#31
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"Off the peg" for me now.
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#32
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That's quite a trio, Mr. M. The sunburst on that Collings, especially, is just gorgeous! I've clicked this thread about 5 times now just to look at it. I think I like it because it doesn't have white binding. Just what is the binding, anyway. Maybe you could post another photo or two of that one?
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2002 Martin OM-18V 2012 Collings CJ Mh SS SB 2013 Taylor 516 Custom |
#33
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A rosewood 12fret 00 is about as good as it gets for me, particularly for fingerstyle but they can be great fun to flatpick too. Ive not played the E20-00 but all the clips ive heard sound fantastic, I would go with 00 as it gives you more versatility.
I think rosewood on a 12fret 00 gives a much fuller tone compared to mahogany, which can sound a bit thin IMHO.
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"All I can be is me.....whoever that is" Bob Dylan 1934 Gibson Kalamazoo KG11 www.reverbnation.com/jamesascott |
#34
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#35
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Andy, have a look at an Avalon S320A Americana. 1 3/4" nut, 25.5" scale, chunky neck profile, 12-fret in sitka/rosewood. Second hand, they go for about £1300-£1500 - more than an Eastman, but it could be worth exploring.
I sort of agree with Fresh1985 too - 12 frets in rosewood are great (such as my Taylor 712e 12-fret), although a mahogany deep body like my C10 custom is a worthy bedfellow. |
#36
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Just received my new (used) E20P this afternoon. Lovely guitar, surprising low end and a lot of fun to play on the couch. The neck is going to take a little getting used to, but so far am very pleased.
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#37
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I'm very pleased with the Eastman E20P that I have, wouldn't consider getting rid of it. I haven't played the E20 00 so I can't give a comparison there. I'm not well versed in describing the tonal characteristics of guitars, I can say that it is very responsive, and, being a 12 fretter projects the sound very well. It's in my rotation of 4-5 guitars that I play regularly, and when I pull it out after a couple of weeks of not touching it, I'm always amazed at the tones that it puts out. Vibratos, and bent notes really come through. To quote that old line, "if it was stolen or somehow destroyed, I get another one.
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#38
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I got my used E20P a few weeks ago. Same reaction. The size is convenient, the sound is good, and the neck is full-sized, which is good for playing in rotation with a D and OM.
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https://soundcloud.com/user-871798293/sets/sound-cloud-playlist/s-29kw5 Eastman E20-OM Yamaha CSF3M Last edited by vintage40s; 10-22-2019 at 07:03 PM. |