The Acoustic Guitar Forum

Go Back   The Acoustic Guitar Forum > General Acoustic Guitar and Amplification Discussion > General Acoustic Guitar Discussion

Reply
 
Thread Tools
  #16  
Old 03-02-2021, 03:49 PM
Brucebubs Brucebubs is offline
Registered User
 
Join Date: Jan 2013
Location: Eden, Australia
Posts: 17,792
Default

Great story, great save and great guitar.
__________________
Brucebubs

1972 - Takamine D-70
2014 - Alvarez ABT60 Baritone
2015 - Kittis RBJ-195 Jumbo
2012 - Dan Dubowski#61
2018 - Rickenbacker 4003 Fireglo
2020 - Gibson Custom Shop Historic 1957 SJ-200
2021 - Epiphone 'IBG' Hummingbird
Reply With Quote
  #17  
Old 03-02-2021, 07:45 PM
vintage40s vintage40s is offline
Charter Member
 
Join Date: Feb 2019
Location: Louisville, KY
Posts: 741
Default

Looks just like the Hummingbird that I bought new in 1963. A perfect light sunburst. I miss the screw-adjustable saddle. Wish I had never traded that guitar toward a new 1969 D-35.
__________________
https://soundcloud.com/user-871798293/sets/sound-cloud-playlist/s-29kw5
Eastman E20-OM
Yamaha CSF3M
Reply With Quote
  #18  
Old 03-02-2021, 07:56 PM
mikef mikef is offline
Charter Member
 
Join Date: Dec 2011
Location: Virginia
Posts: 397
Default

What a great story...congrats!
Reply With Quote
  #19  
Old 03-02-2021, 08:14 PM
Tube Sound Tube Sound is offline
Registered User
 
Join Date: Mar 2018
Location: North By Northwest
Posts: 756
Default

Wonderful you never gave up on it. A rebuild that was meant to be. Turned out beautiful. I have a ‘68 with the pg screws to prove it. Mine is covered in gorgeous finish checking and I love it. I fall in the camp of one of the greatest singer songwriter guitars ever. Thanks for sharing the story and pics.
Reply With Quote
  #20  
Old 03-02-2021, 08:19 PM
hubcapsc's Avatar
hubcapsc hubcapsc is offline
Charter Member
 
Join Date: Jan 2020
Location: upstate SC
Posts: 2,707
Default

It doesn't get much cooler than that ...

-Mike
Reply With Quote
  #21  
Old 03-03-2021, 07:55 AM
zombywoof zombywoof is offline
Registered User
 
Join Date: Apr 2007
Posts: 9,370
Default

Congrats! If you get your hands on a good one built from late-1968 on hold onto to it. Lots of changes in specs which continued almost yearly though 1971.
__________________
"You start off playing guitars to get girls & end up talking with middle-aged men about your fingernails" - Ed Gerhard
Reply With Quote
  #22  
Old 03-03-2021, 08:46 AM
zombywoof zombywoof is offline
Registered User
 
Join Date: Apr 2007
Posts: 9,370
Default

Quote:
Originally Posted by Br1ck View Post
Gibsons of that vintage can be duds, many of them, but a good one is a thing unto itself. A unique tone only they will have. Yes, the bridge is a big part of the sound. My 65 Epiphone Texan isn't going anywhere. A singer's paradise.
The only Kalamazoo-built Gibsons I have owned with the ADJ saddle bridge have been a 1961 and 1963 B45-12. So while I cannot speak to the six string guitars with the 12 stringers it does increase the amount of attack you hear.

Gibson went with the ADJ saddle bridge because they felt it would do everything for a flattop it did for an archtop while adding a convenience to their flattop line. But they faced the problem of how to support the heavy bridge and stabilize the tops. As a trade off, Gibson initially decided to continue with the lighter built instruments they had been turning out since 1955 but went with an oversized bridge plate. In late-1968 Gibson started going with a bulkier bracing which got even heavier in 1969 but they continued to stick with the same bridge plates. While I do not think in terms of good or bad this is why it is tough to find a Gibson built from at least 1969 on which sounds like one built in 1967.
__________________
"You start off playing guitars to get girls & end up talking with middle-aged men about your fingernails" - Ed Gerhard
Reply With Quote
  #23  
Old 03-03-2021, 09:34 AM
catdaddy catdaddy is offline
Registered User
 
Join Date: Jul 2007
Location: Backroads of Florida
Posts: 6,442
Default

Quote:
Originally Posted by zombywoof View Post
The only Kalamazoo-built Gibsons I have owned with the ADJ saddle bridge have been a 1961 and 1963 B45-12. So while I cannot speak to the six string guitars with the 12 stringers it does increase the amount of attack you hear.

Gibson went with the ADJ saddle bridge because they felt it would do everything for a flattop it did for an archtop while adding a convenience to their flattop line. But they faced the problem of how to support the heavy bridge and stabilize the tops. As a trade off, Gibson initially decided to continue with the lighter built instruments they had been turning out since 1955 but went with an oversized bridge plate. In late-1968 Gibson started going with a bulkier bracing which got even heavier in 1969 but they continued to stick with the same bridge plates. While I do not think in terms of good or bad this is why it is tough to find a Gibson built from at least 1969 on which sounds like one built in 1967.
Very interesting! I should mention that my Hummingbird has been modified several times over the years, not the least of which was the initial repair that was done in Pittsburgh. New braces were made as was a new bridge plate. Later, Ross actually replaced the bridge and shaved the braces circa 1989, and with those later changes the guitar's tone and volume significantly improved. Perhaps in the long run this guitar's early, devastating accident in the airplane baggage compartment was a blessing, as it became modified into something other than the typical instrument from that era of Gibson acoustics.
__________________

AKA 'Screamin' Tooth Parker'


You can listen to Walt's award winning songs with his acoustic band The Porch Pickers @ the Dixie Moon album or rock out electrically with Rock 'n' Roll Reliquary

Bourgeois AT Mahogany D
Gibson Hummingbird
Martin J-15
Voyage Air VAD-04
Martin 000X1AE
Squier Classic Vibe 50s Stratocaster
Squier Classic Vibe Custom Telecaster
PRS SE Standard 24
Reply With Quote
  #24  
Old 03-04-2021, 03:15 PM
Dru Edwards Dru Edwards is offline
Registered User
 
Join Date: May 2007
Location: Nova Scotia
Posts: 43,430
Default

Cat, congrats! I like the warn finish on the lower bout ... classic. Enjoy.
Reply With Quote
  #25  
Old 03-04-2021, 03:47 PM
DungBeatle DungBeatle is offline
Registered User
 
Join Date: Jan 2016
Location: Idaho
Posts: 324
Default

Beautiful! Do you have some before pictures?
~Bob
__________________
Some stuff...
Reply With Quote
  #26  
Old 03-04-2021, 05:19 PM
catdaddy catdaddy is offline
Registered User
 
Join Date: Jul 2007
Location: Backroads of Florida
Posts: 6,442
Default

Quote:
Originally Posted by Dru Edwards View Post
Cat, congrats! I like the warn finish on the lower bout ... classic. Enjoy.
Thanks Dru! Yeah, that's hard earned "mojo" courtesy of my sweaty arm.

Quote:
Originally Posted by DungBeatle View Post
Beautiful! Do you have some before pictures?
~Bob
Unfortunately, I have no photos of the guitar prior to its being damaged in 1970. I have a few from the mid-80s before Ross did his first work on the guitar. This is probably the best of those photos. It took another 20 years of playing to get the mojo to develop.

__________________

AKA 'Screamin' Tooth Parker'


You can listen to Walt's award winning songs with his acoustic band The Porch Pickers @ the Dixie Moon album or rock out electrically with Rock 'n' Roll Reliquary

Bourgeois AT Mahogany D
Gibson Hummingbird
Martin J-15
Voyage Air VAD-04
Martin 000X1AE
Squier Classic Vibe 50s Stratocaster
Squier Classic Vibe Custom Telecaster
PRS SE Standard 24
Reply With Quote
  #27  
Old 03-04-2021, 10:54 PM
gmel555 gmel555 is offline
Charter Member
 
Join Date: Sep 2018
Location: Lower Slower Delaware
Posts: 2,799
Default

Nice story, very cool guitar. Looks -and I bet sounds- greats. Congrats, and "yes" if it were me it would be even better than a NGD!
__________________
“The tapestry of life is more important than a single thread.”
R. Daneel Olivaw in I. Asimov's Robots and Empire.
Reply With Quote
  #28  
Old 03-04-2021, 11:35 PM
Emil Emil is offline
Registered User
 
Join Date: Dec 2005
Location: Gothenburg Sweden
Posts: 619
Default

Thats one beautiful guitar buddy!
__________________
Just a dumb swede
Reply With Quote
  #29  
Old 03-05-2021, 07:05 AM
Parlorman Parlorman is offline
Registered User
 
Join Date: Oct 2015
Location: Boston, MA
Posts: 1,867
Default

That's lovely.
__________________
Bill

Guitars:

1910's Larson/Stetson 1 size guitar
1920 Martin 1-28
1987 Martin Schoenberg Soloist
2006 Froggy Bottom H-12 Deluxe
2016 Froggy Bottom L Deluxe
2021 Blazer and Henkes 000-18 H
2015 Rainsong P12
2017 Probett Rocket III
2006 Sadowsky Semi Hollow
1993 Fender Stratocaster

Bass: 1993 Sadowsky NYC 5 String
Mandolin: Weber Bitterroot
Reply With Quote
  #30  
Old 03-05-2021, 08:09 AM
SkipII SkipII is offline
Registered User
 
Join Date: Feb 2014
Location: Cincinnati OH
Posts: 351
Default Still humming

Congrats on having someone who can bring her back to life. Quite a story of redemption and restoration.

By the way, there is a series on Netflix called "The Repair Shop." Full of stories like that where true artisan craftmasters bring back family heirlooms that were given up for dead. Very inspiring.
__________________
ACOUSTICS
Takamine F370SSK - sold
Martin HD-28 - sold
Furch Gc-CR Red

ELECTRICS
Gibson Les Paul Custom '68 reissue sunburst
Carvin Bolt
Stratocaster custom build
Schecter Stiletto 5-string bass
Reply With Quote
Reply

  The Acoustic Guitar Forum > General Acoustic Guitar and Amplification Discussion > General Acoustic Guitar Discussion






All times are GMT -6. The time now is 08:47 PM.


Powered by vBulletin® Version 3.8.11
Copyright ©2000 - 2024, vBulletin Solutions Inc.
Copyright ©2000 - 2022, The Acoustic Guitar Forum
vB Ad Management by =RedTyger=