#16
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Quote:
BlueCat Free Amp AmpliTube ... and for recording? Hehe, I'm not ready for any production, I'm still practicing and getting skills
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Gibson Les Paul Studio 2017, Fender Squier SA-100, modified Fender Strats, Fender Neck STD Series Strat PF, PURE VINTAGE '65, '59, Yosemite Strat PU Sets, Seymour Duncan SSL-5 Boss Katana 50 MKII |
#17
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Yes, you have a point here, the latency may be an issue and may be essential. I'll see how it performs when I get the my Focusrite Scarlett that I've ordered yesterday
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Gibson Les Paul Studio 2017, Fender Squier SA-100, modified Fender Strats, Fender Neck STD Series Strat PF, PURE VINTAGE '65, '59, Yosemite Strat PU Sets, Seymour Duncan SSL-5 Boss Katana 50 MKII |
#18
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The Scarlett is designed to reduce latency to near nothing. But if, after the scarlett, you're then going into some software for some enhancements and back out again, I guess there could be some lag there....
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2018 Guild F-512 Sunburst -- 2007 Guild F412 Ice Tea burst 2002 Guild JF30-12 Whiskeyburst -- 2011 Guild F-50R Sunburst 2011 Guild GAD D125-12 NT -- 1972 Epiphone FT-160 12-string 2012 Epiphone Dot CH -- 2010 Epiphone Les Paul Standard trans amber 2013 Yamaha Motif XS7 Cougar's Soundcloud page |
#19
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Another route might be something
Like the helix and their software Hx edit. Where the control is still In the computer..but since recording Isnt your goal.. the potential latency Is removed from the equation. But that is certainly a bigger investment than The small focusrite.. Which is what I use for recording. You can certainly feed a pa with The monitor out from that. I dont think you'll notice the latency As I dont through my headphones... |