#46
|
|||
|
|||
I will always use the "Taylor" method. Here's my reasoning:
The "Martin" method puts such a severe bend into the string that it creates a weak spot. It is so severe that if you ever had to rely on that point to hold all of the string tension, it will likely fail. The string survives, however, because the multiple wraps around the post after the bend hold the string just fine. Why spend time performing unnecessary actions? Of course my opinion only! |
#47
|
||||
|
||||
Ha, same here. What I wound up with is what I much later learned was called the "Taylor method", and it's worked perfectly fine for me for a lot of years. But it really does not matter once it's all done, as long as the string is securely held and has a reasonable break angle at the nut.
__________________
'17 Tonedevil S-18 harp guitar '16 Tonedevil S-12 harp guitar '79 Fender Stratocaster hardtail with righteous new Warmoth neck '82 Fender Musicmaster bass '15 Breedlove Premier OF mandolin Marshall JVM210c amp plus a bunch of stompboxes and misc. gear |
#48
|
|||
|
|||
It won't hurt, but there are simpler techniques that work just as well. The only possible downside is that by crossing the string over itself it creates a weak spot with the potential for breakage at the post (usually when the nut slot is too tight). That doesn't happen often enough to really matter, though.
|
#49
|
|||
|
|||
Quote:
My luthier doesn't use a wrap, but actually pulls the strings taut, wraps them around the posts, then tucks the end into the hole and trims. Seems to work well. I tend to use the wrap method. I began using it after watching videos of Galazzeo Frudua when doing Stratocaster setups where one might use a tremelo bar. The logic behind the system is rational, especially with Strats, so I've just carried it on to acoustics. Yeah, removing the strings is a pain in the a** sometimes, especially the B string (why the B string and not the others so much???). The way I see it, whatever works for ya is the way to go. The wrap method seems like wearing a belt and suspenders to hold your pants up, but you know it's not going to fail you. The other method is simply quicker and if you're changing strings a lot you'll want the most efficient way to get the job done. [mic drop ]
__________________
Assuming is not knowing. Knowing is NOT the same as understanding. There is a difference between compassion and wisdom, however compassion cannot supplant wisdom, and wisdom can not occur without understanding. facts don't care about your feelings and FEELINGS ALONE MAKE FOR TERRIBLE, often irreversible DECISIONS |
#50
|
||||
|
||||
Quote:
__________________
Merrill | Martin | Collings | Gibson For Sale: 2023 Collings D2H 1 3/4 Nut, Adi Bracing, NTB -- $4100 shipped |
#51
|
||||
|
||||
The only thing I lock is the bathroom door. This is the ultimate guitar geek thread. How about practicing instead, lol?
__________________
Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#52
|
|||
|
|||
Can't practice without stringing the guitar.
|
#53
|
|||
|
|||
Quote:
My luthier is not lacking in opinions and not shy about sharing them. He hates the Martin wrap and he dislikes the DR strings. I value his opinion, but I want a full range of opinions, hence this thread for research. |
#54
|
|||
|
|||
Quote:
They don't even have to be tuned to pitch before you cut the excess. |
#55
|
|||
|
|||
find the best method for you. i lock them and believe that works better for me.
play music!
__________________
2014 Martin 00015M 2009 Martin 0015M 2008 Martin HD28 2007 Martin 000-18GE 2006 Taylor 712 2006 Fender Parlor GDP100 1978 Fender F65 1968 Gibson B25-12N Various Electrics |
#56
|
|||
|
|||
I will take time to read through this thread, and do so with interest. The "Martin method" has worked well for me. I found that I don't get slippage and my tuning stability is at least as good as it was before, and if I had to guess, probably better.
|
#57
|
|||
|
|||
Jeez, I can't believe this is still being talked about . . .
If your strings are attached and the guitar stays in tune and YOU are happy with it, what else matters? Martin recommend their method - I use it. They also recommend wiping the strings down after playing - I don't. It's not a capital offence . . . just do what suits YOU, you are the only one you have to please.
__________________
NOT from Queen - he's much cleverer I am English, so are all my spellings Two guitars I'm happy with . . . |
#58
|
|||
|
|||
I go all out and use the Martin Method! I mean it's not like I change the strings more than about once in the Summer, and less often in the Winter. . .
f-d
__________________
'30 L-1, '73 FG-180, '98 914-C, '06 000-15S, '08 000-28NB, '11 GA3-12, '14 OM28A |
#59
|
|||
|
|||
Neither is "still talking about this".
|
#60
|
|||
|
|||
I use a variation of the Taylor method. The string goes on with about 1" of extra length (~3/4" for bass E and A). Taylor pulls it back through, and pre-cuts at that length before winding. I pull the string back through, put a 90° bend to help hold it, and start winding multiple wraps. Then I trim the excess off. What they do in the factory to save a few seconds each time they string up hundreds of new guitars every day is not necessarily what I need when doing one or two guitars at home.
Back in the day, I was taught to change strings using the Martin (locking wrap) method but have not done it that way in more than 20 years. I've never had a string slip that had two wraps or more around the post -- usually with 3-4 wraps or more -- so the "locking wrap" really isn't necessary. Whatever works for you is fine with me. |