#61
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Finger Rest
While the nitrocellulose lacquer outgasses and hardens before it is ready to buff, John made a Chuck Wayne style finger rest for my archtop. The finger rest is made from Gaboon Ebony bound in Birdseye Sugar Maple to match the body, fingerboard and headstock. John will install volume and tone pots on the underside and mount a floating custom Buscarino humbucker made for him by Kent Armstrong when it’s completed.
Hint: Take a look at the binding to see how he made this...
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A bunch of nice archtops, flattops, a gypsy & nylon strings… Last edited by iim7V7IM7; 06-27-2020 at 05:26 AM. |
#62
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Egad its all one piece. Is the ebony inlayed into the maple?
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Kinnaird Guitars |
#63
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Yep, John CNC’d the finger rest out of a piece of Birdseye Sugar Maple and created a pocket to accept the purfled Gaboon Ebony insert. A bit of chiseling to clean up the small radii in the sharp corners of the inset, but no miters in Birdseye Sugar Maple (just the purfling within)...
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A bunch of nice archtops, flattops, a gypsy & nylon strings… |
#64
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Check out the fiddleback Sycamore Maple back and Hard Maple neck now that it has some sunburst dye and is under nitro finish.
C58A541F-F387-4241-A092-0BC635B8ACFD.jpg
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A bunch of nice archtops, flattops, a gypsy & nylon strings… Last edited by iim7V7IM7; 07-28-2020 at 06:42 PM. |
#65
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A friend of mine has that guitar's twin that John built for him about 5 years ago. It is maybe the prettiest guitar EVER!!!
Congratulations
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Avian Skylark Pono 0000-30 Gardiner Parlor Kremona Kiano Ramsay Hauser Cordoba C10 Chris Walsh Archtop Gardiner Concert Taylor Leo Kottke Gretsch 6120 Pavan TP30 Aria A19c Hsienmo MJ Ukuleles: Cocobolo 5 string Tenor Kanilea K3 Koa Kanilea K1 Walnut Tenor Kala Super Tenor Rebel Super Concert Nehemiah Covey Tenor Mainland Mahogany Tenor Mainland Cedar/Rosewood Tenor |
#66
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John has completed the assembly of my Monarch and took some time to photograph it yesterday. The guitar looks stunning...
Most of these shots were taken in a light diffuser box under 5000k fluorescent source. This photographic approach manages reflection and shows detail well, but color and depth of figure can be underrepresented. The one shot that shared yesterday was under direct strobe outside the diffuser box. This shot shows the depth of the figure well, but shifts the hue a bit to the dark side. The point is it is difficult to accurately capture a sunburst. John will hang on to the guitar for a while and while “dial it in” as it settles in and perhaps have his friend, ace guitarist/studio wizard Luis Diaz make a video with it. If he does, I will share it. As a reminder (this thread started in January) this is 16” version of John’s “Monarch” model. The top is Carpathian Spruce, the back and sides are European Sycamore Maple and the neck is three-piece Hard Maple. It has a 25” scale length, 1-3/4” nut width, 2-3/16” string spacing and Gotoh 510 tuners . The body has tapered depth rims from 3” to 3-1/2”, a Venetian cutaway and a sound port. It has a custom Kent Armstrong low wind floating humbucker with hidden tone and volume pots under the finger rest. The finish is nitrocellulose lacquer. 85B18F3A-E985-47FD-A40E-4B11C96496CF.jpg DF4654EA-7264-4910-A8F2-23032556F776.jpg ED438458-43C4-41C2-B4B1-200A169B92E6.jpg D379F406-DAE5-46F2-A6CF-DFFB9F6CAF55.jpg 2E02E2E7-6434-4DA1-A9F1-339A492841FA.jpg 86459AA2-E366-4FA9-A7DB-A768621D4AEC.jpg D69C072E-09FA-4821-81DA-72CF5E2690EF.jpg 68144435-5ED2-4438-8E5D-8A91CBAD1DEE.jpg
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A bunch of nice archtops, flattops, a gypsy & nylon strings… Last edited by iim7V7IM7; 07-29-2020 at 03:11 PM. |
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Congratulation Bob, it's a beauty! Looking forward to hearing the video.
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#68
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Stunning!
I look forward to hearing you play it and to playing the single jazz chord I know on this beauty.
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John |
#69
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That's beautiful, Bob--you'll be making sweet music on it soon.
Congratulations!
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2013 Stehr Auditorium (Carpathian/Myrtle) 2015 Stehr Auditorium (Adi/BRW) 2020 Baranik Meridian (Blue Spruce/Manchinga) 2020 Wilborn Arum (Tunnel 14/Coco) 2021 Kinnaird Graybeard (BC Cedar/Bog Oak) 2022 Kinnaird CS Student Build (Adi/Padauk) 2023 Kinnaird FS (Italian/Koa) |
#70
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Quote:
Quote:
Thanks, but it won’t unfortunately be in my hands until September due to the nexus of a few circumstances...
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A bunch of nice archtops, flattops, a gypsy & nylon strings… Last edited by iim7V7IM7; 07-30-2020 at 04:52 AM. |
#71
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Truly outstanding sick-a-more. Post a recording if you ever get a chance. Thanks for sharing all the photos. Tons of fun to watch it come to life.
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Circa OM-30/34 (Adi/Mad) | 000-12 (Ger/Maple) | OM-28 (Adi/Brz) | OM-18/21 (Adi/Hog) | OM-42 (Adi/Braz) Fairbanks SJ (Adi/Hog) | Schoenberg/Klepper 000-12c (Adi/Hog) | LeGeyt CLM (Swiss/Amzn) | LeGeyt CLM (Carp/Koa) Brondel A-2 (Carp/Mad) |
#72
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Quote:
Stunned. Drooling. Weak in the knees. I hope you're happy with yourself. |
#73
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A Few More
Here is a front view shot of the entire guitar so you can see the proportions. It is a 16" body. The string spacing was made a bit wider than a standard archtop (standard is 2-1/16" or 52.4 mm) at 2-3/16" or 58.7 mm. I find the wider string spacing easier when playing with a pick and my fingers.
A bit closer view shows the dark lines in the split bock inlays are Green Abalone and not the Ebony fretboard. You can also see the figure in the Birdseye Hard Maple binding throughout. The Carpathian Spruce top shows a bit of winter grain very much like it's US cousin Red Spruce does. The subtle burst is designed to add contrast near the rims to set off the Birdseye Hard Maple binding and purflings and not obscure the beautiful fiddleback figure of the European Sycamore Maple. Archtops typically have constant depth rims between 2-3/4' to 3-3/8" (69.9 - 85.7 mm). For this guitar John used tapered rims that start a 3" (76.2 mm) at the neck block and deepen at the end block to 3-1/2" (88.9 mm). He has found that this enhances the acoustic sound of a smaller 16" the archtop but retains comfort while playing.
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A bunch of nice archtops, flattops, a gypsy & nylon strings… |
#74
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Wow - what an absolutely stunning instrument!!!
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#75
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John has had the completed Monarch for a few weeks now. He just happened to complete it coincident with the start of our summer vacation in Rhode Island. The conditions there by the ocean can be absolutely brutal on an instrument (temperature & humidity), so I told him to hang on to it until I return in late September. John told me that he lent the guitar to his friend/recording engineer/guitarist Luis Diaz to record a demo for his website. He thought he might have a video of Luis playing the guitar on Tuesday or Wednesday.
I will share it here when I get it...
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A bunch of nice archtops, flattops, a gypsy & nylon strings… |