#1
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Are cables created equal?
I’m totally new to amplification. A brand new acoustic amp arrived today and I’ll buy a cord.
Only needing a 10-footer, is there anything I should know?
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______________________________________ Naples, FL 1972 Martin D18 (Kimsified, so there!) Alvarez Yairi PYM70 Yamaha LS-TA with sunburst finish Republic parlor resonator Too many ukeleles |
#2
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1) no, different wires and gauges will have different capacitance characteristics and sound different
2) "different" doesn't mean better or worse, unless you're talking about objectively undesirable characteristics like hiss 3) you don't need to pay a ton for better cables 4) monster cables are not worth the premium 5) Monoprice makes very good cables, with no hiss and no detectable sound signature (i.e. neutral sounding). Spectraflex is also very good. DiMarzio are good. Cables with Neutrik connectors and Mogami wire are about as good as it gets and not very expensive 6) speaker cables and instrument cables are not interchangeable 7) paying more than $6/ft for 6+ ft long cables is a waste of money 8) planet waves have a slightly oversized jack and sleeve so you probably want to avoid them
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Solo acoustic guitar videos: This Boy is Damaged - Little Watercolor Pictures of Locomotives - Ragamuffin |
#3
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I've never had trouble with any cable with Neutrik connectors. In my experience, the ones with the heat shrink tubing over metal connectors break after a few months. Livewire Elite are excellent. I have a plain Livewire cable I've had since 2010 and it's still working like a champ.
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As my username suggests, huge fan of Yamaha products. Own many acoustic-electric models from 2009-present and a couple electric. Lots of PA too. |
#4
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Make your own cables. You can make a 10 ft cable with the nicest wire and connectors money can buy for around $16.
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#5
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I am a big proponent of buying cables from a local.
Store that have lifetime guarantees . Livewire at guitar center . Monster at my other LGS. I have Brought 3 guitar cords back( monster) in 15 years. No questions Asked brand new cable exchanged. Comes down to 10 bucks A cable and I am not done. Lifetime is lifetime. I have yet To exchange an xlr cable. Not as much abuse I guess. No cables are not created equal. Wire gauge and shielding vary from brand to brand. Mogami with neutrik ends is good stuff. If you can solder you can save a lot of $$ by DIY your own. But no guarantee.so you fix it if it breaks. Last edited by varmonter; 12-26-2017 at 10:32 PM. |
#6
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Quote:
I’ve been told monster cable are also over sized and can cause damage.
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Blessings, Kip... My site: Personal Blog Yamaha LL16R-12 L Series A.R.E. Yamaha FG-75 Fender CF 60 CE Ibanez AF75TDG Epiphone Les Paul Std PlusPRO Eastman MB515 Mando Yamaha YPT230 Keyboard |
#7
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No. Most brands are somewhat noisy, fragile, and made by wage slaves. Mogami and PRS cables are made of the best material, work perfectly every time, and hold up under constant use. You get what you pay for, with the exception of Monster cables, which are of good quality but WAY overpriced — and the people who run the company are bullies: why innovate when you can litigate?
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#8
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About this comp.. but I don't get out much.. |
#9
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I'm curious about this assertion - I've used Planet Waves cables for years with no issues. I just took a caliper to several I have lying around here - Planet Waves, Monoprice, Live Wire and some generic moulded patch cables - and found no significant difference between the plugs on any of them, for either diameter or length.
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Martin 0-16NY Emerald Amicus Emerald X20 Cordoba Stage Some of my tunes: https://youtube.com/user/eatswodo |
#10
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If a 1/4 connector is "slightly"fatter than spec Using it all the time in your guitar will "slightly" Open up the tolerance. Which is no big deal If you use it forever. But when you change Cords down the road the new 1/4 connecter may be slightly smaller and not make a good connection In your now "reamed out" endpin jack. As I can't define what that tolerance is..I can say that I don't think it would take much to create a go/no-go situation. Last edited by varmonter; 12-28-2017 at 09:17 AM. |
#11
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Martin 0-16NY Emerald Amicus Emerald X20 Cordoba Stage Some of my tunes: https://youtube.com/user/eatswodo |
#12
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Don't chase tone. Make tone. |
#13
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I really like the GLS Audio Brown Yellow Tweed Cloth Jacket cables. They work great, look great, and are relatively inexpensive. Never had one fail, and they seem to keep my signal chain dead quiet.
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2017 Alvarez Yairi OY70CE - Sugaree c.1966 Regal Sovereign R235 Jumbo - Old Dollar 2009 Martin 000-15 - Brown Bella 1977 Gibson MK-35 - Apollo 2004 Fender American Stratocaster - The Blue Max 2017 Fender Custom American Telecaster - Brown Sugar Think Hippie Thoughts... |
#14
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One day it went microphonic on me. I brought it back to my LGS And they gave me a brand new one. NQA. That new one Lasted about 5 years and quit. Again NQA The 3rd one about The same. So now I am on my 4th in 15-20 years ..39 divided by 4.?? Yes now they cost more. But you never have to buy another. My thought would be that this would motivate a company To constantly improve design and durability. Your customer returns you improve ..raise your price.. Eventually you get it down and profits increase. Sure now An "acoustic cable" is 80 bucks. My bet would be it lasts longer Then my first 39 dollar cable. And I had to swallow hard to Pay that 39 bucks almost 20 years ago.. lol.. Last edited by varmonter; 12-28-2017 at 09:41 AM. |
#15
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