#16
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#17
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You can do a lot with a tremolo effects box, but yes that might be another thing that you can't quite replace with fingers.
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'17 Tonedevil S-18 harp guitar '16 Tonedevil S-12 harp guitar '79 Fender Stratocaster hardtail with righteous new Warmoth neck '82 Fender Musicmaster bass '15 Breedlove Premier OF mandolin Marshall JVM210c amp plus a bunch of stompboxes and misc. gear |
#18
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#19
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You are missing out on half the sound possibilities you get from microtonal bends
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#20
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People who block a tremelo usually have no idea how to use it properly. If your idea of using a tremelo is surf music, you are missing out on hundreds of artists who do use it.
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#21
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"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) |
#22
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Mine is set up so all I have to do is add 2 springs to block it, or remove them to float it. It’s blocked most of the time but only because I like to do alternate tunings from time to time, especially drop D. Can’t do that with a floating tremolo. |
#23
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I was a D size flat top player for decades and had a 2000 MIM Strat come my way through the family a few years back. Whether you use the trem or not the floating bridge is part of the vibe with these. Learn how to adjust this. Adjusting the claw is easy and adding springs is cheap if you go to heavier strings. In the end ff you can't live with it then block it with a small chunk of hardwood. A slice off an oak survey stake works well.
The pickups are easily adjusted up down and side to side with a screwdriver. Take the time to learn how the height of the pickups fits into your playing style, touch and choice of strings. It amazes me how many folks change out pickups without messing with the height adjustment. I am a better player with a Telecaster, but I have a great time fine tuning my Strat. |
#24
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Congrats on your strat
I don’t play electric much these days but when I do it’s a strat.
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David Webber Round-Body Furch D32-LM MJ Franks Lagacy OM Rainsong H-WS1000N2T Stonebridge OM33-SR DB Stonebridge D22-SRA Tacoma Papoose Voyage Air VAD-2 1980 Fender Strat A few Partscaster Strats MIC 60s Classic Vib Strat |
#25
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Having said that, I use very sparingly and more lightly than I would perhaps like on my Stratocaster because I worry about tuning issues. |
#26
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I have 2 Squier Strats and really like both of them a lot. One is a Squier deluxe in Daphne blue, and is a great guitar, really. The other is a pawn shop find, an Affinity made in Indonesia. It was on clearance and I got it for $15!! Score!
Squier makes good instruments. I played a standard Squier Tele as my main gigging ax for many years. It was a good guitar, and completely stock from the factory. |
#27
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Google should find all sorts of ideas for "blocking" a trem.
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Breedlove, Landola, a couple of electrics, and a guitar-shaped-object |
#28
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1neeto, in simple english, what would a 250k pot do over a 500k? psst, i mean simple english!! tia
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Fender GDC 200 S Telecaster-(build) Squier 51 Fender Strat Partscaster Ibanez SR400 EQM bass |
#29
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"... 500K has more resistance than 250K. The lower the resistance the easier it is for treble to leak right through the pot and get lost, even if the pot is on "10". So the higher the resistance of the volume or tone pot, the more treble that stays in the audio signal and makes it to your amplifier when the guitar's volume and tone pots are on "10". Single coils sound better to most of us if a little treble is allowed to get lost. So 250K is usual. Humbuckers don't have as much treble as single coils so 500K is usual to resist treble getting lost." https://www.seymourduncan.com/forum/...ct-performance
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Breedlove, Landola, a couple of electrics, and a guitar-shaped-object |
#30
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