#1
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Are Collings guitar... inconsistent in terms of quality-wise?
So I tried an OM guitar yesterday, and it sounded horrible. No focus, voice was everywhere, nada. Sitka top, rosewood side and bottom, no tongue bracing, sunburst option.
Then today I went to a different store to try the same model. Besides the sunburst option everything was equal to the one I tried the day before. And this one sounded fantastic, not like, OMG this guitar is god tier, but more like, I think I should buy this guitar level. The only thing that is getting in my way is I haven't tried the Adirondack top, and the guy who I visited today looked somewhat sketchy, and told me to 'be quick about it', and I'm a person who doesn't like being treated like that. But my question is, are Collings guitars inconsistent with their products? When I was looking for a Martin, there were some differences between the same models, not very noticeable, but there's that little bit of a feeling that it's different. But for the guitars I tried yesterday and today they were so different that I would consider them to be different guitars if I was doing a blindfold test. I mean, having a sunburst can't dramatically change the overall tone of the guitar right? According to my 'intensive research' on the internet, a lot of people praised Collings guitar to have good quality. And for now, I'm not sure about that. Could anyone shed some light about this? |
#2
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Collings guitars are not mass produced although I read somewhere that they are up to about 35000 guitars in circulation.
Each top is hand "thicknessed" by Bruce Van Wart. (still -as far as I know) . They are are really fussy about tone woods. I have had five - (sadly now only four) plus a faultless Waterloo. They are all individuals but very consistent. They are also , I perceive, very sensitive to environment. - particularly temperature. so if one guitar is a hot stuffy shop and another in a cold draughty place - I'd expect them to seem different. I had the honour and privilege of meeting Bill when he briefly visited the UK - I saw his enthusiasm (actually excitement) about his guitars. We lost Bill to cancer in 2017 (which was a hit for many not least me as I was having cancer treatment then), but I've experienced the customer service and spirit of the folk there. See this : This is Bruce talking about Spruce tops :
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#3
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I would say that Collings has a reputation for being about as consistent as you could possibly get in terms of reproducible quality from unit to unit when creating objects out of wood.
That said, each guitar is individual and there will be some variation in tone. There are also lots of factors that effect tone that have nothing to do with build quality, like humidification and strings.
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"What have I learned but the proper use for several tools" -Gary Snyder Bourgeois DR-A / Bowerman "Working Man's" OM / Martin Custom D-18 (adi & flame) / Martin OM-21 / Northwood M70 MJ / 1970s Sigma DR-7 / Eastman E6D / Flatiron Signature A5 / Silverangel Econo A (Call me Dan) |
#4
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Every Collings I’ve played has been of impeccable quality. Obviously there’s are differences in how they sound depending model wood choices, etc. but none I’ve played sounded bad. If you the one you tried sounded really horrible, I would suspect tired strings.
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Bill Guitars: 1910's Larson/Stetson 1 size guitar 1920 Martin 1-28 1987 Martin Schoenberg Soloist 2006 Froggy Bottom H-12 Deluxe 2016 Froggy Bottom L Deluxe 2021 Blazer and Henkes 000-18 H 2015 Rainsong P12 2017 Probett Rocket III 2006 Sadowsky Semi Hollow 1993 Fender Stratocaster Bass: 1993 Sadowsky NYC 5 String Mandolin: Weber Bitterroot |
#5
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#6
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Ironic tale as they are arguably the most consistent builder in guitardom. I agree with silly they are very sensitive to humidity but I would also add string type/brand! To me Collings + Thomastik strings= tonal heaven. Maybe the guitar that lacked focus had some awful coated string sucking the tone out of it! Coated strings are an abomination and have no business being near a good guitar. Also many stores (in the U.K. at least) are unit shifters and simply don’t look after the instruments they are so desperate to sell.
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Huss & Dalton DS-12 Custom (Italian/Mahogany) Collings 000-2H (Sitka/Rosewood) Dave King L-00 (Adi/Mahogany) Gibson J-45 JT project "1942 Banner" (Adi/Mahogany) Eastman E20P (Adi/Rosewood) Sigma-SDR-28MLE (Adi/Madagascan Rosewood) Sigma SDR-45 (Sitka/Rosewood) Sigma SDM-18 (European/Flamed Mahogany) Freshman FA400D (Engelmann/Rosewood) Freshman FA300 (Cedar/Hog) Voyage Air VAD-06 |
#7
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The guitars that Collings makes are the most consistent of any acoustic guitars made by anyone, in my experience. There will be tonal differences from one example to the next because of the natural variation in how one top sounds versus another, but - seriously - Collings has the best quality control of any manufacturer that I’m aware of. Their QC is better than Martin’s (though to be fair, Martin makes a far greater number of instruments.)
I’ve played some Collings guitars that I didn’t particularly care for, but I’ve never played one that I would consider a bad instrument. Mediocre, perhaps, on one occasion, but even that is rare for them. whm |
#8
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Your terrible might be someone else’s fantastic. There’s always some trait, sometimes indefinable, we each look for in an instrument that speaks to you, that ‘magic’ for lack of a better word.
At a folk club I recently humoured and old gentleman who was very proud of his rare guitar and wanted me to have a shot of it. It sounded utterly dreadful to my ears and I had to feign enthusiasm as I played it as he was clearly very attached to it. Who knows, maybe it did sound great to everyone else in the room though, what works for him just didn’t work for me. |
#9
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Definitely agree on the sensitivity to environment.
I get so much joy from playing my Collings. I’ve bought and sold so many guitars over the years, but can safely say that the Collings I have now, will never leave my side. Just wonderful instruments. I-35 LC in my sights.
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Bourgeois: OM-42 Brazilian Preston Thompson: 000-12FS Collings OM2H-T, D1-T, O2H, I-35 LC, CL Deluxe Martin: 1964 D18, D41, Custom 00-12F Gibson: J45-Rosewood, L1-Luthiers Choice, 1966 ES335 Fender: 1960 Strat (All Orig), Custom Shop Nocaster National: Style-O |
#10
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Welcome to AGF. I’m sure you’ll get lots of help on this one.
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#11
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Seems everyone has given you good advice. Collings are great but will vary like any other instrument. The big thing is you played in two DIFFERENT environments on two DIFFERENT days.
My guitars, that are kept in the same stable environment can sound different from one day to the next. Depending what room I play in, my mood or physical state can all really effect how I perceive tone. You might want to revisit those guitars. You’re best served buying one you actually play and love |
#12
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There is something about the sound of the Collings guitars I've played that leaves me a little cold - but that's just me. Every one has been a beautifully built instrument with excellent fit and finish. No doubt every guitar sounds a little different, but I would be very surprised to hear that Collings had a consistency issue with their quality. Really nice instruments.
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Keith Martin 000-42 Marquis Taylor Classical Alvarez 12 String Gibson ES345s Fender P-Bass Gibson tenor banjo |
#13
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#14
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Like any high end instrument, they just require a little more attention. Steady temp and RH. I’ve played my Collings in all manner of places (hot, cold, dry, wet), but when they go home they stay in the case (with humidity packs in the winter) I used to be a lot more relaxed about it, but the instruments I have, sound so much better when I take the minimal effort required to care for them a little.
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Bourgeois: OM-42 Brazilian Preston Thompson: 000-12FS Collings OM2H-T, D1-T, O2H, I-35 LC, CL Deluxe Martin: 1964 D18, D41, Custom 00-12F Gibson: J45-Rosewood, L1-Luthiers Choice, 1966 ES335 Fender: 1960 Strat (All Orig), Custom Shop Nocaster National: Style-O Last edited by tomopoole; 02-13-2020 at 07:56 AM. |
#15
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In my experience, once I acquire a guitar, I get it initially set up for myself and then may have to get it set up again after it has settled in and acclimatized to my home environment. I monitor humidity levels and make tweaks as necessary. I do not think that Collings would be that much different. What I find true about many Collings guitars is that they seem to take longer for them to settle in and open up. I have played older, well played Collings that sound divine. Best, Jayne |