#1
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A surface crack should be listed how?
I've been looking at some used acoustics online and I've come across several times at different retailers where a guitar is showing cracked tops, bottoms or other problems ... but the problems arenot listed and the guitar is marked as being "good" or even "very good" condition.
Just now I came across a guitar marked in "good " condition. I talked to a salesman who looked it over and he noticed the crack , which he freely admitted looked "scary". He sent me some photos of it and it appears to be a standard humidity, or whatever crack, running from the bottom of the bridge all the way to the bottom edge. My Alvarez AD710 developed a similar crack years ago when I left it out on its stand and didn't take care of its humidification needs. Now I keep all my guitars in their cases when not in use and they have humidifiers. My point is I don't think a guitar listed as "good" condition should have a crack or other obvious structural problem. Yet I've come across this several times. Am I being too picky? To me a cracked top should be pointed out to the consumer. To me it is not a cosmetic problem but something that needs to be repaired as soon as possible. At the very least the consumer should be told of the problem, especially if the seller offers no warranty. I once came across a guitar being sold in which the private seller pointed out it had several cracks ... but he seemed to dismiss them saying they didn't affect the sound.
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Martin X1-DE Epiphone AJ500MNS Alvarez AD30 Alvarez AD710 Alvarez RD20S Esteban American Legacy Rogue mandolin |
#2
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A surface crack should be listed how?
When I sell a guitar, I am honest and direct about any blemishes, scratches and/or cracks. I have even taken guitars to be evaluated by a respected repair person to be as accurate as I can be to prospective buyers. At the same time, I also am honest if said crack truly has no structural or tonal consequence.
As a buyer, if I’m concerned about a crack in a guitar that I am considering, I consult with a luthier just so I am aware of having any problems down the road. I listed a guitar for sale a number of years back that had a repaired crack that had no structural consequences as in “excellent” condition. I fully described where the crack was and how it was repaired. From the outside the repair was virtually undetectable. Obviously, being completely transparent is ideal but not every seller will choose to do that. Best, Jayne |
#3
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As for these guitars I don't know why they are listed. It could be pure deception in a bid to sell a guitar. It could be that the problem occurred at a store after the ad was listed ... maybe dropped by a customer or something. Or maybe the person making the listing didn't think a crack was a major issue ... such as that seller I cited who just acknowledged the cracks but just didn't seem they were all that important because the sound quality seemed unaffected. But whatever the reason for the listing ... these guitars were (and are) being listed as guitars with no cracks or other problems.
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Martin X1-DE Epiphone AJ500MNS Alvarez AD30 Alvarez AD710 Alvarez RD20S Esteban American Legacy Rogue mandolin |
#4
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There is some disagreement on this... I tend to adhere to the Elderly system, which is to describe the overall cosmetic condition, and disclose any cracks or playability issues, which they explain like this:
"We also often will give you the cosmetic rating and then qualify it by stating "except . . ." The exceptions may sound as if the rating should be in a lower category. Technically that may be correct, but we find that if, for example, we rate a beautifully clean guitar as "GC" because it has a 1" repaired side crack that is hard to see, it gives the incorrect impression of the guitar. So, we will probably rate it as "EC except small repaired crack in the side". What we are saying is that cosmetically this is a really nice guitar but we want you to know that it is not absolutely perfect. We urge you to read the entire description if you are interested in a used instrument."
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"What have I learned but the proper use for several tools" -Gary Snyder Bourgeois DR-A / Bowerman "Working Man's" OM / Martin Custom D-18 (adi & flame) / Martin OM-21 / Northwood M70 MJ / 1970s Sigma DR-7 / Eastman E6D / Flatiron Signature A5 / Silverangel Econo A (Call me Dan) |
#5
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Clearly, anything that was not as originally built should be disclosed if known (except when it might not be known what was original, like bridge pins or tuners that cover all traces of the old ones). But cracks that are open, unrepaired, and obvious, should be disclosed, and if repairs have been done (and done well enough that they may not be obvious) those should be disclosed as well. As far as judging condition - I like how Elderly does it as well -
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More than a few Santa Cruz’s, a few Sexauers, a Patterson, a Larrivee, a Cumpiano, and a Klepper!! |
#6
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I recently bought a guitar from a seller who I met through a friend...and he described it as in "very good" condition, EXCEPT for a "finish crack" from behind the bridge in a straight line ending at the rear of the top. When I got it, I had the tech/luthier I tend to use most frequently examine it...and he found it was much more than a surface crack, and he could feel it on the inside. He said it would require cleats to stabilize. I'm super particular about my guitars...and I'm thankful the seller received the guitar back and refunded my money (the amount was substantial).
I learned my lesson though. I only buy guitars used from those with high post counts and long tenure here on the AGF, or brand new. I trust folks here, and have never had a single issue with deceptive descriptions. |
#7
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Full description with photos out and in.
What you would want to see if buying, no?
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______________________________________ Naples, FL 1972 Martin D18 (Kimsified, so there!) Alvarez Yairi PYM70 Yamaha LS-TA with sunburst finish Republic parlor resonator Too many ukeleles |
#8
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No such thing as a "surface crack". Either the wood is cracked or it's not. If not it's most likely a lacquer crack.
Defects should always be disclosed, whether the guitar is new or ancient. A smart businessman will disclose these defects so they don't have to accept a return and pay shipping both ways. It's just smart business and helps maintain a good reputation.
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"Vintage taste, reissue budget" |
#9
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The fact of the matter is that sometimes even the most well intentioned people just don't know what the heck they're talking about... they don't know what they don't know. And, other times, not well intentioned people just lie. Anyway, I do really think that overall condition grades that don't separate cosmetics from other issues are frequently problematic.
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"What have I learned but the proper use for several tools" -Gary Snyder Bourgeois DR-A / Bowerman "Working Man's" OM / Martin Custom D-18 (adi & flame) / Martin OM-21 / Northwood M70 MJ / 1970s Sigma DR-7 / Eastman E6D / Flatiron Signature A5 / Silverangel Econo A (Call me Dan) |
#10
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Needed some nylons, a wide range of acoustics and some weirdos to be happy... |
#11
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A crack should obviously be pointed out in the description. No question about that. As for it being listed as "good", when you sell on Reverb they make you pick the condition from a drop down menu. Good is nowhere near the top of the list. Here is how they describe "good": "Good condition includes items that are in fine working order, but have significant cosmetic imperfections. A pedal with scratches and dents on its chassis, a guitar with some cracks in the binding, or an old snare drum with some corrosion on the lugs would all be classified as Good. Items with dents, cracks or corrosion qualify as Good as long as they are still playable and fully functional." |
#12
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#13
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Years ago I bought a Guild D-55. The one owner I was told was a local guy who played it out at a lot of gigs ... and I mean a lot of gigs. The finish on the left lower bout under the playing arm was worn through to the wood. The bridge had been replaced and a Martin first generation Thinline pickup had been installed. (The pickup I later found was failing so I had it removed). The guitar had a lot of cosmetic problems but was sound structurally. The seller threw it in a beat-up hardshell case too. But I got that D-55 for $400. But that was probably 35 or so years ago so I imagine a new one nowadays costs a wee bit more.
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Martin X1-DE Epiphone AJ500MNS Alvarez AD30 Alvarez AD710 Alvarez RD20S Esteban American Legacy Rogue mandolin |
#14
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More than a few Santa Cruz’s, a few Sexauers, a Patterson, a Larrivee, a Cumpiano, and a Klepper!! |
#15
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Isn't there maybe a difference between a crack caused by improper humidification, that can be taken care of by rehumidifying the instrument, and a crack caused by dropping or other trauma, that will require cleating etc.?
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stai scherzando? |