#16
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I'd go for Michel Aboudib. He's about to start his stint as the next Somogyi apprentice, base price is 6500 for the time being, but he's already building fabulous instruments that sound unique. Wait list is already a year, it's gonna get longer, and prices will go up....
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#17
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I believe Rebecca Urlacher may have attended Ervin's class as well. I know she has a modern dreadnought too. Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#18
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I presume that you've played modified Ds with Somogyi bracing/voicing. If not, I encourage you to do so before making this guitar purchase leap. Not my cup of, well, acoustic guitar tone.
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John |
#19
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This…. I am a coffee drinker as well…
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A bunch of nice archtops, flattops, a gypsy & nylon strings… |
#20
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jt1 thank you, that is really "sound" advice. I love what I hear on quality recordings, and I read Somogyi's books. You are right, I need to play some but that is not easy to do. They are rare and sell very quickly. I have been planning to go to one of the high-end guitar shows but keep getting Covid-blocked. I should probably cool my jets until I can get to one of these. Of course, the major down side is that I might become so enamored that I decide I need an actual Somogyi more than a car...
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#21
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I own an Aboudib OM and have a 7 string mod D on order. The OM is a fun guitar. I'll be the first to admit that I don't have any experience with an actual Somogyi.
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#22
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My favorite guitar show, The Woodstock Show, approaches. As always, it will offer a wide variety of guitar builders. If you can fit the show into your schedule, I recommend it highly. I look forward to following your journey.
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John |
#23
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I own a Kostal MD. Love it. Check out Bigfoot Guitars out of India. Karan is a monstrously gifted luthier, and refined his craft with Jason Kostal. His also a wood wizard, and comes up with the most amazing figures with unheard of woods…
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#24
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But paraphrasing what has been said above about mod Ds: try before you buy. If you are contemplating a custom build, please try out other guitars by that builder before you commit. They may make mod Ds that other players rave about but that does not mean it will be the best guitar for you. |
#25
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Each of the Somogyi apprentices also applies their knowledge and time from Ervin's shop very differently. Some try to copy it in very large part (such as Gaffney) while others apply it to their own particular voicing (such as Buendia), so it really runs the gamut in terms of what you get. Even those who build their own style have their own tonal profiles. My ear leans Kostal/Buendia, but I haven't owned any Somogyi style guitars yet as I've so far leaned toward a different tone in what I play.
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1998 Langejans BRGC Engelmann Spruce / Brazilian RW 2017 Heinonen "Olson" SJ Western Red Cedar / Honduran RW - Build |
#26
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It's really good advice to try before you buy. The somogyi Mod D has its own tonal profile which you may or may not like. Also to provide another perspective to jt1's post, I love the mod d tone but I also really like the tone of more traditionally toned luthier made guitars like Kim Walker and Franklin guitars. So you could find that you like the somogyi tone and also the tone of other different but similarly sized guitars.
To complicate matters, Somogyi's tone apparently experienced changes over the very long period of time (for a boutique guitar) that somogyi has been making the mod d, corresponding also to the different apprentices who have helped him build it and the experimentation and tonal changes that somogyi himself made to his design. I have owned a 2001 Somogyi euro spruce and brazilian rosewood mod dreadnought that was made by somogyi with his then apprentice michi matsuda, who has gone on to become one of the most innovative and creative luthiers in the world in his own right. It was a spectacular guitar tonally when I owned it, and had the 2nd most profound and deep yet supple bass that i have ever heard from a guitar while also having trebles and mids that could stand up to the bass (the best bass ever by a fraction that i have ever heard from a guitar was from a Kim walker jumbo) It was also the most responsive guitar I have ever played to this day. However apparently after matsuda's tenure, the somogyi tone apparently changed to become more explosive and the top became thinner or so I was informed. I have no first hand experience of that or of how the somogyi tone further changed after that. For whatever it is worth, that somogyi Mod d was a reference to me as one of the very best guitars I have ever had the privilege to play, so for me anyway, that mod d tone profile is well worth pursuing. Having said that, it is worth reminding you that not only is it possible that mod d built by even his ex apprentices and workshop attendees may sound nothing like a true somogyi Mod d, but even the original somogyi Mod d may sound quite different depending on when it was made. So there may be no one mod d "sound" to speak of...
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In the end it is about who you love above yourself and what you have stood for and lived for that make the difference... Last edited by gitarro; 07-01-2022 at 09:25 PM. |
#27
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Interesting thought and great advice. Can those in the know please attempt to describe the Somogyi bracing/voicing tone? I'm unfamiliar but very interested to know. If anyone has any links to great audio or video sources for comparison, that would be great as well.
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#28
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The tone can be a little modern, but still sounds relatively "normal". Harmonics and lower tunings stand out better. The guitars are very responsive to lighter touch, which isn't something your ears necessarily perceive compared to the hands. |
#29
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You might want to check out this guitar https://reverb.com/item/43758007-wed...ing-demo-video It's not a custom MOD D but more of a "standard model". The voicing is done by Keisuke Nishi of Keystone guitars that makes fantastic instruments and who apprenticed under Mario Beauregard which was one of Ervin Somoygi's earliest apprentices. The price is under 5k and there's some sound clips as well.
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#30
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