#16
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That guitar was interesting, Ziricote with Lucky Strike Redwood, and just impeccable construction details. It had a 25.8 scale length, which produced a really sonorous bass, but made it pretty stiff to play!
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#17
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As I remember that True North, it had sustainnnnnnnnnnnnn for decades. A lovely even sound. Not so much loud. as the sound just jumped off it and rang forever. A very good fingerstyle guitar. Still got that Ryan, Jeff?
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#18
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I do still have it. It is about 17 years old now, bought it in late 2001. I was forced to buy an Olson towards the end of my time in MN. (I think Rosejams may have been over before I bought it.) I went over to Jim's shop fairly often and he would rag me about the fact that I had one of Kevin's guitars but never bought one of his. He had 3 nearly completed orphans at the time so I bought an SJ that is German spruce and Koa. He had one of the normal cedar/rosewood ones also but thought I would go for something a little different. The only input that I had were the fretboard inlays and truss rod cover, but I only had to wait a couple of weeks for him to finish it. It is a great guitar too.
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#19
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Well you are in the wrong place for sympathy on that!
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Doerr Trinity 12 Fret 00 (Lutz/Maple) Edwinson Zephyr 13 Fret 00 (Adi/Coco) Froggy Bottom H-12 (Adi/EIR) Kostal 12 Fret OMC (German Spruce/Koa) Rainsong APSE 12 Fret (Carbon Fiber) Taylor 812ce-N 12 fret (Sitka/EIR Nylon) |
#20
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Olson abuse really is one of the worst forms of abuse. You have our sympathies
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Steve Mcilroy A25c (Cedar, English Walnut) with Schatten HFN (custom MiSi Crystal Jack Preamp, putty install.) Maton 75th Anniversary OM 50th Anniversary Fender Am Std Strat. Gretsch 6120 Nashville Players in Blue. Line 6 Helix. If I played as much as I read threads, I'd be a pro.... |