#31
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Walker Clark Fork (Adi/Honduran Rosewood) Edmonds OM-28RS - Sunburst (Adi/Old Growth Honduran) |
#32
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I usually tell listeners at our occasional duo performances that if they don't like what they're hearing, tip us anyway so we can afford lessons. On a more serious note, I just love playing and some of it is sharing music with others. I can't tell you how many times we've finished a well done and enjoyable tune to actually be startled a bit by applause. I'd been so into the song that I'd forgotten they were out there
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"I go for a lotta things that's a little too strong" J.L. Hooker |
#33
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Glenn, thank you very much for listening and for your kind words. When I think of AGF’s Show and Tell, I think of you. While I don’t always add my comments to the flood of accolades you deservedly receive, your work has given me hours of joy. And your unflagging kindness is a human example of the highest order. You walk tall among us.
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1952 Martin 0-18 1977 Gurian S3R3H with Nashville strings 2018 Martin HD-28E, Fishman Aura VT Enhance 2019 Martin D-18, LR Baggs Element VTC 2021 Gibson 50s J-45 Original, LR Baggs Element VTC ___________ 1981 Ovation Magnum III bass 2012 Höfner Ignition violin ("Beatle") bass |
#34
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Bingo! That’s the shared experience between performer and audience. I love when that happens. Not trying to get new age stuff on anyone but you are connecting with the audience through music.
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#35
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Do we need to record or publish our music for posterity? Again, no, of course not. Only a tiny fraction of the music that's ever been played has been recorded. That's not anyone's moral failing. It's the nature of music. Mick Jagger said it best: "Our love is like our music: It's here, and then it's gone." |
#36
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Thanks for the replies. I have read every one and taken your thoughts to heart.
Here is something that came to mind while reading the answers. I have a dear friend that is up in years as I am. He ran a water softening family business that he took over. The business didn't take much of his time as it was well established, but he continued it along with doing other small plumbing type jobs. He didn't need the money and that confused me some. There came a time I needed a water heater replaced and I felt stuck in a way. I felt embarrassed to ask him, but I felt I would offend him if I didn't. When he was replacing my water heater, he explained that he did this sort of thing to help people. I am grateful and he wouldn't take any pay. I am applying this type of thought or sentiment to performing music. He wasn't obligated. There may be some that could have done it better etc. I appreciate that he shared his talents with me.
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Waterloo WL-S, K & K mini Waterloo WL-S Deluxe, K & K mini Iris OG, 12 fret, slot head, K & K mini Follow The Yellow Brick Road |
#37
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My taste in music, while widespread, is also geared toward much older stuff than most folks hear today. Not to knock newer music, but there's a lot of great stuff that is neglected and will be forgotten if someone doesn't keep it alive.
I'm one of these someones. In nearly all my public playing and in the concert series that I run, I try to feature these kind of songs.
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The Bard Rocks Fay OM Sinker Redwood/Tiger Myrtle Sexauer L00 Adk/Magnolia For Sale Hatcher Jumbo Bearclaw/"Bacon" Padauk Goodall Jumbo POC/flamed Mahogany Appollonio 12 POC/Myrtle MJ Franks Resonator, all Australian Blackwood Blackbird "Lucky 13" - carbon fiber '31 National Duolian + many other stringed instruments. |
#38
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I've played guitar and tinkered with songwriting since 1995 or so. I ended up playing bass in a few bands over the years, played bass on a few records.
In 2021 I decided that I was going to write as many songs as I could, good or bad, and record an album with my friends. I did it for me. I like the songs, I'm proud of the album. The artwork is cool. I didn't care if I made a dime (although that would be nice). I joined BMI, filled out all the copyright paperwork and sent CDs in to the Library of Congress. I'm still working on writing more & better songs. I'm working on becoming a better player. I hope I can record another one. It was fun.
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2020 Taylor 214ce Plus Eastman MD315 Last edited by fantex; 03-09-2024 at 10:40 PM. |
#39
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I have been playing since I was 10, I just turned 65. I have passed on 2 chances to make a living at this. And I regret both of those choices.
So my playing in public has all been for just the fun of it. A few times at the county fair, lots of nursing homes, and the past 5 years at local jams. I enjoy sharing my music with others. But if I had to rely on the money from it I would be homeless. The smiles I see from people while playing is all I need. It is hard to buy decent gear on smiles. But you know what? I'm OK with that.
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2007 Indiana Scout 2018 Indiana Madison Quilt Elite 2018 Takamine GJ72CE 12-String 2019 Takamine GD93 2022 Takamine GJ72CE 6-String 2022 Cort GA-QF CBB 1963 Gibson SG 2016 Kala uke Dean A style mandolin. (Year unknown) Lotus L80 (1984ish) Plus a few lower end I have had for years |
#40
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No "folk" no "Folk Process."
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----------------------------------- Creator of The Parlando Project Guitars: 20th Century Seagull S6-12, S6 Folk, Seagull M6; '00 Guild JF30-12, '01 Martin 00-15, '16 Martin 000-17, '07 Parkwood PW510, Epiphone Biscuit resonator, Merlin Dulcimer, and various electric guitars, basses.... |
#41
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It's funny how really good songs get to be popular on Youtube. It's probably that they're really good in the first place and the ones that aren't, don't.
It my firm belief that a good song will always find its way. |
#42
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Sharing music
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My late life foray into tik tok has been a blast...humble follower numbers but highly recommended for anyone. Love you to check out my songs at davidclementsmusic on tik tok or Instagram... Also, read The War of Art by Steven Pressfield for more inspiration to share what you’ve done. |
#43
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Well, you're absolutely right, there is a time and place for things. I generally try to avoid playing in places people go to avoid anything other than the natural sound.
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#44
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Please don't take me too seriously, I don't. Taylor GS Mini Mahogany. Guild D-20 Gretsch Streamliner Morgan Monroe MNB-1w https://www.minnesotabluegrass.org/ |