The Acoustic Guitar Forum

Go Back   The Acoustic Guitar Forum > General Acoustic Guitar and Amplification Discussion > General Acoustic Guitar Discussion

Reply
 
Thread Tools
  #31  
Old 07-26-2020, 12:15 PM
fitness1's Avatar
fitness1 fitness1 is offline
Musical minimalist
 
Join Date: Nov 2002
Location: Central Lower Michigan
Posts: 22,181
Default

For my ear, I'd want Mahogany, Koa or Walnut.....probably in that order
__________________
"One small heart, and a great big soul that's driving"

Reply With Quote
  #32  
Old 07-26-2020, 12:30 PM
TomB'sox's Avatar
TomB'sox TomB'sox is offline
Moderator
 
Join Date: Dec 2014
Location: The Lone Star State
Posts: 13,544
Default

Quote:
Originally Posted by Alan Carruth View Post
Thanks for the support Tom B'sox.

zmf wrote:
"Good luck with that, Alan. Strong the belief systems are on this forum."

I know. In the Navy we used to call it "shoveling against the tide". I'm used to it.

As I said, the LS redwood I've used is great stuff, although I've gotten redwood at the lumber yard that was just as good acoustically, if not cosmetically. Used right it make a great guitar with any B&S wood. The problem is that it's so easy to make a bad guitar out of good wood: I've seen a lot of those. It takes a pretty savvy maker to get all the sound out of a top that it's capable of producing, and a good maker will make a fine guitar out of any reasonable excuse for wood.

Oh, and Wade: I know I'm no fun, but I do try to make fun instruments.
I realize I love redwood as I started to think about it, I have several RW topped guitars. One is called the Black Lion a parlor sized guitar, but the redwood top was made from a piece of RW that was indeed obtained at a lumber yard by a friend of the luthier. 3/4 inch thick, about 8 inches wide and 20 inches long, basically a shelf (but perfectly quartersawn and tight grained, it even tapped well as a plank). I wanted to call the guitar the shelf guitar, in the end it turned out fantastically, but I always tease the luthier for making me a guitar out of a piece of wood he use to have on some brackets with stuff on top of it. I think he found it when cleaning out his shop prior to my visit .
__________________
PS. I love guitars!
Reply With Quote
  #33  
Old 07-26-2020, 12:56 PM
fitness1's Avatar
fitness1 fitness1 is offline
Musical minimalist
 
Join Date: Nov 2002
Location: Central Lower Michigan
Posts: 22,181
Default

[QUOTE=Alan Carruth;6449197]The problem is that it's so easy to make a bad guitar out of good wood: I've seen a lot of those. [QUOTE]

I've owned a few!

One of the downfalls of online purchases (no audition before buying)
__________________
"One small heart, and a great big soul that's driving"


Last edited by fitness1; 07-26-2020 at 01:44 PM.
Reply With Quote
  #34  
Old 07-26-2020, 01:09 PM
BrunoBlack's Avatar
BrunoBlack BrunoBlack is offline
Charter Member
 
Join Date: Nov 2014
Location: New England
Posts: 10,487
Default

I’ve owned 2 nice redwood OM guitars made by the same builder (Bourgeois). One was redwood/EIR the other redwood/walnut. Both were great guitars. I always thought the walnut had a deeper richer tone, but that could be attributed to many factors. Nice guitars that are easy on the eyes.
Reply With Quote
  #35  
Old 07-26-2020, 04:06 PM
Erithon's Avatar
Erithon Erithon is offline
Charter Member
 
Join Date: Feb 2017
Posts: 1,207
Default

The first Redwood-topped guitar I played was an OM HighLander built by Tim McKnight. The back and sides were Cocobolo. That instrument really turned me on to the magic of Redwood and now I play a Lucky Strike Redwood over Cocobolo OM built by Michael Bashkin. So in my experience Cocobolo is worth considering.

But it really comes down to the experience your luthier has with Redwood.
Reply With Quote
  #36  
Old 07-26-2020, 06:57 PM
Alan Carruth Alan Carruth is offline
Registered User
 
Join Date: Feb 2011
Posts: 4,196
Default

There were supposed to be some blank spaces in that quote, it's :"Shoveling against the tide" You can probably fill in the blank....

The main problem with redwood is that, like WRC, it's prone to cracking. Although it's often said to be soft and low in density, almost all of the redwood I've seen, including all the the LS, was very simliar in density and hardness to Red or Sitka spruce. It's not as good for classicals as WRC, but better for steel strings, IMO. I like to use walnut for the bridge on the redwood top; the lower density allows for a larger bridge without too much weight, and the bigger footprint keeps the stress along the back edge of the bridge down, so it's less likely to peel off.

Last edited by TomB'sox; 07-26-2020 at 07:23 PM. Reason: Yes Alan, that is not allowed which is why I removed it before.
Reply With Quote
Reply

  The Acoustic Guitar Forum > General Acoustic Guitar and Amplification Discussion > General Acoustic Guitar Discussion






All times are GMT -6. The time now is 10:21 AM.


Powered by vBulletin® Version 3.8.11
Copyright ©2000 - 2024, vBulletin Solutions Inc.
Copyright ©2000 - 2022, The Acoustic Guitar Forum
vB Ad Management by =RedTyger=