unico for voice and guitar. Buddy of mine does sound for us when we do the band thing and does recording and sound on the side. Said the Unico sounded as good or better than any PA we used.
A mixer is handy for handling situations as pointed out earlier. But my experience says I don't really need it until the room gets bigger and I need more power/spread or we go full band and I need more inputs/control. hunter |
#35
|
|||
|
|||
![]() Quote:
Budget mixers might give you more control over the EQ, but may add more noise to the signal chain. Keep in mind Fishman is a well established, quality vendor. Their amps and pickup technology frankly some of the best gear money can buy with a long list of top players to back them and the SA220 isn't really designed to put a mixer in front of.
__________________
Wayne J-45 song of the day archive https://www.youtube.com/playlist?lis..._Zmxz51NAwG1UJ My music https://soundcloud.com/waynedeats76 https://www.facebook.com/waynedeatsmusic My guitars Gibson, Martin, Blueridge, Alvarez, Takamine |
#36
|
|||
|
|||
![]() Quote:
This is not from the perspective of somebody who performs, but from somebody who LISTENS to a lot of singer/songwriter acts (just guitar and singer, or sometimes piano, or occasionally a duo). I've never heard the Fishman used in a situation like you've described, but I have heard the Bose system used. IMO, even the cheapest Bose (the Compact) is perfect for a bar/restaurant, even up to say 100 people. If it's just YOU, you don't even really need a mixer . . . just plug into the two input jacks (one XLR for the mic and one 1/4" for the vocal). However, there is no overall volume control (you'd have to turn both up/down to do that), and the EQ is very limited, and no reverb/compression/etc. This system is VERY compact/luggable, even for just one person (even a gal). I have a couple of friends who use this all the time. And a couple who use one of the more powerful Bose systems. And, yes, you really CAN use this system is both monitor and mains. And the volume really DOES drop off much more slowly with distance than a single speaker. The physics to explain this is pretty simple. A single speaker puts out the music in the shape of a sphere, so the power/volume drops off as the CUBE of the distance. These "sticks" or "arrays" put several speakers in a vertical row that basically turn the output into the shape of a cylinder instead of a sphere, so the power/volume drops off as the SQUARE of the distance. This means that the volume drops off significantly less with any of these array type speaker systems (Bose or not). If it were me, I would use this Bluetooth mixer from Mackie (I own one, plus the Bose Compact) https://www.sweetwater.com/store/det...-digital-mixer If you're by yourself, you can now control your mix/volume (along with simple EQ/compression/reverb) from your iPhone. And if you happen to have a friend in the audience you trust for sound control, he can control it for you (it's VERY simple to use). The only real drawback to it is that there isn't any real gain control. You have to use the faders for that. The gain is set automatically (it chooses one value for 1/4" inputs and one for XLR). I've had to put in an XLR pad before for one guy who sings REALLY loudly and also "eats the mic". I would get the 8-channel version (it's really 6 combo XLR-1/4" inputs) just in case you ever want to add a second or third person to perform with you (or in the round). |
#37
|
||||
|
||||
![]()
In when I started performing solo, some 40 + years ago lugged around a 12 channel Mackie mixer and a pair of Mackie 450 powered speakers, but about 15 years ago I sold that, and got a good front end with a 2 channel combo mic pre, EQ, and limiter, A good stereo reverb processor, all in a rolling rack and a Fishman 220 SoloAmp and never looked back
![]()
__________________
Enjoy the Journey.... Kev... KevWind at Soundcloud KevWind at YouYube https://www.youtube.com/playlist?lis...EZxkPKyieOTgRD System : Avid Carbon interface , PT Ultimate 2023.6 -Mid 2020 iMac 27" 3.8GHz 8-core i7 10th Gen ,,128GB 2666MHz DDR4 RAM,,2TB SSD storage,Radeon Pro 5700 XT16GB Ventura 13.2.1 |
#38
|
|||
|
|||
![]() Quote:
I've only seen/heard the Bose feed back once or twice. And it was when the unit was DIRECTLY behind the performer. All she had to do to fix that issue was move it a couple of feet off to one side. I've also seen friends of mine play with the system a bit IN FRONT of them (and off to the side). There's often enough sound level coming from behind the system to let them hear. One guy puts it up there but uses an in-ear system to listen. To me that's overkill, but he likes it that way. |
#39
|
|||
|
|||
![]()
I go back and forth between 6- and 12-string guitar and need separate EQ/gain settings/effects levels for each - in addition to a vocal mic - so yes, I do need a mixer for solo performance...
Also real handy to have an extra channel or three ready to plug-in-&-go, when (not if) Murphy and his seven leprechaun brothers decide to foul things up in the middle of your set...
__________________
"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) |
#40
|
|||
|
|||
![]() Quote:
![]()
__________________
Current: 1952 Gibson J-45 - Schatten HFN passive / Fishman Matrix Infinity 1983 Washburn Timber Ridge Custom - Fishman Onboard Prefix Premium Blend & - Schatten HFN passive 2016 Gibson J-45 Standard - Fishman Onboard Prefix Premium Blend & - Schatten HFN passive backup Tonedexter & Sunnaudio Stage DI 1990 Yamaha FS-310 Past: 1995 Martin D-28 2015 Eastman E10SS |
#41
|
|||
|
|||
![]()
For my AER 60 and Shertler Roy, I don't need anything else.
It depends what you have onboard with your amp and if you're happy with the sound.
__________________
-Mike www.montaramusic.com https://www.instagram.com/mikemccall_guitarist/ https://www.facebook.com/Mike-McCall...-250327412419/ A few guitars, a uke, a banjo and a cajon |
#42
|
|||
|
|||
![]() Quote:
hunter |
#43
|
|||
|
|||
![]() Quote:
__________________
Current: 1952 Gibson J-45 - Schatten HFN passive / Fishman Matrix Infinity 1983 Washburn Timber Ridge Custom - Fishman Onboard Prefix Premium Blend & - Schatten HFN passive 2016 Gibson J-45 Standard - Fishman Onboard Prefix Premium Blend & - Schatten HFN passive backup Tonedexter & Sunnaudio Stage DI 1990 Yamaha FS-310 Past: 1995 Martin D-28 2015 Eastman E10SS |
#44
|
|||
|
|||
![]() Quote:
...is a bonus. You don't need one but having mixing knobs within arm's length is a def benefit. But if it's a small room and not many people, an intimate guitar-vocal listening, once you get it set, you might not need to touch anything once you begin.
__________________
Bill |
#45
|
|||
|
|||
![]()
The "need" for a mixer is to allow you to control your sound. If you have the limited performance possibility that gives you the same exact set up for every performance (never seen this) then you may not need one. However, my mixer is part of my pedal-board set up so no matter where I show up, and no matter whether I'm using my own speaker set up, or a large-venue house system, my sound stays the same. My sound guy sets up my board so it is maximized for what I am plugging in and running through. Therefore, when my line out is run to a house snake or speakers, or house PA or.... my sound can be easily tweaked by me or the sound person in a couple of minutes. Consistent high-quality sound quality is the goal.
|