#16
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Quote:
It might also be worth putting in a mention for Bert Jansch and John Renbourn, two similarly self-effacing folkie guitar wizards, happy to share their knowledge whenever asked. And possibly even more influential than Carthy - at least on acoustic guitar, if not more broadly on English folk culture (how Carthy won his official recognition). Renbourn used to run regular informal guitar workshops. Jansch never did, although he did give lessons very early in his career, and would always chat happily to anyone who struck up a conversation. Now both are dead - and I admit personal interest here - workshops on Bert's music are run by the BJF: https://bertjanschfoundation.org/workshops - anyone interested is too late for this series, but more will be planned later in the year. I suspect Martin Carthy might find it amusing - a myopic, tangential distraction - to have classes devoted to one man's guitar technique (however brilliant), rather than the broader topic of folk tradition in itself. Ironically, we run them at Cecil Sharp House too (outside of lockdown)! - but down in the basement where we belong, not up in the hallowed environs of the library on the first floor.
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"There is a crack in everything. That's how the light gets in." - Leonard Cohen. |
#17
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This is a great thread.
Martin Carthy is such a nice bloke, very unassuming. Funny enough, I last saw him in Scarborough (seriously) about six years ago. He was in Waterstones pushing Norma in a wheelchair. It was Christmas and I heard Norma say she wanted a really good book of ghost stories, but something a little more classic, not contemporary. I recommended M.RJames collected short stories and handed her it. They were both very grateful. I've often wondered whether they bought it and whether Norma became an M.R.James convert. The first time I met him was nearly 30 years ago. I was just getting started on my fingerstyle voyage of discovery and he told me to get a OO size guitar. Which I never did, but there's still time. Thanks a lot for those links, I've not seen most of them. Cheers Mike. |
#18
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I've been tried to buy this tab, which is harder than you might think. Then I saw this thread. Can anyone help me out too?
Cheers |
#19
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Check your messages!
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"There is a crack in everything. That's how the light gets in." - Leonard Cohen. |
#20
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Just to note I saw Martin last night at The Barbican in London, with Eliza.
This was the rescheduling of his 80th Birthday celebration gig, so it turned out to be his 82nd birthday celebration! I was also at his 60th (Oxford Apollo) and his 70th (Queen Elizabeth Hall, London). I have to admit, although inevitably frail etc. he was on better form than the last few times I've seen him. He did play a version of Scarborough Fair, complete with sitar and cello accompanyment. Eliza was, predictably, in astonishing vocal form. I once found myself sitting beside her on a Yorkshire train and, having seen Martin live the week before in Southwark Cathedral, rather tactlessly blurted out, "He'll die on stage like Tommy Cooper!". I explained rapidly that I meant this as the greatest compliment. I can envise him playing live until he draws his last breath; it's been his entire life and he is a tremendous inspiration to all working musicians of whatever ilk. Long may he continue. Cheers, Steve |
#21
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Can't find the tab for Martin's version anywhere. Please can someone post the actual tab here? Thanks
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#22
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(I'll remember to check my private messages if you will. ) The offer applies to anyone here. No charge! (I'll deal with Carthy's legal team if they come knocking... )
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"There is a crack in everything. That's how the light gets in." - Leonard Cohen. |
#23
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It seems a few of you have tried messaging me, but my message box is full! (So much for me checking... )
Sorry about that, I've now cleared some space....
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"There is a crack in everything. That's how the light gets in." - Leonard Cohen. |