#1
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A review of the new Blackbird Super OM
Sit down on your favorite chair or couch, close your eyes and let me hand you a carbon fiber acoustic guitar. I want you to feel and play it before you open your eyes.
It’s the new Blackbird Super OM and you’re going to learn three things right off the bat:
The frets feel medium-low. Their dressing is good. The board is flat and very smooth. You move up the neck for some barred chords. Arpeggios sound great up there. The intonation seems good. A cut-out makes access to the highest frets easy. So now you abandon the flat-pick and start in on that finger-style blues thing you do. Here’s where this OM falls short in much the same way a dreadnought falls short and you realize you’re going to have to make a new category. Yeah, this is a smaller bodied guitar, but it’s clearly aimed at, and voiced for, the bigger flat-picked and rhythm crowd. Its intimacy isn’t what you’ve come to expect from the Larrivee’s and Taylor’s of a similar size. Your friend across the room is apparently really getting into it. You can here him tapping his foot. When you quit he says, “Wow, man. That was beautiful”. On a hunch, you pass the guitar over to him and ask that he play it finger-style for a minute. Whoa! The guitar’s sound really opens up for the audience. The detail is even more crisp and inviting than what you’re hearing as a player. Good news and bad, but that’s the name of the game isn’t it? Trade-offs upon trade-offs. And now that your eyes are open you can see that the Blackbird Super OM is like something Spock might have played in the original Star Trek if he’d been transported to a bluegrass jam on Xylon IV. Most of the body and the neck are glossy black with a tight carbon weave showing through. The bridge and Gotoh tuning pegs are matte black. But there are small fire-engine red highlights, such as in the offset sound hole, the headstock (with hollow neck opening), and fret markers. The Fishman VT volume and tone knobs barely peek out the side of the sound hole. And there’s a sound port on the side of the upper bout as well. The Blackbird Super OM look is clearly a bit avant-garde, even in the blossoming world of carbon fiber instruments. But the feel of this guitar and much of its sound belie its visual aesthetics. Go play one! Live long and prosper. PS: Thanks to MacNichols Guitars and Mandolins for the chance to demo this new guitar.
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Website: http://www.buzzardwhiskey.com Last edited by buzzardwhiskey; 04-22-2009 at 07:39 PM. |
#2
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Since I haven't played one yet, I can't and won't opine on the review of the guitar's tone. But I just can't see myself ever being attracted to a guitar that looks like that. It makes a CA guitar look "traditional" in comparison.
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Furch Little Jane Limited 2020 LJ-LC (Czech Rep.) Alpine/Cocobolo Furch Little Jane LJ 10-SR (Czech Rep.) Sitka/EIR Hex Sting P300 (Indonesia) Sitka/Lam.Sapele |
#3
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I stumbled upon Blackbird guitars on the 'net last summer. Haven't seen one in person, but I sure would like to. There was a clip somewhere of Dick Dale playing one. I'm normally a traditional guitar kind of guy, but the concepts behind Blackbirds are interesting.
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#4
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I'm too much of a traditionalist-stick-in-the-mud to ever buy one of those. I guess if I'm going to own a carbon-fiber guitar, it would be a CA or Rainsong. This just ain't my cup of tea...
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"It takes all kinds to make a world...including the kinds who think only their kind belong in it." (unknown) "Next To the Word of God, music deserves the highest praise." (Martin Luther) 1992 Taylor 855 2000 Deering Sierra 2009 Recording King RD-16SN ~ "utility" 2009 Martin HD-28 |
#5
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Thanks for the review. I would like to give it a test drive considering the climate I live in in Denver. I only played one carbon fiber guitar before a Rainsong and it sounded very "tinny" almost like a banjo, but I have heard really good reviews for CA's.
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#6
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I love my CA GXi. You will probably think of lots of words when you play one, but I don't imagine "tinny" would be on the list.
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Website: http://www.buzzardwhiskey.com |
#7
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I can't wait to try one. Their new soundhole and body design looks very interesting, and a marvelous way to leave the entire top free to vibrate, but still get the sound out.
Wonder if you could execute that same design in wood? My guess is that the unsupported top edge might not be strong enough. |