#16
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I've got my eye on that Carl Miner guy. Every time someone posts about his playing I'm always checking out videos if any. I have my plate full though with my new finger style skill of using thumb and fingerpicks, playing classical and folk/Celtic music, otherwise I'd be dusting off my Fender mediums.
Great topic Bob.
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#17
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A person can melodically finger pick as well. If I'm not mistaken Carl throws in a little highbred finger pick now and again.
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#18
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Check out Beppe Gambetta. He only flatpicks, but often reminds me of fingerstyle in his approach. Many genres, some slow and melodic, some fiery, some showy, a real mixture. A great performer to watch live.
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#19
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What I'm getting here is two different approaches to flatpicking - single note runs where a guitarist is taking his turn in Bluegrass with the other members backing him up as opposed to a single guitar player accompianing themselves playing the melody and supporting chords together
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#20
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You just have to consider which one you would appreciate more as a LISTENER. So much of a song's feeling and character is implied by the chord structure and accompanying rhythm that it's a vital part of the enjoyment factor for me. When there are other players filling the accompaniment role then "solo picking" is fine. If it's a single player sitting in front of me then just hearing a solo doesn't satisfy my needs as a listener. The perspective as a PLAYER can be totally different, and sitting in a chair and playing flatpicked solos would be fine. Adding bass (acoustic or electric) is extra icing on the cake for me. I can appreciate the "total package" of melodic picking style when Jorma Kaukonen plays with Jack Cassidy sitting beside him on bass. (Throwing Barry into the mix doesn't hurt...) Last edited by Rudy4; 04-03-2023 at 08:59 PM. |
#21
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Thanks for the replies folks, I’m glad there are similar viewpoints. I love to combine flatpicking and fingerstyle in my daily playing. It keeps it refreshing.
I’ll never have a lot of speed with flatpicking and part of what draws me to players like Carl Miner is that he really engages the listener with such rich tone and ringing notes.
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#22
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D
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"There's a lot of music in songs" |
#23
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https://youtu.be/jjwE_fblwVo?si=gFnxzdQMiqr_43D3 And duo here. Notice how even with Babe Signorelli’s piano accompaniment, Lang throws in chordal stabs: https://youtu.be/EKvrcRCzPiM?si=rFiMzqLj_id-NjJd And before he went to fingerstyle on the seven string, George Van Eps developed his flatpick approach to a stunning level: https://youtu.be/V8yjIjxTdyc?si=HfcMZNgNoPHhHyle And of course, this stuff translates well to dreadnoughts, as Mimi Fox shows here, including some hybrid picking: https://youtu.be/_O_-QlB06oc?si=O5CeNMBiqui8borL And Tony Rice does here: https://youtu.be/cKgnGn1qNlY?si=5fKTrd96_RIQgHjH And add me to the list of those hoping for a Carl Miner LP. He’s brilliant. |
#24
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Your right, Carl has a nice style. He isn't exactly flatpicking. He's hybrid picking — a fingerstyle that uses a flatpick plus the middle and ring finger.
For flatpicking that isn't bluegrass, listen to some of the jazz gods, starting with Charlie Christian, Django Reinhardt, and Joe Pass. Then check out some of Jerry Garcia's acoustic noodling, especially with Dave Grisman. Then give a listen to some Doc Watson and Norman Blake. None of them strictly played single notes, of course — few do — but they all sported some astonishing single-note riffs and runs. |
#25
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Any idea what the make of guitar that is? Kind of looks like one of those composite guitars? I can't make out the name on the headstock.
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#26
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Here's another out-of-this-world player: (He reminds me a lot of how Tony Rice is playing here: https://www.youtube.com/watch?v=ITNNKA8d2tg, and of the stylus phantasticus of another era)
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#27
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#28
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Please Delete
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"There's a lot of music in songs" Last edited by dhodgeh; 02-17-2024 at 05:38 AM. |
#29
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Maybe ask via a YT comment? But wouldn't a ribbon be vertical rather than pointed at the guitar?
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I'm always not thinking many more things than I'm thinking. I therefore ain't more than I am. Pickle: Gretsch G9240 "Alligator" wood-body resonator wearing nylguts (China, 2018?) Toon: Eastman Cabaret JB (China, 2022) Stanley: The Loar LH-650 (China, 2017) |
#30
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McPherson Touring
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