#31
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You're welcome! Now you do know you are completely obligated to let us know how things work out and what you buy, with pictures of course?
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EMTSteve a couple guitars too many |
#32
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I knew there was going to be a catch to this...
Ha! No problem. Will do. However, I guess what I can't promise is when exactly that might be. A month? 2 months? With my obsessive, neurotic mind , I'm not even sure if I'll last that long. If it wasn't for Corona I'd definitely be taking care of this tomorrow, so thoughts about guitar acquisition would stop interfering with every aspect of my daily existence. |
#33
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Hi Bosley. I'm not going to offer any advice as to which guitar might suit you or where to buy it. But I think that there are two things to guide you.
First, you are a person who sometimes plays and sometimes doesn't. (Maybe that has all changed now that you have the bit between your teeth, but maybe it hasn't.) I find that the single most important thing which can keep you in the loop, keep you playing, keep you improving fast enough to not get bored playing the same old same old, is a fine instrument. It doesn't have to be expensive, all it has to do is play in tune and sound great when you do something simple. If you can pick up your guitar and strum a simple chord and it makes you say "Wow! I love the way this thing sounds!" then you'll play it often. That's all it takes. A really fine instrument. You can't keep your hands off it. Second point. Not everyone agrees about instruments. No-one can tell you which guitar will sound right in your hands, to your ears. (Though suggestions are very welcome of course.) Only you can decide which one is right for you, and the way to do that is to play as many different ones as possible. Take your time. Try out as many as you have to before deciding which is the one that just feels right to you. (Obviously you can't do this right now.) |
#34
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I was able to visit a nice local guitar store for the first time yesterday, and tested out a number of high-end acoustics (keeping in mind that for someone who has only known their own $200 Fender, anything approaching $1k is considered "high-end").
I got to spend 1.5 hours there, up until closing time, and for the majority of my visit it was just the owner and I in the store. The owner was super friendly, let me test whatever I wanted to, and didn't pressure at all, so it was a great experience and very informative for me. Considering the pandemic, it couldn't have been a better situation. I will definitely be returning and would be more than happy to pay a small premium to purchase my guitar from this particular store. The store's main inventory was Taylors and Martins. They had a few examples other brands as well, but time pretty much got away from me and I just ended up focusing on these two brands. I started with their Taylors, which was by far the majority of their inventory. I got to test out 4 different Grand Pacifics, both in spruce and mahogany, i.e. the 317e, 327e, 517e Bulder's Edition, 717e Builder's Edition. I enjoyed these to varying degrees, but none jumped out at me as a guitar that I needed to buy right now, (even with the $99 Baby Taylor promo that was ending yesterday). In addition to all the Grand Pacifics, I got to test out a number of other more traditional Grand Auditorium style Taylors, in the 100, 200, 300, 400, and 500 series. My initial impression was that the 100 and 200 series didn't quite have the nice feel that I was getting from the 327e or 517e, for example. I also tried out a Baby Taylor, which didn't interest me very much. My general impression of the Taylor room was that it was intriguing, and I'd definitely like to return to test all the guitars again, but I didn't leave thinking that Taylor was going to be my brand of choice. I didn't come across a guitar that had a sound that really jumped out at me, and the satin finish and general feel of the guitars didn't seem a good match for me. (Keeping in mind all of this is just the ramblings of an limited experience beginner guitar player. Not knocking any of these guitars at all. Just thought it would be fun to post my initial impressions.) Next I went to the Martin section. Because of the Martin factory being closed down, their inventory was limited, but I did at least get to test run a few different guitars. Right away I found these more to my liking, and for that reason spent more time here with fewer guitars, going back and forth between the same few to get a better comparison. I got to test the 000-16e Granadillo (which I haven't actually heard much about before), the D-28, D-35, and 000-28 Modern Deluxe. The 000-16e Granadillo I wasn't feeling too much, but if I could have left the store with 3 guitars, it might have been these other 3. I was a bit surprised that I didn't find the action on the Martins much higher than the Taylors. I thought the playability between the two was much closer than the difference in sound, for which I found the Martins significantly more preferable. If I had to pick one guitar that day, I would have taken the D-28. The sound had an extra character that I found really cool, and I didn't find it overpowering at all. The D-35 I was expecting to be more of what I was looking for, but at least between these two particular examples, I found the D-28 to stand out more. Maybe it had more of a mid-range punch? I was also really excited to try the 000-28, since dreadnoughts are all I've ever know. I thought it had a nice sound and feel, but similarly the D-28 stood out more when played back to back. (000-28 Modern Deluxe is out of the price-range I'm considering, but they didn't have a regular 000-28 to test.) So while part of me wishes I had that D-28 in my lap right now, I'm really not in a rush to commit at this point. I'd like to test around more, especially if I'm able to head up to the Chicago Music Exchange at some point soon. My uncle who used to own a guitar shop, offered to spend a day with me testing out guitars if I can wait till the pandemic is over. I'd really appreciate his input and also getting to hear him play the guitars I'm considering would be very cool. I also was able to get my electric repaired at another local guitar store last week, which was a garage sale find from several years ago, an Ibanez RG140 from 1987. It was having electrical issues, but now with that fixed and set up with new strings, it is sounding very sweet, and should hold me over a while. While I was at the store trying out all these different guitars, I was of course keeping the sound and feel of my current Fender in mind, and I'll admit that my thought at the store is that while these do feel easier to play and sound better, I wouldn't consider it an extreme difference on either account, and maybe even my Fender could hold its own in some aspects, given that this is all based on a myriad of personal preference factors in the end. But when I got home and tried my Fender right away, it was like what the hell is this thing. So for whatever reason the difference was more substantial in the one direction than the other. In any case, I'm enjoying the journey and I'm excited to test out more guitars and even re-test some of the same ones. Really having a blast with this. |
#35
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Yeah, I can easily see the D-28 giving you more mid range punch, as you described, than some of the others mentioned. And while I’ve only played 20 or so Martins in the last 2-3 years, the only one with relatively high action was made in Mexico. All the Standard Series and up guitars were setup great, for me at least.
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#36
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This is good. You did more in an afternoon than a month of responses to your OP could've done. See if you can find a D18 to test drive somewhere.
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Martin D18 Gibson J45 Martin 00015sm Gibson J200 Furch MC Yellow Gc-CR SPA Guild G212 Eastman E2OM-CD |
#37
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Quote:
Buy used and get 50% more guitar. Know what you are buying. hans
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1971 Papazian (swiss spruce/braz RW) 1987 Lowden L32p (sitka/ind RW) 1992 Froggy Bottom F (19th cent. german spruce/koa) 2000 Froggy Bottom H12c (adir/ind RW) 2016 Froggy Bottom K mod (adir/madrose; my son's) 2010 Voyage-Air VAOM-2C http://www.soundclick.com/hanstunes (recorded on Froggy H12c) |
#38
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Quote:
https://www.youtube.com/watch?v=VmqjtO6UaLU it is well within your price range new ($1500-2k) but the hard part is finding a Furch dealer near you (i think they only have 40 nationwide). |
#39
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I bought my first Martin in 2004 and now own three with a D41 being at the top. I bought my first Taylor last December and have a 210e Deluxe (Jan. 2020) and couldn't be happier with it - seems like it was about $1200 new (with a hard-shell case). It has a solid spruce top and "layered" rosewood back a sides, made in Mexico. It has the Expression System 2 pickup/electronics. I prefer 1 3/4" nut but the 210e's 1 11/16" is fine. Easy playing and has a very nice acoustic tone. I have a Blueridge BR-180 that would fit in your price range. Yet another nice sounding, easy playing guitar to consider.
There are a lot of nice guitars to choose from - it's a blessing and a curse. Play as many as you can. |
#40
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If you are open to used guitars - you could probably pick up a decent Martin D-28.
You will not regret it. New you could look at a Guild D-40.
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Martin HD-28V 2018 Bourgeois OO Country Boy 2020 Bourgeois OM Vintage Deluxe Limited Edition Martin HD12-28 Custom 2019 Takamine Sante Fe 1990 Fender Stratocaster Fender Telecaster |
#41
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Just to close the loop on this old thread, I did finally bite on my first big guitar purchase. It took a lot longer than expected because I've been dealing with tennis elbow in my fretting arm, which took me out of commission for more than two months. But it seems like I'm on the mend, and I've been playing again, so yesterday I took another trip out to a different store, tried another 15 guitars or so, and found one that I was really gelling with. I also stopped by my uncle's today for a 2nd opinion (he used to own a guitar store), and he agreed, it's a keeper.
I ended up with a new Martin OM-28. I had been expecting to get some sort of dread, but this guitar was sounding very good. They had a new HD-35 as well, which is what I was expecting I'd be coming home with that day, if anything, but I wasn't very impressed with that particular example, and this OM-28 on the other hand, sounded spectacular. I tested several Gibsons, other Martins, a Bozeman Epiphone Texan, a couple of Collings, a Huss & Dalton, and even another used OM-28, but this particular example just seemed like the clear winner. Only two days in, but I'm really loving this guitar. Doesn't quite have the boom of a Dread, but I think the low end is beautiful, and it's incredibly balanced, so the mids and highs sound just as good. So far strumming, flat-picking, and finger-picking have been a delight, so I think this is going to work out great as a sort of first serious guitar that can do it all. The only thing I'd complain about is the tuners, which you'd expect to be a bit more substantial on this nice of a guitar, but I guess they can be replaced down the line. I'm certainly not making any changes to it now. |
#42
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Quote:
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Barry Youtube! My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#43
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Hey Boz- great choice and sweet guitar. Have fun
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#44
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Quote:
Pictures are required. It's a law.
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2015 Martin D-18 1982 Martin HD-28 2013 Taylor 314ce 2004 Fender Telecaster MIM 2010 Martin DCX1RE 1984 Sigma DM3 Fender Mustang III v2 |
#45
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I love the OM28. I had a great custom OM28 I sold that I wish I could have kept. Enjoy it!
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