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I think that's the answer
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Give a man a fishing rod... and he's got the makings of a rudimentary banjo. |
#17
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Martin HD-28 Sunburst/Trance M-VT Phantom Martin D-18/UltraTonic Adamas I 2087GT-8 Ovation Custom Legend LX Guild F-212XL STD Huss & Dalton TD-R Taylor 717e Taylor 618e Taylor 614ce Larrivee D-50M/HiFi Larrivee D-40R Blue Grass Special/HiFi Larrivee D-40R Sunburst Larrivee C-03R TE/Trance M-VT Phantom RainSong BI-DR1000N2 Emerald X20 Yamaha FGX5 Republic Duolian/Schatten NR-2 Last edited by SpruceTop; 07-07-2020 at 07:34 AM. |
#18
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'59 Gibson J-45 "Spot" '21 Gibson LG-2 - 50's Reissue '94 Taylor 710 '18 Martin 000-17E "Willie" ‘23 Taylor AD12e-SB '22 Taylor GTe Blacktop '15 Martin 000X1AE https://pandora.app.link/ysqc6ey22hb |
#19
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Thanks for the info. Curiously, I checked into the specs of the ES2, and it clearly states that it's made to be used with unbalanced cables and that TRS cables won't work with it. So I think the same goes for the OP-Pro.
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-2017 Gibson J-45 Standard -2019 Gibson J-15 -2019 Gibson Les Paul Junior -2020 Gibson Les Paul Special -2019 Gibson Les Paul Studio -2021 Fender Aerodyne Special Telecaster -2022 Fender Telecaster 50s (Vintera) -1994 Fender Telecaster Deluxe 70 (Vintera) -Sire V5 5-string |
#20
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Is there any chance your Taylor has the first version of the Expression System? Those were designed to take either a standard unbalanced cable or a TRS balanced cable.
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'59 Gibson J-45 "Spot" '21 Gibson LG-2 - 50's Reissue '94 Taylor 710 '18 Martin 000-17E "Willie" ‘23 Taylor AD12e-SB '22 Taylor GTe Blacktop '15 Martin 000X1AE https://pandora.app.link/ysqc6ey22hb |
#21
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If the year of your listed Taylors is correct, 2011, you have the Taylor ES1.3 pickup/preamp system which is designed to be used with either a balanced (two types: 1/4 inch TRS to XLR and 1/4 inch TRS to 1/4 inch TRS) cables or an unbalanced 1/4 TS to 1/4 TS instrument cable. Taylor sells all three which I have from my ES1.2/ES1.3 Taylor days. Taylor started installing the newer ES2 piezo-based system in their 2013 Fall Limited Edition models and continued to roll out the ES2 into more of their series over the next couple of years. As mentioned, the ES2 is designed to be used with an unbalanced instrument cable.
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Martin HD-28 Sunburst/Trance M-VT Phantom Martin D-18/UltraTonic Adamas I 2087GT-8 Ovation Custom Legend LX Guild F-212XL STD Huss & Dalton TD-R Taylor 717e Taylor 618e Taylor 614ce Larrivee D-50M/HiFi Larrivee D-40R Blue Grass Special/HiFi Larrivee D-40R Sunburst Larrivee C-03R TE/Trance M-VT Phantom RainSong BI-DR1000N2 Emerald X20 Yamaha FGX5 Republic Duolian/Schatten NR-2 Last edited by SpruceTop; 07-07-2020 at 10:42 AM. |
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The Ovation is made to work so that, with a conventional TS cable, the signal is passed to the amp when the tuner is off. when the tuner is on, the signal to the amp is shunted. That being the case, you need to use a TS cable from guitar to amp. If for some reason that does not work, it sounds like you have a pre-amp wiring problem.
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#23
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The other piece of the puzzle is what you might be plugging the other end of the cord into. Most instrument amplifiers do not have balanced inputs for instruments, have a gain structure for low signals of an instrument, and are generally Hi-Z so as to not load down the output of the instrument. Conversely balanced inputs may have a gain structure for line levels and an input impedance of around 10kohms or less which could load down the instrument signal and alter how it sounds. To achieve a balanced connection both the source and gear it's connected to need to have balanced circuit design with appropriate connectors (TRS or XLR). The 'balanced' cable only facilitates the connection and can not create a balanced circuit in itself if either end it connects to is unbalanced.
I have an Ibanez guitar with an XLR output connector and this is a balanced output. Essentially it's a DI box built into to guitars preamp output circuit and could be connected to a Low-Z microphone input. |
#24
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Guys, really a 'cable' is not balanced or unbalanced. It's just wires. A 2-core plus shield cable terminated with a TRS jack or an XLR plug is capable of carrying balanced signals (ie an in-phase and out-of-phase version of the signal). A single core +shield cable with mono jacks is not able to carry a balanced signal.
But the signal has to be balanced, at least at one end, by some active (ie powered) electronics. The other end could have an active or passive balanced socket. This is why if you put a passive DI box at either end of an XLR cable, you will not have balanced the signal in the cable. In fact you will probably have attenuated it. In short, there is no such thing as a balanced cable. Only an electronically balanced signal. |
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Your not passing twice as much signal as you Would with a mono cable. Your only still passing One line the other is not used. When you use a mono cable On the ovation the tuner mutes the signal to the preamp by sending Or switching it to the area of the mono jack that's Occupied by the ring of the stereo jack. So when You plug the stereo jack In and engage the tuner You get a signal. Your gaining nothing by using The TRS cable...well your gaining an issue. If you need a better/hotter signal get a better mono Cable. It's not a balanced signal because it's still Only using one leg of the stereo cable. The source determines the phase out of phase Send to make it balanced. That's one signal Down two paths out of phase with each other to cancel noise picked up by long cable runs. A trs or stereo 1/4 will send 2 different signals Say from a mic inside your guitar and a piezo Under saddle. Out to some device capable of Blending the two signals. |
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__________________
Give a man a fishing rod... and he's got the makings of a rudimentary banjo. |