#106
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I live an hour drive north of Santa Cruz. I have played a bunch of Santa Cruz guitars at Sylvan Music. I haven't ever played one that came close to my Goodall or my Brazilian Larrivee. Beautiful guitars for sure, just not for me. But that's why this is the golden age of acoustic guitars, there is something for everyone.
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1972 Yamaha FG200 My 1st guitar 2003 Yamaha LL500 2007 Larrivee JCL 40th Anniversary Edition 1998 Larrivee OM05-MT All Mahogany 1998 Larrivee D09 Brazilian “Flying Eagle” 1998 Larrivee D10 Brazilian "Flying Eagle" 1990 Goodall Rosewood Standard https://soundcloud.com/247hoopsfan |
#107
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I never had a mango ice cream that came close to my macadamia nut ice cream but hey that’s just me.
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#108
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Living in Santa Cruz, put down roots here, found my bride here, raised my children here, now going gray here, sigh... I knew I'd be happy to own a SCGC. After a bit of searching, I did find one I liked. It's one of the best guitars I've played and has been my #1 for 15 years now.
My pearl of wisdom, or something like that: Have an idea what you want and buy the guitar that you like the best. SantaCruz make great ones, but if chimey Goodall is your thing, a SantaCruz won't bring lasting happiness. If you like slope-shouldered dreads, the very best SantaCruz OM in the world might never satisfy you. It's not the brand, it's the fit. But you knew that. Anyway, come by and visit! The sun is shining, the surf is up, the butterflies are in town, the whales are frolicking off the coast. Vampires though... Last edited by joeld; 11-24-2019 at 02:35 PM. Reason: Please refrain from profanity. |
#109
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Great stuff! Funny, and whip-smart. scott memmer |
#110
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SCGC makes excellent guitars, but my taste in guitars leans more towards some of Martin’s other children - Collings first, followed by Bourgeois.
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#111
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You may not find a SC guitar to fit you but you will always be impressed with them. It's like everyone is a personal piece of art made with love.
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Waterloo WL-S, K & K mini Waterloo WL-S Deluxe, K & K mini Iris OG, 12 fret, slot head, K & K mini Follow The Yellow Brick Road |
#112
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Yes they are.
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Gibson Songwriter Deluxe Standard EC Gibson SJ-200 Standard Gibson Ebony Dove Gibson J-45 Standard Gibson Hummingbird Martin D-28 MD Martin D12-28 Martin SPD-16T Santa Cruz RS Harmony Sovereign (first guitar) My Band: www.hwy-31.com |
#113
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I had a trigger finger op a year ago (?) and the surgeon, lovely German lady told me that I have "Viking's Disease" Dupeytrans contracture which slowly pulls the fingers into the palm and locks them. I have the ridges in my palms and have to push my fingers hard to straighten some. But, I am old Father William, and I will only need them to last another five to ten summers.
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#114
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#115
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Best guitar I ever played was a new SCGC H-13, in a shop in Atlanta. I wasn't in the market, but if I was I would own it.
Ed |
#116
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A couple of years ago I attended a concert of around a dozen great musicians each playing a couple of songs. The best sounding guitar by far was an SC Janis Ian signature model, played by her.
For what it is worth. |
#117
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I love my OM/PW.
Goufous
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2008 Santa Cruz OM/PW CA Legacy/Performer pre-peavy carbon fiber, a gift from my daughter and son-in-law. Richard Young Soprano and Concert Ukulele Collings UT1 Tenor Ukulele Eastman 305 Mandolin McSpadden Mountain Dulcimer Thomason Mountain Dulcimer Deering Eagle ii Banjo Homemade Wash Tub Bass O'Riordon Tin whistle (Traveler Set) Hammered Dulcimer by Jim Hudson |
#118
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I am a lover of SC guitars. The 2 I own and know well have wonderful tone, projection and playability. The couple I have played that were close to my price range that I didn't buy I only blame myself. The one or two I dint find to have a magical sound I blame on old strings and substandard playing technique (mine). Life has been really good to me and I have and have had some very nice guitars. The Santa Cruz more than hold their own. Whenever I think about getting a guitar, think will it be better for me than a Santa Cruz. Any time one comes up for sale within a couple hour drive, I think about getting in the car and trying it out.
Jeff
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Flammang RS35, Flammang el35, SC 000 12 Fret ss, SC H13, SC PJ, Rockbridge 00, Eastman 810ce, Recording King RPH 03, Martin LX (on loan), Martin 0018vs (given to Godson), Lowden F388c (traded), SC OM (traded), Martin OM28v (traded), Martin 00017s (sold), Bourgeois Martin Simpson Slope D 12 fret (sold), Larrivee Parlor (traded), Larrivee L05MT (sold), Gibson LG1 (sold), Seagull Folk (traded) |
#119
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I can't say I've ever played one that seemed to fit me well (about a dozen), but dang they're gorgeous. I'd love to try the Skye model....great specs and aesthetics on that one!!
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#120
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I think what Santa Cruz write on their website is self-explanatory, and it's easier for me to just paste here than try to reword it better:
Heirloom Quality Instruments: Built for Sound, Durability and Repairability. Hand voiced and tuned for a sophistication of sound that you won’t outgrow. Santa Cruz Guitars are built in strict climate control for stability. They are crafted with the experience of professional repair technicians for easy maintenance and to ensure successful future restoration. Our Wood has a Story: Reclamation, Sustainable Yield and Responsible Harvesting. Downed trees, sunken logs, old tenements, building beams, master carpenter inventories… We find the most resonant, best-sounding wood possible by responsible means. Tonal qualities improve with age due to the resins that crystallize once the wood is removed from a living tree. We use this secret to enable our new guitars to possess a legitimate vintage sound from the start. Hand Voicing for Balance, Tap Tuning for Complexity. Most modern guitars are assembled from pre-shaped parts which possess random frequencies that can cancel out overtones and limit sustain. No wonder you have to search for “the good one.” We are employing the techniques of master violin luthiers to voice and tune by hand manipulating the dimensions of the top and bracing. This creates consistent harmony, sustain and sophistication of complex tone on every instrument we build. Dovetail Joint: Sonically Superior to a Bolt-On Neck or We Wouldn’t Take the Time to Do It. The dovetail jointed neck allows us a considerable degree of control over the presence of the guitar. The tonal advantage of the dovetail is not a matter of opinion; it is supported by acoustic physics. The dovetail joint is a crucial element in voicing and tuning our guitars to be extremely responsive and powerful to the audience. The simplicity of our design facilitates undetectable removal for neck angle resetting or replacement due to trauma. Our dovetail design is the proven product of generations of master violin luthiers. Built Light, but Not Fragile Our durability comes from intelligent engineering, not extra weight. SCGC incorporates the engineering principles of parabolic and radiused bracings, giving each instrument additional power, resonance and durability. This gives them multiple times the strength at a fraction of the weight. Our first instruments are in their fourth decade of professional use, proving the soundness of SCGC’s ‘light but strong’ designs. Plant Derived Nitro-Cellulose Finishes that Enhance Resonance and Repairability Nitro-cellulose is the best finish for steel stringed instruments, period, which is why we spend the extra time and effort over cost efficient factory finishes. Cellulose IS wood, and by using it as the solids for our lacquer, we are putting a thin coat of wood on wood, enhancing resonance and ensuring restoration quality repairs. Modern factory finishes are like glass: nice looking, but if broken, your instrument is aesthetically compromised. If your guitar cannot be repaired; it is disposable. Nitro-Cellulose lacquer insures heirloom quality and superior sound. We are Luthiers, Not CNC Guitar Kit Assemblers. We are not restricted by the constraints of manufacturing efficiencies from building something personal and unique. We are truly a custom shop, and pride ourselves on the ability to hand make any aspect of the guitar to meet the design and acoustic preferences of our customers and dealers. Our only limits are physics and good taste. We Build 400 Guitars a Year, What Large American Guitar Factories Do in a Day and a Half At this modest number, we procure the top 1% of tonewoods and the world’s most passionate team of luthiers. Expertise and mastery can only be earned through practice, and our luthiers’ combined experience spans over a century. This solid foundation has enabled our guitar makers to become the best in the world at their specialties. Santa Cruz Guitar Company combines the timeless heritage of violin lutherie with a working camaraderie and ongoing symbiosis with some of the world’s top experts in acoustic science. You Don’t Just Get an Extraordinary Guitar, You Get Exemplary Customer Support Being a small shop enables us to handle everything personally, from our world class repair service to our friendly, dependable office staff. Our dedication to the livelihood of your guitar lasts as long as our warranty service: a lifetime. We allow you direct access to our in-house professional repair and restoration experts for timely service and technical advice. Richard Hoover, our founding luthier and internationally recognized authority on the acoustic guitar, is at your service for expert consultation on SCGC models, custom design and acoustic references. |