#1
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Chord Identification Help
I ran across this one not too long ago x02223. Some sort of A?
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Shawn |
#2
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A7
The notes are A, C#, E, G. (Though from low to high on guitar they are A, E, A, C#, G.) |
#3
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Number the notes ascending from "a", the root, as:
A-1 B-2 C-3 D-4 E-5 F-6 G-7 A-8(1 octave) And you will see that the highest note is the 7, in this case not a semitone below the tonic but a full tone, which makes it the "dominant 7th". The chord it therefore called "A dominant 7th" . Were the added note the second fret instead of the third fret, it would be "F#" and the sixth note of the A scale, therefore "A 6th". All chords can be described this way once having identified the root, though the name can get a bit unwieldy. |
#4
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Hmmm, lots of ways to play an A7, huh? I always play A7 like this x02020.
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Shawn |
#5
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I don't have a bunch of guitars because they all sound just like me. 1984 Carvin LB-40 bass 1986 Carvin DC-125 two humbucker 1996 Taylor 412 La Patrie Concert 2012 American Standard Telecaster 1981 Carvin DC 100 Harley Benton LP JR DC Bushman Delta Frost & Suzuki harmonicas Artley flute Six-plus decade old vocal apparatus |
#6
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A7 it is guys, thanks!
I thought you'd have to go up the neck to find another A7. Didn't know you could grab another one so close.
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Shawn |
#7
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Quote:
You can for the B though, and it looks like 2 x 2 1 2 x Or you could leave the B string open as well. This is a handy shape, no pun intended. You could also play the A7 with a different root as well. 3 2 2 4 x Would technically be written as A7/C# though I guess, but it's still an A7. There are lots of ways of playing lots of chords, but after a while you get to know the positions and it becomes pretty simple. remembering every different one as distinct possibilities is tough. But once you know your way around a little, it becomes more obvious and simple. Last edited by Monk of Funk; 10-17-2015 at 11:04 AM. |
#8
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Quote:
Excellent resource, thanks for posting! |
#9
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Quote:
https://www.youtube.com/watch?v=Fm1qtX7Mz5w
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"There is a crack in everything. That's how the light gets in." - Leonard Cohen. |
#10
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That's how I play it.
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Some Martins |
#11
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The common A7 for me, is
5 5 6 5 x 5 Then, probably 9 8 9 7 x x Or maybe the open one, or the one like I described earlier but up at the 12th. I don't much like open chords though, really, as a general rule, and around the 5th fret is a nice place to be i find. |
#12
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5 A
0 A or 4 for C# 5 G 0 G 5 E 0 E This give you two roots, two 5ths and two 7ths, or add the C# for the 3rd. I use it in 'Indian Summer" by the Doors
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I don't have a bunch of guitars because they all sound just like me. 1984 Carvin LB-40 bass 1986 Carvin DC-125 two humbucker 1996 Taylor 412 La Patrie Concert 2012 American Standard Telecaster 1981 Carvin DC 100 Harley Benton LP JR DC Bushman Delta Frost & Suzuki harmonicas Artley flute Six-plus decade old vocal apparatus |
#13
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Quote:
0 E 5 E 0 G 5 G 0 A or 4 for C# 5 A ...phew, that's better. Without C# it's not A7 of course. Better to lose the 5th than the 3rd, generally speaking (outside of Indian Summer anyway). In that position - keeping the open string effect - I'd probably choose this for A7: 0 E 5 E 6 C# 5 G 0 A 5 A but this makes a nice A9: 0 E 0 B 0 G 5 G 4 C# 5 A
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"There is a crack in everything. That's how the light gets in." - Leonard Cohen. |