#1
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Martin Monel Retros for a SCGC Low Tension strings fanatic
After playing so long with SCGC Low Tension strings, which by far are my favs, I run out and tried a set of Martin Monel Retros lights that a friend send to me this summer. After 2 days of use, I am pretty surprised. What a lovely tone.
Who else compared or using them?
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SCGC Custom OM Mars spruce/cocobolo |
#2
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I've been using Retro LJ's on my D-18 for a few months. They sound and feel great.
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2015 Martin D-18 1982 Martin HD-28 2013 Taylor 314ce 2004 Fender Telecaster MIM 2010 Martin DCX1RE 1984 Sigma DM3 Fender Mustang III v2 |
#3
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They definitely have a vibe all their own and one that works great for some folks on certain guitars.
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#4
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Quote:
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Merrill | Martin | Collings | Gibson For Sale: 2023 Collings D2H 1 3/4 Nut, Adi Bracing, NTB -- $4100 shipped |
#5
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I have to add that the Retros seem like they have less tension than other strings of the same gauge. My finger muscles are less sore after switching to Retros.
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2015 Martin D-18 1982 Martin HD-28 2013 Taylor 314ce 2004 Fender Telecaster MIM 2010 Martin DCX1RE 1984 Sigma DM3 Fender Mustang III v2 |
#6
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I have tried the Monels or Retros, as they call them now. However, I would encourage you to try the D'Addario Nickel Bronze strings as well. The Retros left me wanting the balanced tone of my NB strings back, in the end.
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Dump The Bucket On It! |
#7
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The lights are 163.3 lbs., I believe. That's fairly low.
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#8
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Quote:
I use them 99% of the time
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-2017 Gibson J-45 Standard -2019 Gibson J-15 -2019 Gibson Les Paul Junior -2020 Gibson Les Paul Special -2019 Gibson Les Paul Studio -2021 Fender Aerodyne Special Telecaster -2022 Fender Telecaster 50s (Vintera) -1994 Fender Telecaster Deluxe 70 (Vintera) -Sire V5 5-string |
#9
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Have Retros (12s) on my little RK 12-fret. Seem to be the right strings for this 000 retro-style guitar. I keep it in Open D; the trebles are very bright, the basses are very resonant and sustain forever, especially the D-tuned #6. Going to try them on the BR-142 12-fretter at the next string change.
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La Patrie Concert Lakewood M-1 (2003) Recording King R0S-06 000 Blueridge BR-142 Recording King R0-T16 Alvarez AP66SHB |
#10
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I like The Retro Tony Rice strings on my Martin D-35.
Tried them on my Guild D-55 and didn't like them as much on that guitar. I also play a resonator guitar and the Retro strings sound great on it.
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Happiness Is A New Set Of Strings L-20A |
#11
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Love them on mahogany, not so much on anything else.
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Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird |
#12
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I got a new guitar (Martin 00X1LE) in January and put Monels on immediately because I had put Monels my other acoustic guitar (OM-18) 6 months ago, and haven't felt a need to change strings. I play daily, and sometimes I play not nice (!) and those are great sounding and resilient strings, whoa, IMHO. I have a set of custom lights here that I plan to put on my partscaster for Memorial Day, if I remember to do it... Love 'em!
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#13
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They stay on my d35. I also don’t mind them on my Larrivee p09. I’m pretty much all in on the Tony Rice 13s. I think I have 8 or 9 packs left out of the huge order I placed after doing a shootout with a bunch of other strings.
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#14
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Yep...loved them on my J-45. But then I discovered Santa Cruz Mid Tension strings. Sound fantastic on the J-45 AND D-41.
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Walker Clark Fork (Adi/Honduran Rosewood) Edmonds OM-28RS - Sunburst (Adi/Old Growth Honduran) Last edited by Rev Roy; 05-26-2018 at 07:05 AM. |
#15
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This has been my experience, as well. However, I'm going to try them on my Rainsong on the next string change. Still looking for the "right" strings for that one.
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Strummin' to a different chord |