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#16
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I like to keep my setup as simple as possible so while I do own a mixer, it stays home unless someone is joining me on the gig. I get really good and clean live sound using either Fishman Loudbox Performer or my Bose L1 Compact. If I'm playing a very large room, I'll run directly into the Loudbox and line the mixed signal out of it into the Bose. Honestly I've never played a room or outdoor venue that my system wasn't powerful enough to handle. If you like to keep things simple and effective then you don't need to use a mixer. If you like full control and a bunch of options then get a mixer. I've been down both routes and I prefer simple.
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#17
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The only case I can think of is if you want to use more than one channel and route the effect signal separately from the dry signal, especially in combination with a looper. But that's not a really typical scenario. Of course, whatever floats your boat... ![]() |
#18
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You can do this by ear with negative eq. I almost never boost frequencies when I mix. I just make sure everything isn’t competing. Once everything wasn’t overlapping, everything sounded clear and the vocals cut through the chatter. This wasn’t possible without being able to select the mid frequency. You can go even more surgical with a fully parametric eq that some of the digits desks have. (QSC TouchMix, etc) It’s nice to have mid sweeps because when you need them, you really need them!
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Current: 1952 Gibson J-45 - Schatten HFN passive / Fishman Matrix Infinity 1983 Washburn Timber Ridge Custom - Fishman Onboard Prefix Premium Blend & - Schatten HFN passive 2016 Gibson J-45 Standard - Fishman Onboard Prefix Premium Blend & - Schatten HFN passive backup Tonedexter & Sunnaudio Stage DI 1990 Yamaha FS-310 Past: 1995 Martin D-28 2015 Eastman E10SS Last edited by The Kid!; 02-15-2019 at 04:36 PM. |
#19
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Personally I find focusing more on my playing and repertoire, and less on gear, yields the most benefit for my shows. |
#20
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#21
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I may not need a laser light show, but I sure like it. |
#22
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Absolutely you do. There is no way I'd perform solo without a competent mixer manning the bar who could make me margaritas to cool my nerves...
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"I've always thought of bluegrass players as the Marines of the music world" – (A rock guitar guy I once jammed with) Martin America 1 Martin 000-15sm Recording King Dirty 30s RPS-9 TS Taylor GS Mini Baton Rouge 12-string guitar Martin L1XR Little Martin 1933 Epiphone Olympic 1971 square neck Dobro |
#23
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This forum needs a "Like" button!
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Patrick 2012 Martin HD-28V 1984 Martin Shenandoah D-2832 2018 Gretsch G5420TG Oscar Schmidt Autoharp, unknown vintage ToneDexter Bugera V22 Infinium |
#24
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I also favor just my amp, mic and instrument as the easiest way to do things. Instead of a mixer, you might consider a DI/blender/preamp/EQ. Since i play multiple instruments, I run through a Grace Design Felix (which gives me loads of EQ possibilities, 2 channels (so I can set up two instruments or a mic and instrument, as well as a boost and mute for tuning if I go that route. Downside, the Felix is not cheap, but there are a lot of pedals/boxes that offer similar functionality for a lot less money. For me, quality EQ controls help me solve all kinds of problems and let the amp just do its thing. ....
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#25
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Wish I could do that with mine, but the Compact has only one XLR. Since I also sing, I need two. No, I don't use pickups (I don't need them and since I switch instruments regularly, a mike allows me to do this without plugging and unplugging and turning things on and off continuously). The 2 XLRs on the Fishman are a great advantage it enjoys over the Compact. There are of course other reasons why I bought it instead.
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#26
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#27
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Ive used several all in one pa systems and find
i still want a mixer. Its great not to have the extra stuff to lug but Im fussy about my sound and like to be close enough to the controls to change them on the fly. if i have to get up and walk over to the sa220 to cut or boost a parameter its just inconvenient for me. Having a mixer right next to me is just better. so i will vote for the mixer. YMMV. |
#28
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Gear: Martin SC13e, PRS Hollowbody II Piezo, Martin HPL 000, PRS Angelus A50E |
#29
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IMO, no, you don't need a mixer.
While you may have more control over sound shaping (The Kid is on a whole other level in his knowledge of this than I am) I always prefer the KISS method. One thing I always keep in mind is that the more stuff in the signal chain, the more things that can go wrong and be tripped over. The best thing to do is just try it live and see if it makes a noticeable difference in sound quality/cutting power. That will give you your answer.
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#30
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Gear: Martin SC13e, PRS Hollowbody II Piezo, Martin HPL 000, PRS Angelus A50E |