#1
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Studio Needs in an Acoustic
I want an acoustic that's tight and wooly. What kinda woods should I be looking for? Any models for comparison....
Thanks y'all |
#2
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An Eastern Black Walnut with a spruce top. I am assuming you meant woody
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#3
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I'm thinking of the midrange frequency often referred to as 'woolly'
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#4
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I'm sorry, but all I can think of is the line from Bull Durham "Women don't get wooly, they get weary!"
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Treenewt |
#5
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Quote:
m
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#6
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How about a Martin OM-28? The body is rosewood/spruce, it is very responsive, and it has a midrange that might just be called wooly.
Bob
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"It is said, 'Go not to the elves for counsel for they will say both no and yes.' " Frodo Baggins to Gildor Inglorion, The Fellowship of the Ring THE MUSICIAN'S ROOM (my website) |
#7
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Quote:
My first thought was a Mahogany body. Something that's opposite to Maple's clarity of every note in a chord. |
#8
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To get a bit more info out there, i play with a pick and have a percussive style, with an emphasis on pick attack.
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#9
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Quote:
Is that an aggressive and hard pick attack most of the time or moderate? Mostly fast playing or both fast and slow? Rhythm chording or single line lead or line lead wrapped into the chording? Are you percussive tapping the top like a drum for rhythm drive? What is your price point...preferred to spend, and max to spend? Is there any recorded song you can point us to that is the sound that you are hearing that you want to emulate in your studio recording? And an audio or video example of you playing so we can hear/see what you do? duff Be A Player...Not A Polisher Last edited by mcduffnw; 05-19-2023 at 10:10 PM. Reason: add and remove content |
#10
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Quote:
I guess my price point is 4-5k. As far as the style, there are no references, I'm hoping that I'm onto something original, dare I say it. It's just mid-tempo, I guess. Mainly strumming w/ single notes threaded in when needed. Muted strums for percussive accent. No body taps. My pick attack sounds like the drum part and I want to be playing something that compliments it. Heavily blues influenced, but my own way. However, I'm not sure if some of these elements of the tone can better gotten in post...the mix. It be nice to have it all self contained, but I don't wanna over think (haha, ya right). I'd be just as pleased with a great guitar that inspires me, but needs some icing before it goes on the party table. **EDIT** I've been playing my Telecaster unplugged when writing, which has to be, in some way, influencing my tone wants. |
#11
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Quote:
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#12
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You should try something all mahogany, such as models in the Martin 15 lineup. Powerful midrange, respond well to harder pick attack. I'm quite fond of my 00-15.
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----------------------------------- Creator of The Parlando Project Guitars: 20th Century Seagull S6-12, S6 Folk, Seagull M6; '00 Guild JF30-12, '01 Martin 00-15, '16 Martin 000-17, '07 Parkwood PW510, Epiphone Biscuit resonator, Merlin Dulcimer, and various electric guitars, basses.... |
#13
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Studio quality, opposite of maple. Yea, that's a J45, right?
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"Don't worry that it's not good enough, for anyone else to hear. Just sing; sing a song." Guild F50R Epiphone Masterbilt EF-500rcce Larrivee Parlor Koa Special Edition https://soundclick.com/kiphendryandtheonestarhotel |
#14
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with the budget and the "Studio" thang - an SJ200 would reign supreme
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Ray Gibson SJ200 Taylor Grand Symphony Taylor 514CE-NY Taylor 814CE Deluxe V-Class Guild F1512 Alvarez DY74 Snowflake ('78) |
#15
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Really can’t go wrong with a D18 or J-45 for mahogany “wooliness”
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