#16
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Please watch my video above.
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#17
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I don’t find changing strings on slotted headstocks to be difficult, I just think it’s a complete pain in the butt. And lest any of you think that maybe I’m just unfamiliar with the process, no, I’ve dealt with slotted headstocks for more than forty years now. I just flat out dislike them, and that is NEVER going to change.
That’s why my custom Clark 12 fret Triple O and my Martin Custom Shop 12 fret 00-21 both have solid headstocks. I love the sound of those 12 fret guitar designs, so I ordered them with headstocks that I like, not slotted headstocks that I have to endure. Both of those guitars have 1 3/4” nuts and modern low profile necks, as well, because I find those much more comfortable to play. It’s not the traditional approach on those guitars, obviously, but it’s what works for me. Wade Hampton Miller |
#18
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I love my 2016 Taylor 510e it’s a beautiful understated guitar with a big voice that’s actually opened up a lot more than my Taylor ga7e, I love cedar but the lutz spruce top on the 510 is a lot louder and has amazing cross-silking, Taylor has access to some really good wood.
I think the slot head supposed to increase break angle which is maybe why it sounds so loud for a short scaled guitar. I often wonder why Taylor discontinues so many of its cool models but that’s sales I guess. |
#19
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Sounds like a great name for a British acoustic group
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Enjoy the Journey.... Kev... KevWind at Soundcloud KevWind at YouYube https://www.youtube.com/playlist?lis...EZxkPKyieOTgRD System : Studio system Avid Carbon interface , PT Ultimate 2023.12 -Mid 2020 iMac 27" 3.8GHz 8-core i7 10th Gen ,, Ventura 13.2.1 Mobile MBP M1 Pro , PT Ultimate 2023.12 Sonoma 14.4 |
#20
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Dreadnought (as in HMS).
Just sayin'
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NOT from Queen - he's much cleverer I am English, so are all my spellings Two guitars I'm happy with . . . |
#21
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That logo does not look very Martin. Is there a Martin mark and a serial number inside?
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https://soundcloud.com/user-871798293/sets/sound-cloud-playlist/s-29kw5 Eastman E20-OM Yamaha CSF3M |
#22
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You’d be making a bold and visionary statement! whm |
#23
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Quote:
Body Size: D-14 Fret Top: Adirondack Spruce Rosette: Paua Pearl w/B/M/B Fiber Top Bracing Pattern: Forward shifted Top Braces: Adirondack/Scalloped 5/16''/Standard Back Material: Cocobolo Back Purfling: None Side Material: Cocobolo Endpiece: Madagascar Rosewood Endpiece Inlay: None Binding: Madagascar Rosewood Top Inlay Style: .040'' Maple / 042'' B/M/B Fiber (18GE Style) Side Inlay: None Back Inlay: None Neck Material: Select Hardwood Neck Shape: Modified V Nut Material: Bone Headstock: Slotted/Square Slots/6 String No Diamond/Square Taper Headplate: Cocobolo over Ebony Heelcap: Madagascar Rosewood Fingerboard Material: Ebony Scale Length: 25.4” Number of Frets Clear: 14 Number of Frets Total: 20 Fingerboard Width at Nut: 1-3/4” Fingerboard Width at 12th Fret: 2-1/4” Fingerboard Position Inlays: Style 42 Snowflakes ( Paua) Border only Fingerboard Binding: None Finish Back & Sides: Gloss Finish Top: Gloss Finish Neck: Satin Bridge Material: Ebony Bridge Style: Vintage Belly- Drop In Long Saddle Bridge String Spacing: 2-1/4” Saddle: 16'' Radius/Bone- Drop In Long Saddle Tuning Machines: Waverly Gold Side Mount Recommended Strings: Lifespan MSP 7200 Medium Strings Bridge & End Pins: Black w/ White Dots Pickguard: Tortoise Case: 545E - Slate Gray Interior Label: None Electronics: None 'Nuff said CK
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----------------------------- Jim Adams Collings OM Guild 12 String Mark V Classical Martin Dreadnaught Weber Mandolin |
#24
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Just not 'Nuff for me. None of the D-14 Customs on google have such a headstock logo. Or any other Martins that I have ever seen. Where did you get this guitar, and from where those specs?
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https://soundcloud.com/user-871798293/sets/sound-cloud-playlist/s-29kw5 Eastman E20-OM Yamaha CSF3M |
#25
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Taylor- DN8, GS Mini, XXX- KE Gibson - Gospel Reissue Takamine- GB7C |
#26
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While holding a guitar it is more comfortable to tune a slotted headstock, with the tuner knobs sticking out the back, rather than a paddle headstock with the tuning knobs sticking out the sides.
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#27
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If I could have a slotted headstock on every guitar, I would.
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"I've always thought of bluegrass players as the Marines of the music world" – (A rock guitar guy I once jammed with) Martin America 1 Martin 000-15sm Recording King Dirty 30s RPS-9 TS Taylor GS Mini Baton Rouge 12-string guitar Martin L1XR Little Martin 1933 Epiphone Olympic 1971 square neck Dobro |
#28
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I guess I’ll weigh in. Love my D-28VS. Playing it more and more recently. Yes, it’s a 12 fret but I’d go slothead on any guitar.
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#29
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It is the real deal, a Martin tone monster deluxe. As some have said, slotheads are a cosmetic issue and aren't for everyone. But this one suits me just fine. BTW, here is a little extra eye candy:
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----------------------------- Jim Adams Collings OM Guild 12 String Mark V Classical Martin Dreadnaught Weber Mandolin |
#30
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Slot heads on a dreadnaught?
Quote:
Um, interesting back — It looks like something, um... “unmentionable” 🤣 |