#1
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Baggs Soundscape: The anti-feedback aspect
Most of the speculation on the Soundscape has been on whether or not it will completely rid one's signal of piezo quack and provide the best possible amplified tone.
I'm thinking that the anti-feedback circuitry might provide the most help for the Anthem SL users, Lyric users and SBT users (especially iBeam users) who are already fairly pleased with their tone, but who need assistance in reaching a higher feedback-free sound level in situations where its needed. In theory, at least, the Soundscape will analyze a guitar's pickup signal and create an "anti-feedback profile" which pinpoints exactly what frequencies need to be most suppressed (when raising the amplification level) so that those frequencies can get special attention when the sound level goes up and the need for feedback suppression increases. I really like the idea of being able to use a single dial to dial in the exact amount of feedback suppression needed for a particular performance situation - without also rolling off deep lows which don't need to be rolled off. I'm looking forward to reading some anecdotal reports on how well the Soundscape anti-feedback circuitry works in practice. |
#2
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10^2 = > 100 Hz 2.10^2 = > 200 Hz Then any notch filter would do the job. Another way is to use James May installation technic for the UltraTonic pickup. It enables to spot the main resonant frequency of your guitar. See James May Eng. page. http://jamesmayengineering.com/
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Martin 00-18V Goldplus + internal mic (2003) Martin OM-28V + HFN + internal mic (1999) Eastman E6OM (2019) Trance Audio Amulet Yamaha FGX-412 (1998) Gibson Les Paul Standard 1958 Reissue (2013) Fender Stratocaster American Vintage 1954 (2014) http://acousticir.free.fr/ |
#3
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Cuki,
Agreed, one doesn't need a Soundscape to do an effective job of finding the problem frequencies and suppressing them. An experienced person with a good ear and a parametric EQ, or even a Baggs PADI, can do a decent job of that. I'm just hoping that the Soundscape will do it more precisely and quicker. Most of us don't want to spend too much time futzing around with gear at the gig, so the temptation is always there to just roll off the bass end and call it good enough. |
#4
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Anyway if you use LR baggs soundscape, the frequencies will be spotted only during the training process... so it is like controlling 1-2 fixed frequency notches with one pot.
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Martin 00-18V Goldplus + internal mic (2003) Martin OM-28V + HFN + internal mic (1999) Eastman E6OM (2019) Trance Audio Amulet Yamaha FGX-412 (1998) Gibson Les Paul Standard 1958 Reissue (2013) Fender Stratocaster American Vintage 1954 (2014) http://acousticir.free.fr/ |
#5
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