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"..[blah blah blah]...The result was the ability to replicate key properties of a guitar top from the 1930's-1940's or from the mid 1800's. Having the ability to target a historical era ..[blah blah blah]..." https://issuu.com/cfmartin/docs/vts-booklet_low Ya know... the way you phrased that kinda sounded like you thought I was making stuff up...
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Gibson Customshop Hummingbird (Review) Last edited by RalphH; 04-20-2021 at 02:33 PM. |
#17
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I'd say it's getting there around 20 years, at 30 I hear it. Depends on the guitar and how much it's been played. At 40-50 years, it's there. I can not for the life of me describe it, but I know when I hear it.
I've got to say, cooked tops get halfway there, but some question how they will age. Then there is the old personal bias that can't be overlooked. I pick up a 50 year old guitar and just want to like it. There goes objectivity out the window.
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2007 Martin D 35 Custom 1970 Guild D 35 1965 Epiphone Texan 2011 Santa Cruz D P/W Pono OP 30 D parlor Pono OP12-30 Pono MT uke Goldtone Paul Beard squareneck resophonic Fluke tenor ukulele Boatload of home rolled telecasters "Shut up and play ur guitar" Frank Zappa |
#18
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Like everything else on AGF
if you think it is...it is!
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Classical guitars, flat top steel string A few banjos and mandolins Accrued over 59 years of playing |
#19
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LOL I'd not read that particular bit of marketing manure. I don't hesitate to call bs, if I knew you were making stuff up I'd not have left room for any doubt Cheers Paul |
#20
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~~~~~ Regarding torrefied tops: last Fall, i bought a used Collings C10-35, with a torrefied Sitka top. Love it! If it were any more brilliant, I’d be blinded, sonically speaking. I have had it less than a year, so too soon to assess how the tone might mature. And since it is sunburst, who knows if the top might look strange if it were a natural finish. But i am fine with it as it is. The tone of my Collings OM changed a lot in the first two years, and many folks describe new Collings as “tight”. I will just keep playing it and will see what happens. It would be nice if the notes rounded out a bit, as they did (quite significantly) with the OM. |
#21
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In my opinion. And you can take it with a grain of salt.
More than the age of the guitar. It needs to be played. The more it's played. And especially played in tune. The better it will sound. My Gibson has been played every day since about 2016 And the tone is coming in nicely. |
#22
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When that happens we may all be dead, the guitar will have passed through 5 other owners and 1 of them was a chain smoker.
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McCollum Grand Auditorum Euro Spruce/Brazilian PRS Hollowbody Spruce PRS SC58 Giffin Vikta Gibson Custom Shop ES 335 '59 Historic RI ‘91 Les Paul Standard ‘52 AVRI Tele - Richie Baxt build Fender American Deluxe Tele Fender Fat Strat |
#24
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Santa Cruz 000, Samick classical |
#25
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About the same time as my age matches my parents'...
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#26
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#27
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In my opinion, torrefied does not equal a guitar aged through playing and environmental changes. I have two guitars with torrefied tops. Both sound good, but I would also say a little tight. They still sound new. I have a couple of other guitars that I have owned for anywhere between 13 and 18 years. Both of these have changed from good to great in that time. I don't mind buying a torrefied guitar but I wouldn't pay extra for it.
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Collings OM-1 Traditional Santa Cruz OM Santa Cruz 00 Martin OM-28V |
#28
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I'll take Sitka over either.
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1 dreadnought, 1 auditorium, 1 concert, and 2 travel guitars. |
#29
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One, five, ten, and twenty years approximately. At the twenty year mark, it’s made most of the changes it’s going to. I think torrefication dries the saps and resins, but the question that I have, is does that make it sound “better” or simply “different”? And as the guitar ages, how is it going to react to the wood around it expanding and contracting at different rates due to differences in moisture content? Of course, it’s also possible that I’m thinking way too hard.
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A bunch of guitars I really enjoy. A head full of lyrics, A house full of people that “get” me. Alvarez 5013 Alvarez MD70CE Alvarez PD85S Alvarez AJ60SC Alvarez ABT610e Alvarez-Yairi GY1 Takamine P3DC Takamine GJ72CE-12-NAT Godin Multiac Steel. Journey Instruments OF660 Gibson G45 |
#30
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Fred |