#16
|
|||
|
|||
Once around the top of the boom, once around the back end of the boom is all that's needed, helps balance things. Only for live use (not studio).
__________________
Mike My music: https://mikebirchmusic.bandcamp.com 2020 Taylor 324ceBE 2017 Taylor 114ce-N 2012 Taylor 310ce 2011 Fender CD140SCE Ibanez 12 string a/e 73(?) Epiphone 6830E 6 string 72 Fender Telecaster Epiphone Dot Studio Epiphone LP Jr Chinese Strat clone Kala baritone ukulele Seagull 'Merlin' Washburn Mandolin Luna 'tatoo' a/e ukulele antique banjolin Squire J bass |
#17
|
||||
|
||||
I always wrapped the cord because if I didn't it usually draped the cord making it more prevalent to trip over. That would bring everything down.
__________________
Waterloo WL-S, K & K mini Waterloo WL-S Deluxe, K & K mini Iris OG, 12 fret, slot head, K & K mini Follow The Yellow Brick Road |
#18
|
|||
|
|||
I'm a professional sound guy, and I typically don't wrap the cable around the stand. My tripod stands all have telescoping booms, so they have a knob in the middle of the boom. The cable goes under a leg, over the clutch, under the knob in the middle, straight to the mic. Still looks neat and tidy, but much faster to set up and remove.
Every once in a while there's a need to wrap the cable around the boom, but it doesn't happen very often. And don't get me started on people who feel the need to wrap the cable around the main tube! There's not much worse than undoing a dozen wraps all the way up and down each stand, multiplied by the number of stands on stage (sometimes 50+). That's pretty much the last thing I want to spend time doing at the end of a show, followed in second place with undoing hundreds of cable clips on the stands. |
#19
|
|||
|
|||
Quote:
I'm with Bob:
__________________
Give a man a fishing rod... and he's got the makings of a rudimentary banjo. |
#20
|
||||
|
||||
Quote:
I wrap it on the extension arm, not for safety, but to keep it from drooping under the extension arm of the stand. If you have to keep removing it so others can use it, then it makes sense to not wrap it (or to add a second mic to the setup). I've never had a dropped mic pop off the XLR connectors (I only use locking XLR cables). |
#21
|
|||
|
|||
From the performer's point of view I'd just like to say that I find this really annoying!
It makes it way harder to adjust the microphone during the set if you suddenly realise you're not standing the same way as you where during soundcheck or you're singing a bit louder and you need to back off the mic a bit but then it's in the wrong position. And, yes, I know a lot of performers don't adjust mic stands properly - they just crank them whilst they're tight and end up ruining the grip - but I don't do that! When I set up my own mic stands I use the cable clips that are on them and lave a little slack in the cable so it's easy to adjust the height/angle of the boom etc without the cable getting taut...
__________________
For my music: www.benmorganbrown.co.uk www.facebook.com/benmorganbrown www.benmorganbrown.bandcamp.com |