#16
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Too true. And it's hard to get people excited about "marginally presentable".
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-Steve 1927 Martin 00-21 1986 Fender Strat 1987 Ibanez RG560 1988 Fender Fretless J Bass 1991 Washburn HB-35s 1995 Taylor 812ce 1996 Taylor 510c (custom) 1996 Taylor 422-R (Limited Edition) 1997 Taylor 810-WMB (Limited Edition) 1998 Taylor 912c (Custom) 2019 Fender Tele |
#17
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Room tone is a slight misnomer. I know you know this, Bob. Yeah, it's about the sound of the room based on where the mic is at the moment, but that usually changes when you move the mic to another place in a room. Room tone is more about getting the mic selfnoise and preamp sound so you can paste room tone into the holes created during the postproduction process. Unless you do that, or cover the holes with music or sound effects, the abrupt changes from the boom or wireless to digital zero in the gaps is too noticeable. |
#18
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I've gotten the cancellation thing to help somewhat a couple times on a steady-state hum like fluorescent lights or a fridge, but that was with sample-level nudging. No luck on anything else that I can recall. |
#19
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Yeah. I’ve made that work once or twice, but it’s never ideal. These days I rely on iZotope RX. It’s not cheap, but if audio is your job it pays for itself fast.
__________________
-Steve 1927 Martin 00-21 1986 Fender Strat 1987 Ibanez RG560 1988 Fender Fretless J Bass 1991 Washburn HB-35s 1995 Taylor 812ce 1996 Taylor 510c (custom) 1996 Taylor 422-R (Limited Edition) 1997 Taylor 810-WMB (Limited Edition) 1998 Taylor 912c (Custom) 2019 Fender Tele |
#20
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The CEDAR DNS-2 is the killer box for that.
https://tyfordaudiovideo.blogspot.co...log-noise.html Regards, Ty Ford |
#21
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That looks nice. Does it also do the spectral repair stuff that RX does?
__________________
-Steve 1927 Martin 00-21 1986 Fender Strat 1987 Ibanez RG560 1988 Fender Fretless J Bass 1991 Washburn HB-35s 1995 Taylor 812ce 1996 Taylor 510c (custom) 1996 Taylor 422-R (Limited Edition) 1997 Taylor 810-WMB (Limited Edition) 1998 Taylor 912c (Custom) 2019 Fender Tele |
#22
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The Cedar units we use in the TV studios at our complex are band-based units. They are quite good for fixed installations and take much of the room and camera-fan racket out. I think a sample-based system like iZotope or RX might do a better job but might not be as consistent about it, if you know what I mean.
Bob
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"It is said, 'Go not to the elves for counsel for they will say both no and yes.' " Frodo Baggins to Gildor Inglorion, The Fellowship of the Ring THE MUSICIAN'S ROOM (my website) |
#23
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In the late 70's I in a studio with a rock band recording a demo, and we needed a tambourine for a track. No one had brought the tambourine. So I went into a vocal booth and took out my set of keys and figured out how, with shaking and muting, to make them sound like a tambourine. Worked well.
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#24
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Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube |
#25
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