#31
|
|||
|
|||
Quote:
Anyway, lets keep it civil guys, no flame wars please... I joined that forum because I would never see people bashing each other. I would usually avoid forums because of that... I mean, if possible, please don't argue with each other in a "bad" way. Thanks for the replies, regards, Hikari.
__________________
Hikari. |
#32
|
|||
|
|||
Quote:
Quote:
As far as the lowly beginner, I feel that is where I am as compared to where I think I can end up. Don't think my name will ever be recognized as some of the fine builders on this forum but hopefully I can leave behind instruments that are good enough to get passed down to future generations. Oh, the 'by gosh or by golly method' reference came from one of the guys I work with in my day job. He wanted to know how I decide how to build my guitars, I tried to explain my method and he summed it up with that line. I did not take offense from it when he said it, I am after all new to this craft.
__________________
Fred Last edited by printer2; 12-29-2015 at 10:58 AM. |
#33
|
|||
|
|||
I think we should also differentiate between artist and craftsman (craftsperson) - rather than hobbiest vs professional.
There are many craftspeople who can and do build good guitars - they follow fomulas, they have jigs and formulas and CNC equipment and can weigh and measure and test each piece and create a good, consistent, instrument. Whether its one a year or one a month or one an hour, its more a matter of getting enough of the right material and processing it efficiently. Its the model that you expect a factory to take, even if the factory is in someones garage or basement. But you also have the artist - usually, they build with a different motivation. They like to try different things out, whether its size, shape, materials, decoration, bracing, etc. The best artists usually start as craftspeople, because that is the best way to learn about the tools, materials, and techniques. But they "evolve" beyond that - beyond following strict formulas for everything. And because of what they do, they usually do it in very small numbers. Some people don't understand it - some think that everything can be reduced to frequencies and thicknesses and dimensions and formulas. And all that data can help build a good guitar. But in my (subjective) opinion - it takes even more to build a great one. And just like a factory, a hobbiest can sometimes get lucky and build one by accident, but I think it takes alot more to do it consistently. But thats just my opinion-
__________________
More than a few Santa Cruz’s, a few Sexauers, a Patterson, a Larrivee, a Cumpiano, and a Klepper!! |
#34
|
|||
|
|||
You have a real knack for taking things out of context ned
I quote Quote:
__________________
Cole Clark Fat Lady Gretsch Electromatic Martin CEO7 Maton Messiah Taylor 814CE Last edited by mirwa; 12-29-2015 at 07:47 PM. |
#35
|
|||
|
|||
Quote:
You have referred quite a few high end builders, but they would make up I am guessing less than 0.5 percent of the guitar building population of the world, so not really the norm, I usually when making comments try to use the mainstream situations. My calculations were to emphasize to those that come along and read and do this for the enjoyment of it, how hard if not impossible it is to derive a living solely from building guitars, especially if you are only looking at a turn over of one a month. Quote:
Quote:
Steve
__________________
Cole Clark Fat Lady Gretsch Electromatic Martin CEO7 Maton Messiah Taylor 814CE Last edited by mirwa; 12-29-2015 at 07:53 PM. |