#16
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I believe it is in the wood. I recently built a Cajon and noticed the exact same horizontal marks across the grain that your guitar shows. It wasn't there when the wood was raw and sanded. The lines appeared after I stained the wood. I sanded it again the marks went away only to reappear after staining again. It still baffles me.
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In search of the lost chord... https://www.youtube.com/user/khead55/videos '13 Martin D-41 '15 Breedlove Parlor '75 Sigma DM-5 '85 Yamaha LL-15 '94 Yamaha FG 460S-12A '91 Martin Backpacker '08 Johnson JR-410 Square neck resonator '00 Godin A6 Fishman Matrix Infinity & Elipse Blend pickups |
#17
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No the lines don't go into the rosette.
Baffling it right, khedquist.
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Taylor GC8 Gibson Blues King Otis Tomas steel string Flambeau LFG-4 classical |
#18
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That is very odd, can you see those same lines from the inside? At the price you paid for that guitar I'm guessing it's not a double (or sandwich) top which would be my only other thought.
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#19
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Quote:
When I had TR problems with my O32, George was very attentive to communication and explanation. FWIW, I'm going with the sander/planer "chatter" explanation. |
#20
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I used a mirror to look inside and, no, you can't see them inside. It is a solid top and it's very well made.
I would love to know what the back is made of too. I'm thinking ovangkol?
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Taylor GC8 Gibson Blues King Otis Tomas steel string Flambeau LFG-4 classical |
#21
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...double post...
Last edited by sneaky; 09-03-2011 at 07:03 PM. |
#22
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Don`t know..but how does it compare to my Lakewood walnut...
and I know yours has lines on the top but my 1963 Takamine has some weird line-age going on on the back...could be absolutely no connection between the two or... |
#23
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It's similar to your walnut but I can't say for sure.
Those lines on your Tak look more "natural". Probably just the colouring in the wood.
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Taylor GC8 Gibson Blues King Otis Tomas steel string Flambeau LFG-4 classical |