#31
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form vs aesthetics
I agree with everyone here. I have traditional guitars such as Martin and Taylor - but I also have an emerald and a composite acoustic. I think the basic structure of a traditional wood guitar is due to the most efficient use of wood to capture the strength and provide the acoustical box to amplify the strings. However carbon fiber allows the luthier to go beyond the parameters that are needed to build a wood guitar. For example - my emerald has the integrated bridge into the top - no interface or glue to absorb vibration. My CA OX has eliminated the heel of the guitar - which makes it very comfortable to play. Carbon fiber guitars are so stable that they rarely go out of tune. My Emerald is the " cleanest " sounding guitar I have ever owned. There is really nothing that can loosen up and buzz and rattle. I love my Martins and especially the Taylor for the special sound they make. But I really love the shape/ comfort features of the carbon fiber guitars. I have nothing against Rainsong and I think they offer the best of both worlds to those who do not want to give up the paradigms of what a guitar should look like. I thank the Emeralds, Journeys. blackbird, CA and others who have stepped out beyond the traditional thinking of what a guitar should be.
By the way - my sign in name has nothing to do with Emerald -- I am a salesperson of Irish decent and I have used this handle for years because it was easier for me to remember. |
#32
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Irishrep;
Nicely said! I'm with you. |
#33
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To each their own as they say. I love the looks of my Emerald X5 woody. For me its just a form of Alistair's art work, combining wood veneers with carbon fiber. The man is a true artist.
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#34
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__________________
YUP.... Emerald: X-20, Center hole X-10 (Maple) and X-7 (redwood), Spalted Chen Chen X 10 level 3, CA: Early OX and Cargo McPherson: Early Kevin Michael Proto Some wood things by Epi, Harmony, Takamine, Good Time, PRS, Slick, Gypsy Music, keyboards, wind controllers.. etc |
#35
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I like the look of carbon fiber guitars without any wood veneer on the top.
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Martin HD-28 Sunburst/Trance M-VT Phantom Martin D-18/UltraTonic Adamas I 2087GT-8 Ovation Custom Legend LX Guild F-212XL STD Huss & Dalton TD-R Taylor 717e Taylor 618e Taylor 614ce Larrivee D-50M/HiFi Larrivee D-40R Blue Grass Special/HiFi Larrivee D-40R Sunburst Larrivee C-03R TE/Trance M-VT Phantom RainSong BI-DR1000N2 Emerald X20 Yamaha FGX5 Republic Duolian/Schatten NR-2 |
#36
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Quote:
It is totally a feel or philosophy thing. Like the veneer is trying to hide what the guitar really is??? Not that hiding anything is why Emerald does it - but my mind or heart twists it to feel that way.
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Breedlove, Landola, a couple of electrics, and a guitar-shaped-object |
#37
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Hiding or showing
Quote:
Me, I'm just waiting for an extra X-mas and delivery of an X20 woody with teardrop mahogany veneer. It'll be just as beautiful as my 1959 Levin classic. Just different 😉
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Northern Sweden: Taylor 814, Taylor SB electric, Levin 1959 nylon string, Bubinga Cajon, Emerald X20 Woody teardrop mahogany |
#38
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Yo Ken G;
You get your woody yet? Lucky guy! |
#39
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I'll post when it arrives
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Northern Sweden: Taylor 814, Taylor SB electric, Levin 1959 nylon string, Bubinga Cajon, Emerald X20 Woody teardrop mahogany |
#40
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Quote:
How are you defining the bridge as 'integrated'? From my understanding, the bridge is carved on it's own, it's not built as part of the layup of the top... |
#41
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Quote:
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#42
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Right. Now imagine how much sharper that guitar would look with a simple, pre-war-Martin inspired headstock, bridge, and tuners. I'd be far more likely to buy something like that and I don't think I'm the only one who would be tempted by an even more traditional approach to a carbon fiber line than that particular series from Rainsong.
A good example I've used is Breedlove. I don't care for their overall aesthetic on a guitar (though for some reason I kinda like their F-style mandolin which is weird) but if they still made their revival series, I'd be seriously considering one of those along with a Martin or a Collings. I thought it was a cool way of reaching a slightly different demographic than their usual aesthetic might, and by all accounts the guitars were fantastic. I see no reason why a carbon fiber brand couldn't take a similar approach for a series or limited run. I could definitely see a very traditional carbon fiber guitar catching on as a road/stage-friendly guitar in circles of musicians that might otherwise turn up their nose at even the simple models currently offered. Would it be insanely popular and revolutionize the industry? No. But it might get more people interested. And it might sell a few more guitars. Anyway. Just an idea from someone who would consider a carbon fiber guitar down the road and would be far more likely to purchase one with a very simple, traditional aesthetic. |
#43
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You could have your dream CF guitar this year by talking to the Emerald folks. If it is after market model modifications only then you can pick your guitar and go to it or have your favorite luthier help you. If it is in the build process, then the only reasonable show in town that I know of is through Emerald. They can meet you pretty much anywhere you want to meet in the guitar arena. If your ideas have traction you can bet that they will be offering similar guitars after they satisfy you.
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Cheers, Tom PS If you don't want to invest in yourself, why should anyone else even bother to try? |
#44
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I've understood that Emerald uses a build process that can be very flexible, making one-off designs a real possibility.
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Breedlove, Landola, a couple of electrics, and a guitar-shaped-object |
#45
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Headstock, bridge, even pickguard shapes are often used as identifiers of a brand. In fact, Martin actually trademarked their headstock shape, and Taylor trademarked their headstock, bridge, and pickguard designs. When Prince ordered his custom purple Taylor Jumbo, it was under the condition that the headstock logo was left off, as he did not want to endorse the brand. Thanks to Taylors unique headstock, bridge and pickguard, no one needed the logo to know what Prince was playing.
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