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Tommy Emmanuel: Who Is His Luthier?
Does anyone know who works on most of TE's guitars? I know he's based in Nashville.
Does he have a guitar tech who goes on the road with him? Just curious. Thanks Much, Scott Memmer |
#2
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Tommy travels with sound and lighting crew....but I don't know that he travels with a guitar tech - he's as likely to work on someone else's guitar as his own.
https://www.youtube.com/watch?v=46AecWmXgBI When he's home in Nashville, I think he works with Joe Glaser - who is one of the top guys in the industry. http://www.sherioneal.com/wordpress/...rs-instrument/
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-------- Recording King Bakersfield Taylor 812ce-N Taylor 356ce Taylor 514ce Taylor Baby-M Eastman E40-OM Fender Robert Cray Stratocaster Fender Baja Telecaster Fender MIJ Telecaster Custom G&L ASAT Classic Tribute Bluesboy Semi-Hollow Rickenbacker 620/12 Gretsch 6120 Godin Multiac Nylon Duet Ambience |
#3
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Hey Scott, not relevant for the US but may help satisfy your curiosity,.... my luthier here in Australia is Jim Cargill and he hand built an acoustic guitar for Tommy some years ago. At the time Jim told me that Tommy had around 80 guitars.
Could be a busy gig for his preferred tech in Nashville! Col |
#4
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I saw Tommy perform at the Ryman a couple of months ago. He was partway through one of the first songs of his set, when he shouted offstage “Get me my truss rod wrench!” He kept playing, then walked to the side of the stage as he finished that song, someone tossed him the wrench, he pulled the feedback buster out of the soundhole, did a quick adjustment, replaced the buster and tossed the wrench back. All while the audience was applauding the song. I’ve had several conversations with him over the past few years. Other than when his guitars suffer from some major structural issues, he’s comfortable working on them himself. |
#5
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#6
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In one of his short instructional videos about capos, he said that one trick to changing the key of a song right in the middle of playing it is to just plain old throw the capo away. The demo was kinda funny. I don't think he lost even 1/2 of a beat doing it.
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#7
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________________________________ Carvin SH 575, AE185-12 Faith Eclipse 12 string Fender RK Tele Godin ACS SA, 5th Ave Gretsch G7593, G9240 Martin JC-16ME Aura, J12-16GT, 000C Nylon Ovation: Adamas U681T, Elite 5868, Elite DS778TX, Elite Collectors '98 Custom Legend, Legend LX 12 string, Balladeer, Classical Parker MIDIfly, P10E Steinberger Synapse Taylor 320, NS34 Yamaha SA503 |
#8
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Saw him play in Orlando a few weeks ago. During his set, he mentioned the humidity in Florida and its effect on his guitars. He also said that one of the "meet & greet" patrons had asked him exactly the OP's question before the show. He said when he tours with a band, which is rare, he brings a guitar tech. When performing alone, he does his own guitar work. He said that about a half hour before every show, he grabs that wrench and tweaks the truss rod on his guitars, and that he found that especially important in Florida. He brought three guitars onto the stage, and played two of them. One had significantly more fret buzz than the other.
As a fan, it was a fabulous show. As a guitar player, it was an extremely humbling experience. B. Howdy |
#9
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Saw him play in Orlando a few weeks ago. During his set, he mentioned the humidity in Florida and its effect on his guitars. He also said that one of the "meet & greet" patrons had asked him exactly the OP's question before the show. He said when he tours with a band, which is rare, he brings a guitar tech. When performing alone, he does his own guitar work. He said that about a half hour before every show, he grabs that wrench and tweaks the truss rod on his guitars, and that he found that especially important in Florida. He brought three guitars onto the stage, and played two of them. One had significantly more fret buzz than the other.
As a fan, it was a fabulous show. As a guitar player, it was an extremely humbling experience. B. Howdy |
#10
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Best advice
Throw the capo away. Been saying that for years.
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"My opinion is worth every penny you paid for it." "If you try to play like someone else, Who will play like you". Quote from Johnny Gimble The only musician I have to impress today is the musician I was yesterday. No tubes, No capos, No Problems. |
#11
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For the capo trick, it's during "Here Comes the Sun" - played in A, capoed at the 7th fret - so when he hits the IV chord (the E, but played as an A), he keeps hitting the two top strings with his RH, flings the capo with his left....and lightens up to just hit the low E for a couple beats until his left hand can hit the E chord in open position. He had to get a capo that could be operated with one hand....then practice a lot until it got smooth, but it was all done specifically to get the crowd to go "Oooh!" - because he made it look effortless....that's what an entertainer does.
__________________
-------- Recording King Bakersfield Taylor 812ce-N Taylor 356ce Taylor 514ce Taylor Baby-M Eastman E40-OM Fender Robert Cray Stratocaster Fender Baja Telecaster Fender MIJ Telecaster Custom G&L ASAT Classic Tribute Bluesboy Semi-Hollow Rickenbacker 620/12 Gretsch 6120 Godin Multiac Nylon Duet Ambience |
#12
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Thanks for your insights and great stories, everyone.
These remind me of my hero Steve Goodman. Steve had this bit where he'd intentionally break a string in the middle of a song. He'd called for the roadie backstage to reach into his case and bring out a string. While still playing the song, he'd remove the old string, put on the new one, tune it up and go right back into the song. People were laughing so hard, they were literally on the floor, including me. But the joke REALLY was on us. I didn't learn till about twenty years after Steve died that this was a standard bit of his, that the broken string thing was all planned and staged. Just so hilarious and wonderful. I should have know right there that something was up when Prine said later during his set, "Steve knows how to play that song without breaking his A string." thanks, everyone, scott |
#13
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Watch this video of "Guitar Boogie" and note how much of it is stagecraft, showmanship and performing vs. playing. Sure, he's an amazing player - but he puts just as much effort in knowing just when to bring up the tension, ham it up, make it look goofy - all in the name of giving a good show.
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-------- Recording King Bakersfield Taylor 812ce-N Taylor 356ce Taylor 514ce Taylor Baby-M Eastman E40-OM Fender Robert Cray Stratocaster Fender Baja Telecaster Fender MIJ Telecaster Custom G&L ASAT Classic Tribute Bluesboy Semi-Hollow Rickenbacker 620/12 Gretsch 6120 Godin Multiac Nylon Duet Ambience Last edited by Kerbie; 05-28-2018 at 08:44 AM. Reason: Fixed video |
#14
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#15
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Showmanship. Exactly. There are a lot of great guitarists, but TE has a winning personality and he is an entertainer. That is the difference. Bingo.
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