#16
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IF satin finish makes a tonal difference, it would have to be substantial for me to consider buying another satin finish guitar.
I owned a Martin Custom D with a satin finish. I was careful to wear long sleeves when I played it to avoid the darkening stain that tends to happen as the result of skin oils accumulating where the picking arm contacts the edge and top. Nonetheless, ANY moisture (droplets from a mustache when taking a sip of a beverage; a sneeze, a raindrop of playing outside) left a stain if it wasn’t wiped off immediately and thoroughly. It started looking scuzzy to me, and I sold it before it became so unsightly that I’d have to give a significant discount. And while the guitar didn’t sound bad for its price point, it wasn’t a particularly remarkable instrument. |
#17
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Talk about?!?
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Jim Dogs Welcome......People Tolerated! |
#18
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Well, if that process thins the finish, that has a definitive effect on tone. There are also legitimate claims that extensive lacquer checking affects tone by breaking surface tension across the body. If somehow the satin finish is more "breathable" in that regard, then yes, I suspect thinning a finish and changing its formulation to make for a more breathable finish could potentially affect tone. I do think those matte finish Martins (15, 16, 17 series) get some of their tone from the ultrathin finish used on those. (Martin has said their cheap matte finish is also their thinnest available finish.) No idea whether the "satin" (aka matte) has an impact though.
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#19
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This model looks super cool. Can I ask, how does the satin finish wear over time? Does it gloss up in spots and show smudges easily, like the Martin 15s?
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#20
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I don't know about the tops but satin finished necks certainly "gloss up" from the oils on our hands. Stands to reason a top would as well especially where your arm crosses bass side lower bout.
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Jim Dogs Welcome......People Tolerated! |
#21
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I've played a bunch of these.
When compared to a standard finish Collings, the Traditionals sound like a Martin guitar. To me, standard finish Collings acoustics have a tone all their own and that's why I own three of them. If I want a Martin sound, I buy a Martin. Not a Trad Collings. |
#22
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#23
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I think any builder will tell you that there is no tonal difference between satin and gloss when the they the same base product and are of equal film thickness. (satin nitro is still nitro) It is the thickness of finish that effects tone.
Satin finish is complete straight off the gun so it can be a thinner film. Taylor long ago perfected this to the T. Producing a true gloss finish involves laying down a thicker film initially because it is sanded level, and then sanded through progressively finer grits before buffing. BTW, while you can polish out a satin finish, it is a risky business because the satin film is so thin. If you sand through, then you REALLY have a problem. While you may be able to get to a semi-gloss, getting a true gloss finish out of satin is not possible because the flattening agent in the finish breaks the final finish microscopically. IME, a polished out satin tends to revert back to a duller semi-gloss over time. |
#24
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Agreed. That would be a level of sonic discernment that I don’t possess.
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McCollum Grand Auditorum Euro Spruce/Brazilian PRS Hollowbody Spruce PRS SC58 Giffin Vikta Gibson Custom Shop ES 335 '59 Historic RI ‘91 Les Paul Standard ‘52 AVRI Tele - Richie Baxt build Fender American Deluxe Tele Fender Fat Strat |
#25
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Layd
Add me to this view as well. I’ve played them and like most Collings, I liked what I felt and heard.
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#26
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Last edited by Kerbie; 05-04-2021 at 06:01 PM. Reason: Rule #1 |
#27
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#28
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I personally don't care for a satin finish on a guitar at all. I've had couple of Martin Series-15 guitars in the past...and the satin finish was the key reason they are "in the past". It just cheapens the appearance of what would otherwise be a beautiful guitar. My own opinion...of course.
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#29
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#30
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The nitro on the gloss Traditionals is very thin, so I don't think it will constrain tone in any way. On my own gloss Traditional, the sound explodes out of the guitar.
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Martin Custom Shop Super D (Sitka/Koa) Martin OM-42 (Sitka/EIR) Gibson 1936 Advanced Jumbo (Red Spruce/EIR) Breedlove Ed Gerhard Exotic (Brazilian/Red Spruce) Brad Goodman J-200 (Engelmann/Quilted Maple) Taylor 326CE 8-string Baritone 1960s Guild M-20 (Nick Drake guitar) |