#1
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A build for Budster!
Budster decided he needed a custom built OM six string. He came over and picked out some wood.
Here are the particulars - Top- Western red cedar Back/sides - Madagascar Rosewood Binding- Figured Maple Kerfing- Reverse mahogany Back bracing- Sitka Spruce Top bracing-Sitka Spruce Bridge plate-Rosewood Sound Port – Oval Fretboard-Brazilian Rosewood Fretboard binding – Ebony Headplate- – Ebony Headplate binding- none –Maple under layer Neck – 5 piece laminate - walnut/2x ebony .080” /maple .225” Carbon reinforced Nut- 1 3/4" bone Saddle-bone Bridge- Rosewood or ebony – (dark) 2 ¼” Spacing Bridge pins-rosewood, abalone dots Tuners Gotoh 510 3L/3R gold, 18:1 Tuner buttons- Black Rosette- Madagascar Rosewood segmented Soundhole/soundport binding - one 010" maple strip. Purfling B/W/B Back strip – Maple End splice – Deep V or 90 grain to side Fret wire – EVO Gold Fretboard side dots- abalone. Fretboard markers- ¼ abalone round Fretboard inlay - none Headstock inlay- abalone S Pickup system- 9 volt PUTW dual source Scale length- 25.4 Cutaway- none Fretboard radius-16" Neck joinery – Bolt on Truss rod - double acting - access from sound hole. Top radius- 28 Back radius-15 Bracing – X brace, Saville design, Somogyi inspired Size - OM Finish- Water based satin urethane Strings - Elixir PB Light Case – Ameritage Silver Let the fun begin!
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“Reason is itself a matter of faith. It is an act of faith to assert that our thoughts have any relation to reality at all.” ― G.K. Chesterton |
#2
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I think it is just so cool that a pile of flat wood can become a thing of visual and auditory beauty in the hands of the right craftsperson.
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--------------------------------------- 2013 Joel Stehr Dreadnought - Carpathian/Malaysian BW 2014 RainSong H-OM1000N2 2017 Rainsong BI-WS1000N2 2013 Chris Ensor Concert - Port Orford Cedar/Wenge 1980ish Takamine EF363 complete with irreplaceable memories A bunch of electrics (too many!!) Last edited by mikealpine; 11-20-2012 at 01:59 PM. |
#3
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Woo-hoo! Congratulations, Bud! I look forward to hearing it played in person some day.
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#4
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Ill be eagerly watching the results. Always love your builds here SteveS
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Larrivee L-03 SO |
#5
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Lookin' forward to this build.
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https://www.facebook.com/pages/The-T...56266954411686 http://www.reverbnation.com/jayhowlett http://www.jayhowlett.com Guitars: I'm really happy to have a few nice ones. |
#6
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Thank you!
OK - Let's get this thing moving! First off - the top is joined and the thickness is reduced to a predetermined deflection. I do not care much about the thickness. This is how I measure stiffness - The top rests on two dowels and the gauge is zeroed. A bar weight is placed on the top. With the bar in place, deflection is measured on the dial indicator. Thickness is reduced until the desire deflection is indicated. Once this starts deflecting a large deflection difference is created by very small reduction in thickness. This cedar top is about .080" thick. Compare that to production houses that run about .110". It is easier for strings to move a thinner top. This can be done only with a more robust bracing system. I make the top and bracing light and responsive, yet strong enough to hold the near 200 lbs string tension.
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“Reason is itself a matter of faith. It is an act of faith to assert that our thoughts have any relation to reality at all.” ― G.K. Chesterton |
#7
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Yep sir, I am pretty excited watching this progress and can't wait to put my fingers on it !
Bud
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http://www.youtube.com/user/blranch8 |
#8
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Thanks for the update......keep them coming.......Steve
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Kwasnycia: 2012 K-45 Coco/Sitka Gibson: 2012 Les Paul Custom "Black Beauty" Sexauer 2013 JB-16 Pernambuco/Italian Spruce On the work bench: Razo 2013 #14 African BW/Sinker like #7 but not Considering Sexauer D45 Style Dred in BRW/TBD Traugott TBD - Olson TBD - So many others TBD |
#9
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OK Steve!
Time to work on the rosette. This will be a segmented rosette, 12 piece made of Madagascar Rosewood from cut offs from the back. Cut and bond the segments together - Layout the top - Cut out the rosette - Shellac the top and cut channel for the rosette- Glue in place.
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“Reason is itself a matter of faith. It is an act of faith to assert that our thoughts have any relation to reality at all.” ― G.K. Chesterton |
#10
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Some scraping and sanding to finish the rosette -
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“Reason is itself a matter of faith. It is an act of faith to assert that our thoughts have any relation to reality at all.” ― G.K. Chesterton |
#11
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Time to join the back. Bud decided on maple bindings and a maple backstrip.
The cut off will be used for the inside seam. Hwre it is cut out with the sides. That's some pretty wood Bub picked out. BTW -Madagascar Rosewood doesn't just look great, it rings like a bell. It is a great choice for back and sides.
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“Reason is itself a matter of faith. It is an act of faith to assert that our thoughts have any relation to reality at all.” ― G.K. Chesterton |
#12
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Let's get those sides bent.
Heat it up slowly, about 5 minutes from room temperature and start bending when it reaches 220 F.
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“Reason is itself a matter of faith. It is an act of faith to assert that our thoughts have any relation to reality at all.” ― G.K. Chesterton |
#13
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Now that the sides are bent it is time to join them together. First the ends must be cut to length and cut square. The sides are marked for length in the mold and a square is used to make a line. The ends are clamped with a straight section of wood on the line and then cut using a Japanese pull saw. These saws are a joy to use.
Once the sides are cut they can be assembled together with the neck and heel blocks using hide glue.
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“Reason is itself a matter of faith. It is an act of faith to assert that our thoughts have any relation to reality at all.” ― G.K. Chesterton |
#15
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Congrats, Budster! Looking forward to seeing your upcoming videos!
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