#46
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John Tucson, AZ 2020 Kraut 00, Swiss/Brazilian, build 2018 Eady EG Pro Electric, Redwood/Mahogany 2013 Baranik Meridian, Blue Spruce/Cocobolo, build 2008 Baranik CX, Blue Spruce/African Blackwood 2008 Breedlove A20 Masterclass 12-string, Adi/IRW 2003 Thames classical, Euro/Brazilian Fodera Standard 4 Fretless bass, figured walnut |
#47
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Quote:
I don't think I've ever played two Claxtons that had the SAME back and sides, but all have sounded uncannily similar. IIRC I compared Deft's walnut guitar to one in Macassar Ebony and both sounded far more similar than they did different. TBH, I'd expect that - they were built by the same Master. Nothing I've ever played from Ed has been anything less than A+. I don't think I can say the same about any other individual luthier. There are some extremely well-known luthiers (who command even higher prices) who have said exactly the same to me. Extraordinarily refined, balanced, and with impressive but not overwhelming overtones. The first time I ever played a Claxton, it reminded me of a Traugott. These days, all of the Traugotts I play remind me of Claxtons! I have a cuban mahogany OM that sounds much more like a "typical" rosewood guitar from a high-end luthier. Don't know how he does it. Perhaps the single best steel-string I've ever played was a Claxton Malabar. Cheers, Steve |
#48
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Ed's certainly consistent! There are some different sounds, tho. My Maple Malabar is a totally different sound than my rosewood Malabar. So I'd say that within certain limits, he gets the same sound. The Maple model is so different, it seems like a completely different design.
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Music: Spotify, Bandcamp Videos: You Tube Channel Books: Hymns for Fingerstyle Guitar (std tuning), Christmas Carols for Fingerstyle Guitar (std tuning), A DADGAD Christmas, Alternate Tunings book Online Course: Alternate Tunings for Fingerstyle Guitar |
#49
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Ah, Doug, I’d love nothing more than to spend an afternoon listening to you play all your Claxtons in no particular order while I sit there, not thinking about anything, just feeling all sorts of things. In the evening, we could take Ed out to dinner and beg him to tell us stories about old wooden sailing vessels. One can always dream...
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____________________________________________ 1922 Martin 0-28 1933 Martin 0-17 1974 Alvarez/Yairi CY120 2010 Baranik Parlor 2013 Circa OM-18 2014 Claxton OM Traditional 2014 Blackbird Rider |
#50
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Music: Spotify, Bandcamp Videos: You Tube Channel Books: Hymns for Fingerstyle Guitar (std tuning), Christmas Carols for Fingerstyle Guitar (std tuning), A DADGAD Christmas, Alternate Tunings book Online Course: Alternate Tunings for Fingerstyle Guitar |
#51
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Oh, I’d love nothing more! Just send me an airline ticket and I’ll fly right out, haha!
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____________________________________________ 1922 Martin 0-28 1933 Martin 0-17 1974 Alvarez/Yairi CY120 2010 Baranik Parlor 2013 Circa OM-18 2014 Claxton OM Traditional 2014 Blackbird Rider |
#52
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Must be music to any luthier's ears to read that their instrument helped unlock somebody's writer's block.
May the muse continue to flow creatively for you!
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12-fret Small Body Addict & Sucker for Exquisite Craftsmanship
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#53
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Killer playing and songwriting. Very impressive! That Claxton sounds fantastic for that song. Resonant and sustain-y.
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Circa OM-30/34 (Adi/Mad) | 000-12 (Ger/Maple) | OM-28 (Adi/Brz) | OM-18/21 (Adi/Hog) | OM-42 (Adi/Braz) Fairbanks SJ (Adi/Hog) | Schoenberg/Klepper 000-12c (Adi/Hog) | LeGeyt CLM (Swiss/Amzn) | LeGeyt CLM (Carp/Koa) Brondel A-2 (Carp/Mad) |
#54
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Nice!!!
Quote:
Have fun Paul
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3 John Kinnaird SS 12c CUSTOMS: Big Maple/Cedar Dread Jumbo Spanish Cedar/WRC Jumbo OLD Brazilian RW/WRC R.T 2 12c sinker RW/Claro 96 422ce bought new! 96 LKSM 12 552ce 12x12 J. Stepick Bari Weissy WRC/Walnut More |
#55
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Indeed! I wrote to Ed immediately to tell him about how transformative my new guitar was. He said that there can be no higher compliment for what he calls his “labor of love” and what I think of as his gift to the world!
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____________________________________________ 1922 Martin 0-28 1933 Martin 0-17 1974 Alvarez/Yairi CY120 2010 Baranik Parlor 2013 Circa OM-18 2014 Claxton OM Traditional 2014 Blackbird Rider |
#56
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Thanks, buddy! I’m glad you like the tune. And while this song also sounds good on my other guitars, it blooms into something truly special on the Claxton. I’m surprised you’ve never hunted one down, actually. Maybe now that will change, haha! (Of course, you’ll soon have to move into a larger house with all the amazing guitars you’ve now got lying all over the place...)
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____________________________________________ 1922 Martin 0-28 1933 Martin 0-17 1974 Alvarez/Yairi CY120 2010 Baranik Parlor 2013 Circa OM-18 2014 Claxton OM Traditional 2014 Blackbird Rider |
#57
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Thanks, Paul! This guitar has given me a real education in what it means to bond with an instrument. Lucky me!
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____________________________________________ 1922 Martin 0-28 1933 Martin 0-17 1974 Alvarez/Yairi CY120 2010 Baranik Parlor 2013 Circa OM-18 2014 Claxton OM Traditional 2014 Blackbird Rider |
#58
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Thank for the video!! This guitar sounds amazing! And you play and sing well too.
Thanks for sharing!!! beth |
#59
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Thanks, Beth! It was a long time coming, but I always felt I owed it to you to get around to sharing this song [emoji4].
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____________________________________________ 1922 Martin 0-28 1933 Martin 0-17 1974 Alvarez/Yairi CY120 2010 Baranik Parlor 2013 Circa OM-18 2014 Claxton OM Traditional 2014 Blackbird Rider |
#60
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Your Claxton sounds exceptionally beautiful and expressive. Also, I find your songwriting and playing soothing and ethereally touching. You're able to convey a great deal of emotion with your music. Just wonderful!
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