#31
|
|||
|
|||
Quote:
Quote:
Best, Jayne |
#32
|
|||
|
|||
Quote:
I don't use a tuner often at home. Depending on how fussy my ear is any given day, I am rarely happy with equal temperament major thirds in any give key (although some seem worse than others - voicing, no doubt). So some days require a slight tweak of those thirds, and I have no explanation for why some days are fussier than others. If your ears are not complaining you should just play and enjoy the guitar sounding fine no matter how long it's been.
__________________
Keith Martin 000-42 Marquis Taylor Classical Alvarez 12 String Gibson ES345s Fender P-Bass Gibson tenor banjo |
#33
|
||||
|
||||
Quote:
Having taught hundreds of students, I can tell you a lot of players think their guitars are in-tune when they are not. The reason they don't weld strings on at the factory and including tuning machines is guitars go out tune whether due to playing, bending strings, rooms changing temperature, string wear/stress, or because the wind changes directions. I tweak and refer to electronic tuners. I often tune to dropped D mid-song on the fly…by ear. But sometimes I miss slightly and am glad for the clip-on-tuner that is clipped to the end of the headstock (so is everyone else in the room). I have no issues which way people tune, as long as they tune. What grates on my ears is people who do not know they are out of tune, and apparently don't think we do either. |
#34
|
|||
|
|||
I would assume you are trying to gauge what you experience with your guitar(s) compared to what others say they experience. As has been noted, there are so many variables that this becomes a tough comparison to say the least.
Should you have to tune between each and every song? Probably not unless you are beating it up pretty good or the conditions you are in are rapidly changing. A lazy player, or maybe a player who does not have a good ear, may go for quite a while without regard to tuning. A compulsive player will tweak constantly. The middle ground may be where you want to be. How much we tune during a practice session or performance can have as much to do with the type of player we are as does the guitar and conditions. I doubt many players who perform with others will be tolerated for taking the time (and cause the interruption) in the show to check their electronic tuners between every song to tweak the slightest issue. Relying on your ear to tell you when there is a problem to be checked is a good way to perform IMO. Playing in perfect tune all of the time is not possible or even logical. There is a good compromise that most players find that keeps them in relative tune, but doesn’t obsess over the quest to be in perfect tune. |
#35
|
|||
|
|||
Yes, of course that's normal. Have you ever been to a concert? If yes, have you noticed that the guitar player tunes in between every song, or at most every two songs?
__________________
"I've always thought of bluegrass players as the Marines of the music world" – (A rock guitar guy I once jammed with) Martin America 1 Martin 000-15sm Recording King Dirty 30s RPS-9 TS Taylor GS Mini Baton Rouge 12-string guitar Martin L1XR Little Martin 1933 Epiphone Olympic 1971 square neck Dobro |
#36
|
|||
|
|||
Quote:
|
#37
|
|||
|
|||
The actual answer will depend more on the player and his tuner and less on the guitar.
__________________
McCollum Grand Auditorum Euro Spruce/Brazilian PRS Hollowbody Spruce PRS SC58 Giffin Vikta Gibson Custom Shop ES 335 '59 Historic RI ‘91 Les Paul Standard ‘52 AVRI Tele - Richie Baxt build Fender American Deluxe Tele Fender Fat Strat |
#38
|
|||
|
|||
I have several guitars so some of them can remain unplayed for months. A while back, I took out my cedar/walnut, grand-auditorium Taylor after 7 months if disuse and was pleased to find it was virtually in tune. The low E and G were off by 10 cents and the rest of the strings proved to be perfectly in tune.
|
#39
|
|||
|
|||
My 1971 Guild F-312NT is kept at full concert pitch and NEVER needs retuning. Plays effortlessly/sounds incredible.
As for my 6 strings, I always check before playing. |
#40
|
|||
|
|||
Joe,what keys have you found that flattening the B string is helpful? B strings are my bugaboo. Maybe it's the transition from wound to unwound
__________________
When I was 5 years old, my mother always told me that happiness was the key to life. When I went to school they asked me what I wanted to be when I grew up. I wrote down, “happy.” They told me I didn’t understand the assignment, and I told them they didn’t understand life. —John Lennon |
#41
|
|||
|
|||
Quote:
I often adjust tuning based on the key, and how I’m using the guitar. Very often I’m playing parts of chords way up the neck alongside open strings — I mean that’s what an acoustic guitar is largely for, in my view. That’s where you’re going to be doing some fine tuning, especially when switching keys. I tend to tune the B string a little flat; it’s more forgiving that way. Then again, it can just sound flat in some grips, like the folkie F major grip, and I’ll bring it back up. It just depends. A slightly flat E sixth string is also useful. |