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View Poll Results: At what price does "0professional" start? | |||
$500 | 17 | 17.89% | |
$1000 | 17 | 17.89% | |
$2000 | 43 | 45.26% | |
$3000 | 12 | 12.63% | |
$4000 | 6 | 6.32% | |
Voters: 95. You may not vote on this poll |
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#31
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I own two import Gretsch instruments built during the last decade - a Japanese-made '13 double-cut White Falcon " '62 Tribute" and a MIK '16 3-PU/cats'-eye 5622... The Falcon is a work of art with strings, in every sense of the word: Gretsch was my hometown brand, I've played several hundred originals (no exaggeration) over the last 60 years, and I've yet to find anything from their Brooklyn heyday that matches it for fit/finish/playability - the realization of a 55-year dream for me, and well worth the four-figure price (comparable to a Gibson ES, and built to a higher standard)... The Korean-built 5622 semi is my gigmeister: handles just about any style credibly, looks great doing it, and was made to a standard of QC matched by only the best vintage examples and exceeded by only a handful - for about one-fourth the price of the Falcon... Got a Godin CW II deep hollowbody that I use for clean blues/rockabilly/jazz comping, and as my couch guitar - cost me just a bit over $600, and Tony Bennett's guitarist was using the identical instrument on tour for a number of years... Most of the time they're running "raw" (no pedals) through one of four Bugera all-tube amps, ranging from 5 to 50 watts - none of which cost me more than $400 brand-new with warranty... "Professional" is where you find it - a philosophy on the part of the maker, a mindset on the part of the user - and comes with no price constraints on either end...
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"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) |
#32
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Excuse me but I think a better poll might have been worded “gigging musician”.
Even at that it varies so much. It would seem elite musicians generally play very expensive guitars, but then there are exceptions to that as well. I didn’t vote because it’s such a subjective thing.
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#33
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OP, the only thing that makes it a professional quality instrument in my mind is whether it's being played by a professional musician.
There are great players making great music on $1500 axes and $50,000 axes. I haven't seen much on stage below the level of a mid-range Taylor .. I'm sure others have seen different. I dunno as you're wrong, however I surely have counter examples. One of my favorite performers is a woman who's becoming known for her writing chops, is not especially well off and tours with two luthier built instruments, both were gifts, I think both from their builders. |
#34
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The professional price range starts at whatever you have when you get paid to play music.
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#35
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Gibson G45 Standard 2020 Eastman E1OM 2021 Cedar/Rosewood Parlour 2003 (an early build by my luthier brother) Also double bass, electric bass, cittern, mandolin... |
#36
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"It ain't the violin...it's the violinist"
What do 40 sheets of newspaper cost? Such as: https://www.youtube.com/watch?v=4Wc5NVyb89Y
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Avian Skylark Pono 0000-30 Gardiner Parlor Kremona Kiano Ramsay Hauser Cordoba C10 Chris Walsh Archtop Gardiner Concert Taylor Leo Kottke Gretsch 6120 Pavan TP30 Aria A19c Hsienmo MJ Ukuleles: Cocobolo 5 string Tenor Kanilea K3 Koa Kanilea K1 Walnut Tenor Kala Super Tenor Rebel Super Concert Nehemiah Covey Tenor Mainland Mahogany Tenor Mainland Cedar/Rosewood Tenor |
#37
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I have a number of friends and clients who are endorsed by guitar companies and they basically all say that if you can play it on national TV, they'll give it to you for free. I have a friend who played acoustic guitar at the Grammys a couple years ago as a sideman to a famous performer. They were rehearsing in LA and a Taylor rep came by with two very expensive guitars and told him if he played one of them at the show, he could keep them both. He played it, kept one and sold the other. |
#38
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I'd rephrase that a bit and say my $2000 vote is for used and add deserving to the mix. When I asked a store manager what gigging musicians were buying, he said used $1200 to $2K max. Anyone playing and deserving the word professional should have a worthy instrument.
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2007 Martin D 35 Custom 1970 Guild D 35 1965 Epiphone Texan 2011 Santa Cruz D P/W Pono OP 30 D parlor Pono OP12-30 Pono MT uke Goldtone Paul Beard squareneck resophonic Fluke tenor ukulele Boatload of home rolled telecasters "Shut up and play ur guitar" Frank Zappa |
#39
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>Sam Shackleton
I love that little video for some reason. I've watched it a bunch of times. Give my best to Sam for me if you see him. Cheers! |
#40
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I’ve not seen him in person for a while but I will do!
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#41
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#42
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Those were very, very nice Yamahas. Possibly custom-made for him? Not cheap. He also played with some custom-made guitars, but mainly in the 70s. |
#43
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I have played a lot of gigs and made quite a bit of money with guitars in the $500 range. An old Alvarez, Mexi-Martin 000X1AE, Ibenez acoustic and they all performed flawlessly. Now I play Gibsons and Martins in the $2-$3k price range. Not because they're that much better for the job, but because I like them. Springsteen and Garth Brooks both play relatively inexpensive Takamines on stage and they sound great. Recently I saw shows by Hayes Carll, Brett Cobb and Ward Davis and all were playing really nice Gibsons (Hayes played his old J-45) and all of them quacked like a herd of ducks. I still loved the shows and won't hesitate to go see them again. Those guys all have great guitars but didn't care at all that the UST pickups they were using quacked. Made me wonder why I've spent so much money on pickups and preamps chasing tone.
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'59 Gibson J-45 "Spot" '21 Gibson LG-2 - 50's Reissue '94 Taylor 710 '18 Martin 000-17E "Willie" ‘23 Taylor AD12e-SB '22 Taylor GTe Blacktop '15 Martin 000X1AE https://pandora.app.link/ysqc6ey22hb |
#44
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It depends. A solo artist when the venue has purposefully set out to capture their true unplugged sound with top flight PA, mics, and sound tech? A
'pro level" instrument should probably be the choice, the one you, as a 'pro", believe will show your efforts in the best light. But...once you plug the thing in $500 will do as well as $5000, if your pickup system is up to snuff and the sound tech knows what he is doing. Recording wise, I have found cheaper guitars that carry less projection and harmonic complexity much easier to sit well in a band mix than guitars that sound great in person. This does not apply to sparse instrumentation where the guitar is a dominate or the predominate sound. |
#45
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But seriously, I agree with others that say there is no price point. Professional musicians can be impressive with just about anything. Having said that, I would also say that I’ve had times where I’ve listened to great guitarists and thought “you are being let down by your gear”. Musicality and virtuosity can easily hide shortcomings in other areas. |