#1
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J-50 & Monels
Hey all,
I just got my old J-50 back after selling and regretting it last year. While it was gone, it was on consignment at Carter’s in Nashville, where (I assume) it was restrung with a set of Martin Monels. I’ve used those strings before, with different results, but all I can say is WOW. On the J-50, they take the midrange growl and that good ol’ Gibson thump and kick it up about 10 notches. It has such a good mellowness to it when fingerpicking, but when I dig in, it gets really mean-sounding and focused, almost like there’s a compressor on it to reign and tighten up the natural overdrive from the top. I’ve been considering picking up a set of handmade brass strings from Gabriel Tenorio in LA, but I don’t have any idea what the sound profile of straight 100% brass strings are, as I’ve had no experience with them. After this, however, I might just stick with the much cheaper Monels, as the tone for this guitar is just perfect, already. |
#2
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I hear you, buddy.
My J 50 gets monels or pure nickels every other string change. To me, they sound transparent. I alternate between a J 50 and a 000 18. One of the two will be strung with round core PB strings, the other with monels or nickels. I like to have the choice.
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Peace, Jimmy Optima dies, prima fugit |
#3
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Only Monels for my j45....medium.
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#4
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I own a 1942 J50 and prefer Newtone Masterclass Nickel. I have tried Monels and thought they were fine and do keep a couple of sets around. But I just prefer the Newtones. Maybe it is because I do not use picks and only play with my fingers. But in 55+ years of playing I have never heard the kind of change you are talking about with any string.
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"You start off playing guitars to get girls & end up talking with middle-aged men about your fingernails" - Ed Gerhard |
#5
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Quote:
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