#1
|
|||
|
|||
Have a Martin Dread and a Grand Pacific??? I have a ?
For those of you who have a Martin Dread and a Grand Pacific, how does the GP hold up volume wise to the Martin? Since I don’t have a Martin dread to compare in the stable, I’m starting to have these thoughts that the GPs aren’t quite as loud as I once thought they were. I’m sure this is just my mind playing tricks to fuel my Martin gas.
Anyways, any input would be great. Nothing sounds quite like these GPs and I still love them. In fact, I may end up keeping my 517 and just stay away from Martin for a while.....but the true test will be next week when my brother brings over his D-28 lol. |
#2
|
|||
|
|||
Quote:
I don't think the GP's are true dreadnoughts size wise, so it might not be a fair comparison. Also the Martins I played my GP against had lighter gauge strings, so I had to take that into consideration. My opinion, the Martins might be a tad louder, especially in the low end, but the tonal balance of the 717 and sustain keeps amazing me and kept me from exchanging it. Will be interested in your take next week....
__________________
2023 Martin HD-28 2022 USA Made Casino 2021 ES-335 2020 American Professional Tele Butterscotch 2020 American Professional Tele Strat Black 2019 GS Mini Bass 2015 Taylor 322 2015 Blackbird Rider 1999 Gretsch Short Scale Bass 1995 Fender Tele |
#3
|
|||
|
|||
I’ve been underwhelmed by my 717e ever since I bought it. Compared to my D-28 Modern Deluxe and my D-18 Golden Era, the 717 falls flat.
|
#4
|
|||
|
|||
I don't own a GP but have played both the 517 and 717 builders editions. Being a Martin guy I found these two Taylor's much more to my liking than any other Taylor I've tried. Plenty of volume but not so sure how'd they hold up in a big song circle. The Standard D-18/28 (reimagined) can be played loud if need without breaking up. But for me it's always the Martin tone I gravitate to. The Taylor X17 is certainly a step in the right direction for my tastes tone wise. No reason you can't own a Martin too. Play your brothers D-28 and find a D-18 to play and see if either one does it for you.
__________________
Jim Dogs Welcome......People Tolerated! |
#5
|
||||
|
||||
Break out of the 317/517/717 circle and play a 327. If mine is any indication, you won't be disappointed...
__________________
Emerald X20 Emerald X20-12 Fender Robert Cray Stratocaster Martin D18 Ambertone Martin 000-15sm Last edited by RP; 11-20-2021 at 07:07 AM. |
#6
|
|||
|
|||
I might be wrong, but I believe the OP has owned both of those guitars and a couple of other Martins within just the last couple years.
|
#7
|
|||
|
|||
If sheer volume is the name of the game here, I’d find a Gibson Advanced Jumbo to compare as well. Same scale length and overall body shape as the 717 and a guitar with a reputation for projection.
I’d also look at small-shop versions of Martin D-18/D-28 and the Gibson J-35. |
#8
|
||||
|
||||
GPs have a noticeably thinner body depth than Martin/Gibson dreads. So it’s hard to compare them directly...especially regarding volume potential. Count me among those who don’t think GPs should be called dreads. They are something new and should be judged accordingly.
__________________
Walker Clark Fork (Adi/Honduran Rosewood) Edmonds OM-28RS - Sunburst (Adi/Old Growth Honduran) |
#9
|
|||
|
|||
Quote:
__________________
Martin HD-28 Sunburst/Trance M-VT Phantom Martin D-18/UltraTonic Adamas I 2087GT-8 Ovation Custom Legend LX Guild F-212XL STD Huss & Dalton TD-R Taylor 717e Taylor 618e Taylor 614ce Larrivee D-50M/HiFi Larrivee D-40R Blue Grass Special/HiFi Larrivee D-40R Sunburst Larrivee C-03R TE/Trance M-VT Phantom RainSong BI-DR1000N2 Emerald X20 Yamaha FGX5 Republic Duolian/Schatten NR-2 |
#10
|
|||
|
|||
Quote:
I think this sums it up. Tonally, the GPs just hit the spot. The reason I have not bonded with D-28s and D-18s is the muddiness of the lows and the thinness of the highs. Actually, I find the newer Martins incredibly thin sounding in the highs. That’s one thing I love about the GPs. |
#11
|
||||
|
||||
I've got a 717BE, and post 2012 D-18, and a Collings D1 Traditional
I really cannot ascertain much difference in volume between the 717 and the D-18. They each have their own voice, and I play one or the other depending on my mood. I do find the neck and setup on the 717 more to my liking, but the neck on the D-18 is just fine as well. I took to 717 to bluegrass camp, and it held it's own against all the Martins in the jam circles I participated in. The D1 however, is a cannon. Definitely louder than both the 717 and D-18. D
__________________
"There's a lot of music in songs" |
#12
|
|||
|
|||
Quote:
__________________
"Lift your head and smile at trouble. You'll find happiness someday." |
#13
|
|||
|
|||
Quote:
I imagine that the frequency range of the Taylors cuts through pretty well in mixes. The 717 did great at a recent violin recital for my daughter. |
#14
|
||||
|
||||
I've long felt that a gloss vs satin finish contributes to a guitar's tone. Some/many disagree, but it seems to make difference, at least to my ears. A satin finish seems warmer than a gloss finish. That said, my 327 is satin and my Martin HD28 is gloss. To answer the OP's question, I wanted to lightly strum and fingerpick both and listen for volume. I didn't want this to be a test of which I could play harder but which would be louder with a light touch. Believe it or not, the 327 won hands-down...
__________________
Emerald X20 Emerald X20-12 Fender Robert Cray Stratocaster Martin D18 Ambertone Martin 000-15sm |
#15
|
|||
|
|||
Quote:
Good to hear. My 517 is much more responsive than my 717 and I think this is due in part because it is lighter. The 717 has an unbelievable low E string, but it doesn’t get muddy. It’s easily the coolest sounding guitar I’ve heard. |