#31
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There are no guarantees. 51 years and it still hasn't.
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#32
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Your strings break in over a few weeks. I do notice substantial change in the first 6 months. Even 12 months. I think there's a little more change after that, but after it's a few years old, I think you're jumping a decade to hear a change.
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#33
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My alpine top took about 6 months. It sounded good but one day when playing it went to wow
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#34
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I've had guitars that I really liked at first, so much so that I considered selling others off. And sometimes that initial infatuation lasted a year or more. For example, I had a Larrivee all-mahogany guitar, and I throughly enjoyed learning about it, and playing towards its strengths. A fine guitar, and an educational experience. It had a big effect on the way I play today.
But - as has happened in the past, eventually, I would again find myself gravitating back to the single guitar I've had the longest, simply because it was capable of more of what I need as a player. It could rival the Larrivee, in the same way that that particular guitar excelled, but it was capable of much more. So I caution you to reconsider selling off your other guitars until you've had the chance to discover if it really is enough, and is more than the rest that you've encountered. Or just a new, interesting, educational experience. IMHO, a few weeks is not long enough to make that kind of judgement call. ... JT
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"Yield to temptation. It may not pass your way again." - Robert A. Heinlein |
#35
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Quote:
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Never argue with an idiot. They will drag you down to their level and beat you with experience. Mark Twain |
#36
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That said, I know I no longer have the kind of piano-like bass on my full-size jumbo that I did when it arrived. It shook me when i first played it. Was this a change in strings... or something else? Maybe the mids and trebles increased and the bass stayed the same? All I really know is what is sounds like when I pick it up after not playing it for a while and think, a bit surprised each time, "Wow, this is a really good guitar". But I do that on some of the others as well. I'd love to see a controlled experiment on this subject, but fear there are too many variables to make it work. What I visualize would be recordings and literally mechanical playing on new strings at predetermined intervals with exactly the same amount of playing done in-between. On a variety of guitars, different sizes, different woods, different makers. Lots of them. Which will never happen. Then, I'd know if it is me or others. Which will never happen.
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The Bard Rocks Fay OM Sinker Redwood/Tiger Myrtle Sexauer L00 Adk/Magnolia For Sale Hatcher Jumbo Bearclaw/"Bacon" Padauk Goodall Jumbo POC/flamed Mahogany Appollonio 12 POC/Myrtle MJ Franks Resonator, all Australian Blackwood Goodman J45 Lutz/fiddleback Mahogany Blackbird "Lucky 13" - carbon fiber '31 National Duolian + many other stringed instruments. |
#37
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All these time estimates on how long it takes for the guitar to open up are meaningless unless you state how many hours of playing you do. It might take longer or less depending on that fact. Type of wood has to be considered as well.
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#38
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IMHO UMMV Hans
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1971 Papazian (swiss spruce/braz RW) 1987 Lowden L32p (sitka/ind RW) 1992 Froggy Bottom F (19th cent. german spruce/koa) 2000 Froggy Bottom H12c (adir/ind RW) 2016 Froggy Bottom K mod (adir/madrose; my son's) 2010 Voyage-Air VAOM-2C http://www.soundclick.com/hanstunes (recorded on Froggy H12c) |
#39
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I’ll just throw out another range of experiences. I’ve had several guitars that came “opened up” straight from the builder. A Froggy Bottom H12, SCGC OMG and Goodall GC are perfect examples. They were beautifully soft, round & open from day 1. However, a Froggy Bottom K, SCGC OM, and Goodall T000 arrived tight and constricted. They started to open (a little) during the first weeks. The Froggy K and SCGC OM matured into spectacular instruments long after a year of active playing and they are still opening years later. The Goodall 000 is only 6 months old, but is dramatically different and improved from day 1. The Goodall 000 was the first commissioned guitar I’ve ever purchased that had me very concerned because it was so tight. I received it immediately after completion and it took at least a month of hard playing before I could see it had great promise. Now I’m both happy and optimistic for a future with this guitar. Other guitars have yielded different experiences, but I thought it was worth discussing these 6 guitars because I had completely different experiences with guitars made by the very same builders.
Last edited by BrunoBlack; 02-15-2020 at 11:06 AM. |
#40
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Every guitar is different. I've had some open up more than others, and it's happened over different time periods. My most extreme is with a 2017 Rosewood/Adi 000 that played really tight and with a somewhat brooding voice for most of its first two years. But I could hear it changing, ever so slightly, so I held onto it, and now it's opened up quite nicely. If you heard that guitar then vs. now, you would never realize they're the same guitar.
Most of the others have been a slow, gradual change over time. Also, I do subscribe to the three separate processes of breaking in / opening up: (1.) the initial break in phase on a brand new guitar, (2.) the more gradual settling in that happens over the next several months up to a year or more (sometimes several years; see above), and (3.) the continued evolution / opening up that happens as a guitar ages over its lifetime.
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"It's only castles burning." - Neil Young |
#41
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Five years, seven months, 2.5 weeks, and three days.
Give or take...
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Phil Playing guitar badly since 1964. Some Taylor guitars. Three Kala ukuleles (one on tour with the Box Tops). A 1937 A-style mandolin. |