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#61
04-02-2020, 11:31 AM
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Oh, where to begin...
Bridge pins, Side wood, Back wood, Bling, Rosettes, End pin material, Bridge material, Brace material, Brace thickness, Adi vs. Spruce, Yeah, pretty much everything. In the overall scheme of things, to me, it's all about how it sounds. Not the name on the headstock (or lack thereof) or any of the above. If I like the sound it produces and I can afford it and get the CFO to agree I'm all over it. But that's me, PJ (Yeah, we're ALL bored...)
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A Gibson A couple Martins 
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#62
04-02-2020, 12:30 PM
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For me, the most over-rated aspect of a guitar is the appearance of it... includes the woods, the grain, the "name", inlay work or binding...
How it sounds is #1... how it plays is #2 (only #2 because so much can be done to tweak things the way one prefers...). I suppose I'd list structural stability as #3...
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"Home is where I hang my hat, but home is so much more than that. Home is where the ones and the things I hold dear are near... And I always find my way back home." "Home" (working title) J.S, Sherman
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#63
04-02-2020, 01:09 PM
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First thing I thought of:
Hide glue
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#64
04-02-2020, 07:58 PM
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Quote:
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Yamaha FG830 Yamaha FS-TA D'Angelico Premier DC XT Semi Hollow Body Epiphone Les Paul Standard Plus Top Pro G&L Tribute Fallout Squier 50's Classic Vibe Telecaster Yamaha Pacifica 112J
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