#1
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Appreciation of a solo performance
I guess it's because I only play solo (albeit, strictly at home, for myself), and can therefore relate and apply to my own situation, but I really appreciate an entirely solo performance, whether live or recorded.
It's actually gotten to the point where, if I'm listening to a track on Pandora, and I think I can hear, say, a bassist playing the bass line, I have this reaction like I'm being conned, even if the music sounds great, and I tend to give it a thumbs down, probably undeservedly. It's kind of ironic, because the whole idea of most of the music that I like is to make a single guitar sound like a whole band (bass in the thumb, melody in the fingers, rhythm from either / both). I suppose that once I became aware that it is possible to emulate a band with just one guitar, I then became dismissive of any kind of ensemble (more than one player) situation, like they're cheating, which is ridiculous. |
#2
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As a big fan of modern fingerstylists for the last 10 years I can agree wholeheartedly, this video singlehandedly changed my life when I was 17. I always wonder what I'd be doing right now if I hadn't seen this during recovery from a skateboarding injury. Needless to say I bought a guitar that winter instead of a new set of wheel/hardware for my board
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Dustin Furlow -Award-winning songwriter/guitarist, Visual storyteller -D’Addario, G7th and K&K Sound Artist -Music on Spotify, Apple Music and YouTube: www.youtube.com/dustinfurlow -New album "Serene" (Oct '23) and tablature available at www.dustinfurlow.com |
#3
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I will confess to having similar thoughts. I now prefer to listen to one (acoustic) guitar, with or without vocals, rather than a full band. I blame the AGF for this
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Bob https://on.soundcloud.com/ZaWP https://youtube.com/channel/UCqodryotxsHRaT5OfYy8Bdg |
#4
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I'm a one horse show guy too. If its a Celtic tune with a flute added I'll listen though
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Barry Sad Moments {Marianne Vedral cover}: My SoundCloud page Some steel strings, some nylon. |
#5
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While I very much enjoy listening to a solo guitarist, too often they feel compelled to overuse modern electronics to sound more like a "one-man-band" instead of an acoustic guitar player. IMHO electronic devices should be used to enhance vs. become the performance. Overuse (and misuse in my view) of things like loopers and backing tracks are 2 examples that come to mind. But that's just me ...
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#6
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I see lots of "solo" acts in my area using karaoke tracks. I guess people/venues like it, but I don't care for it.
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2015 Martin D-18 1982 Martin HD-28 2013 Taylor 314ce 2004 Fender Telecaster MIM 2010 Martin DCX1RE 1984 Sigma DM3 Fender Mustang III v2 |
#7
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Solo guitar playing performance in its purist form is nice, but does not hold my attention for long, no matter how accomplished the musician.
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#8
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I like any combination of instruments (possibly even singing) if the performance is well done and the composition is well thought out.
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Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |
#9
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I started playing guitar only in order to accompany my own singing.
I had spent to long behind a drum kit in ever louder electric bands and at a relatively young age I was getting tired of the noise levels. I feel that whilst electronics has allowed music to reach a far wider audience it has polluted the sound to a great deal. However, I am a over of acoustic instruments - mandolin, Dobro, violin, double bass and even banjo (within reason), and of course vocal harmonies where appropriate. I've experienced two gigs recently, one with two highly regarded guitarist/banjo players plugged in far too loud to enjoy. The second incidence was a bluegrass (newgrass) five piece, who appeared at the same venue ... we left after three numbers. Good acoustic music ruined by over amplification.
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#10
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Oh yeah, I forgot about backing tracks and loopers.
I don't like it when a live act (solo or otherwise) plays over a backing track. I don't mind someone using a looper if they keep it simple, and they're actually playing the loops live (not pre-recorded). Having tried using a looper, I can see that it is a skill in itself. Those are just my personal likes and dislikes, but all power to those that can entertain in whatever way they choose. My original post was simply to say that I have a possibly-irrational dislike for music when it seems to sound like it's one person and a guitar (with or without vocals), but then I suddenly suspect that a bassist (or possibly other guitarist) is also playing. If it's good, it's good, right?, but I catch myself being suspicious, like the guitar player is cheating on me, LOL. |
#11
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Not wanting to derail my own thread, but you're going to have to change this soon!
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#12
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I would much rather go to a small venue and see a solo performer than a band. I love hearing a nice tight band playing roots music and that's usually what I'm listening to if I'm playing recorded music, but for live performances give me a solo guy singing over simple rhythms. That's probably why I've been playing solo shows for so long. If I feel like the venue is more of a party atmosphere, I'll bring along another guitarist to jam on some leads and harmony vocals. But mostly I'm a solo guy. I do have to admit that I'm getting the urge to do more band shows so that may be coming in 2020.
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'59 Gibson J-45 "Spot" '21 Gibson LG-2 - 50's Reissue '94 Taylor 710 '18 Martin 000-17E "Willie" ‘23 Taylor AD12e-SB '22 Taylor GTe Blacktop '15 Martin 000X1AE https://pandora.app.link/ysqc6ey22hb |
#13
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Besides playing in a full electric band, I play in a 2 guitar 2 vocal acoustic duo. I don't play a lot finger style, but hybrid pick a lot. I enjoy playing lead guitar and my duo partner plays rhythm when I play lead. I am really not excited about strumming chords and singing, or listening to a solo do it. The duo acoustic format is for me!
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I don't have a bunch of guitars because they all sound just like me. 1984 Carvin LB-40 bass 1986 Carvin DC-125 two humbucker 1996 Taylor 412 La Patrie Concert 2012 American Standard Telecaster 1981 Carvin DC 100 Harley Benton LP JR DC Bushman Delta Frost & Suzuki harmonicas Artley flute Six-plus decade old vocal apparatus |
#14
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Same here. I much more of a less-is-more person when it comes to music. I loved stripped down acoustic, the less the better. A lone guitar with one voice or a couple voices in beautiful harmonies is heaven to me. This is probably why I can't stand bluegrass. I can appreciate the ability but it's like nails on chalkboard to me. Actually, it's worse!
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#15
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I much prefer a solo performance over a larger "band" performance. As long as that solo performer can get the job done by himself/herself.
I've found, though, that many times (if the solo performer is really great), that adding just ONE more element can actually improve things if done well. In one case, it was adding a really good harmony singer. Or a dobro player. In another case (the harmony singer mentioned above, but acting as a solo act), it was adding a legit cajon player who could really FEEL what she was doing as a solo artist and add to it. In both cases above, the solo performer was what I'd consider "perfect". Yet adding just one really good element with it made it even better. In another case, it's a duo. He plays by himself some, but adding his duo partner (vocals and fiddle . . . he does vocals, guitar, banjo, harmonica) improves things tremendously. Adding more, though, starts to detract . . . at least in my opinion. |